MUST A CHILD'S PAST DEFINE THEIR FUTURE? 'Luminous . . . heartbreaking . . . I haven’t read anything this good in a long time' Rachel Joyce, author of The Unlikely Pilgrimage of Harold Fry 'Deeply involving . . . rich, shimmering, sensuous' Jennifer Egan, author of A Visit From the Goon Squad In 1960s rural America two siblings grow up in a place of love and turmoil. Rene is the apple of her father’s eye: an over-achiever, athletic, clever, the best brain in class, and the best dancer in school. Her older brother Leon, doted on by his mother, is shy, a stutterer, but also a brilliant dancer. Rene and Leon share a talent, but it is a gift their father adores in his daughter, and loathes in his son, and that could make all the difference. These two children may be best friends, but life promises to take them down very different paths . . . The Distance Home is the story of two children growing up side by side – the one given opportunities the other just misses – and the fall-out in their adult lives. Funny and tragic, both intimate and universal, Paula Saunders’ debut is about how our parents shape the adults we become. It is a hugely moving story of devotion and neglect, impossible to put down – these are characters you will forever hold close to your heart.
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As American television continues to garner considerable esteem, rivalling the seventh art in its "cinematic" aesthetics and the complexity of its narratives, one aspect of its development has been relatively unexamined. While film has long acknowledged its tendency to adapt, an ability that contributed to its status as narrative art (capable of translating canonical texts onto the screen), television adaptations have seemingly been relegated to the miniseries or classic serial. From remakes and reboots to transmedia storytelling, loose adaptations or adaptations which last but a single episode, the recycling of pre-existing narrative is a practice that is just as common in television as in film, and this text seeks to rectify that oversight, examining series from M*A*S*H to Game of Thrones, Pride and Prejudice to Castle.
This book guides readers through the most salient theoretical and creative possibilities opened up by the shift to digital literary forms.
This book explores creative writing and its various relationships to education through a number of short, evocative chapters written by key players in the field. At times controversial, the book presents issues, ideas and pedagogic practices related to creative writing in and around education, with a focus on higher education. The volume aims to give the reader a sense of contemporary thinking and to provide some alternative points of view, offering examples of how those involved feel about the relationship between creative writing and education. Many of the contributors play notable roles in national and international organizations concerned with creative writing and education. The book also includes a Foreword by Philip Gross, who won the 2009 TS Eliot Prize for poetry.
In Cultural Dynamics of Climate Change and the Environment in Northern America academics from various fields such as anthropology, art history, cultural studies, environmental science, history, political science, and sociology explore society–nature interactions in – culturally as well as ecologically – one of the most diverse regions of the world.
Contemporary culture is haunted by its media. Yet in their ubiquity, digital media have become increasingly banal, making it harder for us to register their novelty or the scope of the social changes they have wrought. What do we learn about our media environment when we look closely at the ways novelists and filmmakers narrate and depict banal use of everyday technologies? How do we encounter our own media use in scenes of waiting for e-mail, watching eBay bids, programming as work, and worrying about numbers of social media likes, friends, and followers? Zara Dinnen analyzes a range of prominent contemporary novels, films, and artworks to contend that we live in the condition of the “digital banal,” not noticing the affective and political novelty of our relationship to digital media. Authors like Jennifer Egan, Dave Eggers, Sheila Heti, Jonathan Lethem, Gary Shteyngart, Colson Whitehead, Mark Amerika, Ellen Ullman, and Danica Novgorodoff and films such as The Social Network and Catfish critique and reveal the ways in which digital labor isolates the individual; how the work of programming has become an operation of power; and the continuation of the “Californian ideology,” which has folded the radical into the rote and the imaginary into the mundane. The works of these writers and artists, Dinnen argues, also offer ways of resisting the more troubling aspects of the effects of new technologies, as well as timely methods for seeing the digital banal as a politics of suppression. Bridging the gap between literary studies and media studies, The Digital Banal recovers the shrouded disturbances that can help us recognize and antagonize our media environment.
NEW YORK TIMES BESTSELLER • A New York Times Notable Book Winner of the Andrew Carnegie Medal for Excellence in Fiction The daring and magnificent novel from the Pulitzer Prize–winning author. Named One of the Best Books of the Year by NPR, Esquire, Vogue, The Washington Post, The Guardian, USA TODAY, and Time Anna Kerrigan, nearly twelve years old, accompanies her father to visit Dexter Styles, a man who, she gleans, is crucial to the survival of her father and her family. She is mesmerized by the sea beyond the house and by some charged mystery between the two men. Years later, her father has disappeared and the country is at war. Anna works at the Brooklyn Naval Yard, where women are allowed to hold jobs that once belonged to men, now soldiers abroad. She becomes the first female diver, the most dangerous and exclusive of occupations, repairing the ships that will help America win the war. One evening at a nightclub, she meets Dexter Styles again, and begins to understand the complexity of her father’s life, the reasons he might have vanished. “A magnificent achievement, at once a suspenseful noir intrigue and a transporting work of lyrical beauty and emotional heft” (The Boston Globe), “Egan’s first foray into historical fiction makes you forget you’re reading historical fiction at all” (Elle). Manhattan Beach takes us into a world populated by gangsters, sailors, divers, bankers, and union men in a dazzling, propulsive exploration of a transformative moment in the lives and identities of women and men, of America and the world.
A love affair blooms between two officers in the impartially worded pages of a police blotter. "Officers Weep" is a story from Daniel Orozco's critically acclaimed collection Orientation, which leads the reader through the hidden lives and moral philosophies of bridge painters, men housebound by obesity, office temps, and warehouse workers. He reveals the secret pleasures of late-night supermarket trips for cookie binges, exceptional data entry, and an exiled dictator's occasional piss on the U.S. embassy. A new employee's first-day office tour includes descriptions of other workers' most private thoughts and actions; during an earthquake, the consciousness of the entire state of California shakes free for examination. Orientation introduces a writer at the height of his powers, whose work surely invites us to reassess the landscape of American fiction.