We all know who The Girl is. She holds The Hero's hand as he runs through the Pyramids, chasing robots. Or she nags him, or foils him, plays the uptight straight man to his charming loser. She's idealised, degraded, dismissed, objectified and almost always dehumanised. How do we process these insidious portrayals, and how do they shape our sense of who we are and what we can become? Part memoir, part cultural commentary, part call to arms to women everywhere, You Play The Girl flips the perspective on the past thirty-five years in pop culture - from the progressive 70s, through the backlash 80s, the triumphalist 90s and the pornified 'bro culture' of the early twenty-first century - providing a firsthand chronicle of the experience of growing up inside this funhouse. Always incisive, Chocano brilliantly shows that our identities are more iterative than we think, and certainly more complex than anything we see on any kind of screen.
you play the girl
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She was raised by her mother and Grandmother Lulu Mae Jenkins right there in the brothel, where they made their home. Her father was a big-time gambler who went by the name of Sugar Man; he got killed in a robbery a couple of years ago, when she was only three years old.
This Softball and Tacos Journal Awesome gift idea for birthday, christmas holiday, and halloween. Use this journal notebook to write all your thoughts, ideas and track all of progress and goals in life.
"Ann Meyers Drysdale has been one of the greatest stars in the history of basketball. But her rise wasn't without controversy. Her 1979 NBA bid to play with the Indiana Pacers brought a barrage of criticism. But Ann simply wanted to play among the best. She had always competed with the guys, and she never let anyone keep her down. A female first in many categories, Meyers Drysdale was the first woman ever signed to a four-year athletic scholarship to UCLA, where she remains the only four-time Bruin basketball All American, male or female. Ann competed in five ABC Sports' Superstars, winning three in a row for the women. She became the only woman to be asked to compete in the Men's Superstars. After her athletic career Ann did color commentary for national stations, and the 1984 Olympic games with ABC. She covered the 2000, 2004, and 2008, 2012 Olympics for NBC. Ann has worked for ESPN for over 25 years, broadcasting men's and women's basketball and Championship games, and has also worked the Men's NCAA Tournament games on CBS. She continues to do work with FOX Sports and others. She and her husband Don Drysdale, legendary pitcher & announcer for the Los Angeles Dodgers, became the first married couple enshrined in their respective sports' Halls of Fame. Ann is the only female Vice President in the NBA (Phoenix Suns) and the WNBA's Phoenix Mercury, which has won two WNBA Championships since she took over four years ago. The New York Times featured her prominently in a piece in August called "Pioneers Continue to Shepherd Women's Basketball." Time Magazine recently named her one of the ten greatest female athletes of all time"--
A Most Unsuitable Girl, is a tragicomedy play on the prevalent social practice in India on giving dowry upon the marriage of young woman by her parents and how in certain circumstances the absence (or lack ) of dowry might have potentially fatal consequences for the bride. The play, despite having been written in a comic style, is more serious and hard hitting compared with other tragic plays written on the subject. The characters in the play take varying positions on the phenomenon of dowry and even on dowry death itself, which reflect perspectives prevalent in mainstream Indian society. In the list of characters there is a judge a prosecutor and a defence lawyer who discuss legal angles, which are not without interest. In addition the play points to the power and sexual jealousy of mother-in-law playing a much ignored but extremely significant role in the carrying out of these unspeakably beastial crimes. Conquest at Noon, the second play, is a historical fantasy. As is commonly known, India was successfully colonized by the British for three hundred years. In this play, the author creates a historical fantasy in which India was the colonizing power and the British were the subject population.
Growing up and living in Kibera, Kenya, Abdul Kassim was well aware of the disproportionate number of challenges faced by women due to the extreme gender inequalities that persist in the slums. After being raised by his aunts, mother, and grandmother and having a daughter himself, he felt that he needed to make a difference. In 2002, Abdul started a soccer team for girls called Girls Soccer in Kibera (GSK), with the hope of fostering a supportive community and providing emotional and mental support for the young women in the town. The soccer program was a success, but the looming dangers of slum life persisted, and the young women continued to fall victim to the worst kinds of human atrocities. Indeed, it was the unyielding injustice of these conditions that led Abdul to the conclusion that soccer alone was not enough to create the necessary systemic change. In 2006, after much work, the Kibera Girls Soccer Academy (KGSA) was established with their first class of 11 girls and 2 volunteer teachers. Today, KGSA is composed of 20 full-time staff, provides a host of artistic and athletic programs for more than 130 students annually, and continues to expand. By providing academics inside and outside of the classroom along with artistic and athletic opportunities, KGSA inspires the young women of Kibera to become advocates for change within their own communities and for Kenya as a whole. Play Like a Girl tells the KGSA story through Abdul’s voice and vision and the stories of key staff and students. It is written by Ellie Roscher who spent 2 summers doing research at KGSA and several years writing this book.
Making Sense of Women's Lives presents a wide range of writings about women's lives in the United States. Michele Plott and Lauri Umansky have drawn on their experiences as both students and professors to assemble the collection. Seeking to provide as full a sampling from a diverse and intellectually vibrant field as one volume permits, the editors have also chosen writing that makes an enjoyable read. A few of the selections here represent the undisputed 'classics' of the field. More of them constitute simply the works, drawn from academic and nonacademic sources alike, that could make a difference in understanding what it means to be female in America. Making Sense of Women's Lives is intended as the primary text in Women's Studies courses. With that usage in mind, Plott and Umansky have provided brief introductions to each article to help students understand the author's perspectives. Thought and discussion questions follow each selection. The book contains, as well, numerous "Flash Exercises" suggestions for class exercises and activities. The editors have used these activities in their courses over the past decade, in conjunction with readings in this volume, and have found that the full complement of materials coalesces into an intellectually powerful introduction to Women's Studies. A Collegiate Press book
The rich man had to have Her at all costs. His daughters hated Her because he loved Her more. From the time they were children the Burma Girl came between them and their cruel father. Capable of creating hatred, jealousy and resentment there was only one question left to ask. Would the Burma Girl destroy them all in the end?
Such notable women athletes as Debi Thomas, Picabo Street, Cassie Campbell, Jackie Joyner-Kersee, Peggy Fleming, Michelle Akers, and Bonnie Blair, share their stories and thoughts on sport, competition, and commitment.
At a time when women musicians were just the front singers in groups, Donna dreamed of putting her own group together and being not only a singer, but an electric lead guitarist. This concept was groundbreaking in the 1960s, when women musicians typically played folk music on acoustic guitars, not rock, funk, or R&B on electric guitars. Excited by Donna's vision and energy, other women signed on to play drums, keyboards, bass, and rhythm guitar. They quickly learned about the double standard that existed for men and women. This did not deter them in any way, but made them stronger and more determined to achieve their musical goals. Donna would like to believe that her bands' courage, passion, and drive helped to open doors for future female musicians. This is a feel-good autobiography for anyone who's ever had a dream.