Looks at the history of postwar political pop and compares modern music's more escapist themes with concerts supporting political groups
when the musics over
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THE SUNDAY TIMES NUMBER ONE BESTSELLER. The twenty third instalment of the NUMBER ONE BESTSELLING DCI Banks Series. The Alan Banks mystery-suspense novels are the best series on the market. Try one and tell me I'm wrong. - Stephen King Two young girls. Two unspeakable crimes. Fifty years separate them - their pain connects them. When the body of a 15-year-old is found in a remote countryside lane, beaten and broken, DI Annie Cabbot is brought in to investigate how the child could possibly have fallen victim to such brutality. Newly promoted Detective Superintendent Alan Banks is faced with a case that is as cold as they come. Now in her 60s, Linda Palmer was attacked aged 14 by celebrity entertainer Danny Caxton, yet the crime has never been investigated - until now. As each steps closer to uncovering the truth, they'll unearth secrets much darker than they ever could have guessed . . .
As the lead singer of the Doors, Jim Morrison’s searing poetic vision and voracious appetite for sexual, spiritual, and psychedelic experience inflamed the spirit and psyche of a generation. Since his mysterious death in 1971, millions more fans from a new generation have embraced his legacy, as layers of myth have gathered to enshroud the life, career, and true character of the man who was James Douglas Morrison. In Jim Morrison, critically acclaimed journalist Stephen Davis, author of Hammer of the Gods, unmasks Morrison’s constructed personas of the Lizard King and Mr. Mojo Risin’ to reveal a man of fierce intelligence whose own destructive tendencies both fueled his creative ambitions and brought about his downfall. Gathered from dozens of original interviews and investigations of Morrison’s personal journals, Davis has assembled a vivid portrait of a misunderstood genius, tracing the arc of Morrison’s life from his troubled youth to his international stardom, when his drug and alcohol binges, tumultuous sexual affairs, and fractious personal relationships reached a frenzied peak. For the first time, Davis is able to reconstruct Morrison’s last days in Paris to solve one of the greatest mysteries in music history in a shocking final chapter. Compelling and harrowing, intimate and revelatory, Jim Morrison is the definitive biography of the rock idol in snakeskin and leather who defined the 1960s.
It's1940. Americans struggle to escape the economic despair of the Thirties. A gnawing sense of anxiety grips the nation as Europe explodes in conflict. With the 20th Century's most traumatic events as background, When the music stops follows Johnny Miller, a talented musician intent on making the big time; Jean, the beautiful, devious girl who walks into his life to become his obsession; and his cousin, Herman, a naive union organizer. Jean cares for Johnny but desperately desires financial security. Convinced by her false promise to be true, Johnny leaves drab Northeast Pennsylvania to seek fame in glittering New York City. He befriends Jean's sister, Dee, who helps him find work in radio. Intrigued by her husband's efforts to establish a swing band, Johnny is appalled by the couple's abusive relationship. His attempts to distance himself fail as their musical ambitions draw them together. Can they find success before their personal conflicts destroy them? Corrupt bosses lead Herman into illicit activities. The union and Jean's employer are bitter foes in a labor dispute that ends in violence and betrayal. Someone must be punished. Who will it be? Answers come on a December weekend when the music stops with the slash of a knife and an act of unimaginable treachery. Jean and Herman's lives are forever linked. Johnny's world is shattered as history's most devastating war engulfs America.
Sonya Tidwell is a divorced mother with a young son. She tries desperately to help him through the transition of their new life. She tries to teach him how to forgive the father that gave up on their family so easily. She loves him completely and will never give up on him and the man he will become. When the Music Stops by Levet H. Ray
The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales. Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous "James Bond Theme" in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger and Thunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond. The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, Gladys Knight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007 buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall.
“This book is a must read for newcomers and experienced composers wanting to learn more about the art of video game composition.” —Chuck Doud, Director of Music, Sony Computer Entertainment Worldwide Studios All You Need to Know to Create Great Video Game Music Written by the developer of Berklee School of Music’s pioneering game scoring program, this guide covers everything professional composers and music students need to know about composing interactive music for video games, and contains exclusive tools for interactive scoring—tools that were previously available only at Berklee. Drawing on twenty years of professional experience in the game industry, Michael Sweet helps you master the unique language of music storytelling in games. Next, he walks you through the entire music composition process, from initial conceptualization and creative direction through implementation. Inside, you’ll find dozens of examples that illustrate adaptive compositional techniques, from small downloadable games to multimillion dollar console titles. In addition, this guide covers the business side of video game composition, sharing crucial advice about contracts, pricing, sales, and marketing. Coverage includes Overcoming the unique challenges of writing for games Composing music that can adapt in real time to player actions Developing thematic ideas Using audio middleware to create advanced interactive scores Working effectively with game development teams Understanding the life of a video game composer Managing contracts, rights, estimating, and negotiation Finding work The companion website contains software tools to help you master interactive music concepts explored in this book, with additional resources and links to learn more about scoring for games. See Appendix A for details.
This text is a comprehensive collection of primary source material for those studying the media at university and pre-university level. Extracts include a range of texts from academic and non-academic works including journalism and writings on film, television and popular culture.
Bill Gaither shares the amazing story of his life revealing triumph and tragedies that everyone can learn from.
Rock Music in American Popular Culture III: More Rock ’n’Roll Resources explores the fascinating world of rock music and examines how this medium functions as an expression of cultural and social identity. This nostalgic guide explores the meanings and messages behind some of the most popular rock ’n’roll songs that captured the American spirit, mirrored society, and reflected events in our history. Arranged by themes, Rock Music in American Popular Culture III examines a variety of social and cultural topics with related songs, such as: sex and censorship--“Only the Good Die Young” by Billy Joel and “Night Moves” by Bob Seger and The Silver Bullet Band holiday songs--“Rockin’Around the Christmas Tree” by Brenda Lee and “The Christmas Song” by Nat King Cole death--“Leader of the Pack” by The Shangri-Las and “The Unknown Soldier” by The Doors foolish behavior--“When a Man Loves a Woman” by Percy Sledge and “What Kind of Fool” by Barbra Streisand and Barry Gibb jobs and the workplace--“Don’t Stand So Close to Me” by The Police and “Dirty Laundry” by Don Henley military involvements--“Boogie Woogie Bugle Boy” by the Andrews Sisters and “War” by Edwin Starr novelty recordings--“The Purple People Eater” by Sheb Wooley and “Eat It” by Weird Al Yankovic letters and postal images--“P. S. I Love You” by The Beatles and “Return to Sender” by Elvis Presely In addition, a discography and a bibliography after each section give further examples of the themes and resources being discussed, as do extensive lists of print references at the end of the text.