Best known today from biblical accounts of his exploits and ignominious end, the Assyrian king Sennacherib (704-681 B.C.) was once the ruler of all western Asia. In his capital at Nineveh, in what is now northern Iraq, he built what he called the "Palace without Rival." Though only scattered traces of this magnificent structure are visible today, contemporary written descriptions and surviving wall reliefs permit a remarkably detailed reconstruction of the appearance and significance of the palace. An art historian trained in ancient Near East philology, archaeology, and history, John Malcolm Russell marshals these resources to investigate the meaning and political function of the palace of Sennacherib. He contends that the meaning of the monument cannot be found in images or texts alone; nor can these be divorced from architectural context. Thus his study combines discussions of the context of inscriptions in Sennacherib's palace with reconstructions of its physical appearance and analyses of the principles by which the subjects of Sennacherib's reliefs were organized to express meaning. Many of the illustrations are published here for the first time, notably drawings of palace reliefs made by nineteenth-century excavators and photographs taken in the course of the author's own excavations at Nineveh.
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Now a New York Times bestseller! There is a reason we look at others as rivals and limit ourselves to comparison and competition. We have an enemy assaulting our mind, will, and emotions in the hope that we'll turn on ourselves and each other. It's a cycle that isolates us from intimate connections, creates confusion about our identity, and limits our purpose. In Without Rival, bestselling author Lisa Bevere shares how a revelation of God's love breaks these limits. You'll learn how to stop seeing others as rivals and make the deep connections with your Creator you long for--connections that hold the promise of true identity and intimacy. With biblically sound teaching filled with prophetic insight for our day, Lisa uses humor and passion to challenge you to · Flip rivalry so it brings out the best in you · Stop hiding from conversations you need to be a part of · Answer the argument that says women are unfit, easily deceived, and gullible · Dismantle gender rivalry and work with the men in your life It's time to step forward to live a life without rival.
In this day of challenge and opportunity, women have been the victims of constant comparison and rivalry. It has robbed the church of the feminine voice and contribution that would make her strong. In a wild, vibrant, and relatable style, Lisa challenges women to - embrace the fact that God loves us uniquely rather than equally - realize their undisputed calling; reconnect to their divine identity - and dismantle the rivalries that keep us from God's fullness This six-week study compliments Lisa's book Without Rival and consists of six sessions on 2 DVDs. Group discussion questions are also included. Session Titles: 1 - Love Fearlessly (16:45) 2 - Don't Settle for Crumbs and Rumors (19:52) 3 - Be Part of the Conversation (19:26) 4 - Live Uniquely (21:17) 5 - Leave a Redemptive Legacy (20:37) 6 - Pursue the Eternal Story (19:17)
This book is a critical study of the role played by architecture and texts in promoting political and religious ideologies in the ancient world. It explains a palace as an element in royal propaganda seeking to influence social concepts about kingship, and a text about a temple as influencing social concepts about the relationship between God and human beings. Applying the methods of analysis developed in built environment studies, the author interprets the palace and temple building programs of Sennacherib, King of Assyria, and Solomon, King of Israel. The physical evidence for the palace and the verbal evidence for the temple are explained as presenting communicative icons intended to influence contemporary political and religious concepts. The volume concludes with innovative interpretations of the contributions of architectural and verbal icons to religious and political reform.
MacIntyre's project, here as elsewhere, is to put up a fight against philosophical relativism. . . . The current form is the 'incommensurability,' so-called, of differing standpoints or conceptual schemes. Mr. MacIntyre claims that different schools of philosophy must differ fundamentally about what counts as a rational way to settle intellectual differences. Reading between the lines, one can see that he has in mind nationalities as well as thinkers, and literary criticism as well as academic philosophy. More explicitly, he labels and discusses three significantly different standpoints: the encyclopedic, the genealogical and the traditional. . . . [T]he chapters on the development of Christian philosophy between Augustine and Duns Scotus are very interesting indeed. . . . [MacIntyre] must be the past, present, future, and all-time philosophical historians' historian of philosophy. -The New York Times Book Review
Through sustained analysis of texts and visual sources, this volume traces the checkered career of Neo-Assyrian religious interaction with subject polities of Western Asia through both punitive measures and calculated diplomatic patronage.
"This interdisciplinary collection of articles focuses on pictorial and iconic systems of the Maya, Mixtec, Aztec, and Inca, and the social contexts of writing during the colonial period, to challenge western conceptualizations of art, writing and literacy. The final papers offer stimulating discussions of interactions between European and indigenous writing systems"--Handbook of Latin American Studies, v. 57.
In 1895, Louis Lumière supposedly said that cinema is “an invention without a future.” James Naremore uses this legendary remark as a starting point for a meditation on the so-called death of cinema in the digital age, and as a way of introducing a wide-ranging series of his essays on movies past and present. These essays include discussions of authorship, adaptation, and acting; commentaries on Howard Hawks, Alfred Hitchcock, Orson Welles, Vincente Minnelli, John Huston, and Stanley Kubrick; and reviews of more recent work by non-Hollywood directors Pedro Costa, Abbas Kiarostami, Raúl Ruiz, and Apichatpong Weerasethakul. Important themes recur: the relations between modernity, modernism, and postmodernism; the changing mediascape and death of older technologies; and the need for robust critical writing in an era when print journalism is waning and the humanities are devalued. The book concludes with essays on four major American film critics: James Agee, Manny Farber, Andrew Sarris, and Jonathan Rosenbaum.
This book proposes a new way of tracing the history of the Early Modern Spanish novel through the prism of literary continuation. It identifies and examines the Golden Age narratives that invented the sequel and the narrative genres that the sequel in turn invented. The author explores the rivalries between apocryphal and authorized sequelists that forged modern notions of authorship and authorial property. The book also defines the sequel's forms and functions, filling a major gap in literary theory in general and Peninsular literary studies in particular. Notably, the author demonstrates that the sequel develops first and foremost in Early Modern Spain, an unacknowledged and unexamined contribution to Western letters. With its panoramic scope, this study serves as an introduction to the central novelistic genres and texts of Early Modern Spain. From this foundational starting point, it also offers a general framework for understanding imaginative expansion in subsequent time periods and literary traditions. William H. Hinrichs is a founding faculty member and Assistant Professor of Modern Languages at Bard High School Early College, Queens.