Inspired by a terrifying true story, a heart-pounding novel of suspense about a small Minnesota town where nothing is as quiet--or as safe--as it seems. Cassie McDowell's life in 1980s Minnesota seems perfectly wholesome. She lives on a farm, loves school, and has a crush on the nicest boy in class. Yes, there are her parents' strange parties and their parade of deviant guests, but she's grown accustomed to them. All that changes when someone comes hunting in Lilydale. One by one, local boys go missing. One by one, they return changed--violent, moody, and withdrawn. What happened to them becomes the stuff of shocking rumors. The accusations of who's responsible grow just as wild, and dangerous town secrets start to surface. Then Cassie's own sister undergoes the dark change. If she is to survive, Cassie must find her way in an adult world where every sin is justified, and only the truth is unforgivable.
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Shortlisted for the Green Carnation Prize 2014 Laurie Penny, one of our most prominent young voices of feminism and dissent, presents a trenchant report on our society today--and our society tomorrow, as she is willing to fight to see it. Smart, clear-eyed, and irreverent, Unspeakable Things is a fresh look at gender and power in the twenty-first century, which asks difficult questions about dissent and desire, money and masculinity, sexual violence, menial work, mental health, queer politics, and the Internet. Celebrated journalist and activist Laurie Penny draws on a broad history of feminist thought and her own experience in radical subcultures in America and Britain to take on cultural phenomena from the Occupy movement to online dating, give her unique spin on economic justice and freedom of speech, and provide candid personal insight to rally the defensive against eating disorders, sexual assault, and internet trolls. Unspeakable Things is a book that is eye-opening not only in the critique it provides, but also in the revolutionary alternatives it imagines.
A wild, erotic novel—a daring debut—from the much-admired, award-winning poet, author of Flying Inland, A History of Yearning, and With Robert Lowell and His Circle: Sylvia Plath, Anne Sexton, Elizabeth Bishop, Stanley Kunitz, and Others. A strange, haunting novel about survival and love in all its forms; about sexual awakenings and dark secrets; about European refugee intellectuals who have fled Hitler’s armies with their dreams intact and who have come to an elusive new (American) “can do, will do” world they cannot seem to find. A novel steeped in surreal storytelling and beautiful music that transports its half-broken souls—and us—to another realm of the senses. The setting: the early 1940s, New York—city of refuge, city of hope, with the specter of a red-hot Europe at war. At the novel’s center: Anna (known as the Rat), an exotic Hungarian countess with the face of an angel, beautiful eyes, and a seraphic smile, with a passionate intelligence, an exquisite ugliness, and the power to enchant . . . Her second cousin Herbert, a former minor Austrian civil servant who believes in Esperanto and the international rights of man, wheeling and dealing in New York, powerful in the social sphere yet under the thumb of his wife, Adeline . . . Michael, their missing homosexual son . . . Felix, a German pediatrician who dabbles in genetic engineering, practicing from his Upper East Side office with his little dachshund, Schatzie, by his side . . . The Tolstoi String Quartet, four men and their instruments, who for twenty years lived as one, playing the great concert halls of Europe, escaping to New York with their money sewn into the silk linings of their instrument cases . . . And watching them all: Herbert’s eight-year-old granddaughter, Maria, who understands from the furtive fear of her mother, and the huddled penury of their lives, and the sense of being in hiding, even in New York, that life is a test of courage and silence, Maria witnessing the family’s strange comings and goings, being regaled at night, when most are asleep, with the intoxicating, thrilling stories of their secret pasts . . . of lives lived in Saint Petersburg . . . of husbands being sent to the front and large, dangerous debts owed to the Tsar of imperial Russia, of late-night visits by coach to the palace of the Romanovs to beg for mercy and avoid execution . . . and at the heart of the stories, told through the long nights with no dawn in sight, the strange, electrifying tale of a pact made in desperation with the private adviser to the Tsar and Tsarina—the mystic faith healer Grigory Rasputin (Russian for “debauched one”), a pact of “companionship” between Anna (the Rat) and the scheming Siberian peasant–turned–holy man, called the Devil by some, the self-proclaimed “only true Christ,” meeting night after night in Rasputin’s apartments, and the spellbinding, unspeakable things done there in the name of penance and pleasure . . . From the Hardcover edition.
The story of the raped and murdered woman of Judges 19 and the civil war and mass marriage that ensue in chapters 20–21 are hardly favorite tales of the Hebrew Bible. The chapters have often been dismissed as little more than an anachronistic epilogue, an awkward amalgamation of earlier stories or a “text of terror,” proof of patriarchal oppression. This book argues that, far from being a clumsy collage, Judges 19–21 is a carefully narrated tale that chronicles the descent of a nation into extreme individualism and fragmentation. In dialogue with continental philosopher Luce Irigaray, it will uncover the dynamics of identity formation and how differential constructions of identity of the One and the Other yield patterns of victimization and justification of violence. This literary-philosophical reading will bring out silences and missed possibilities for the subjectivity of women, whilst also shedding light on the victimization of men within the logic of totalitarian identity constructions. The end of Judges therefore offers a theological conclusion to the book as a whole and opens up avenues for thought on theological anthropology, understandings of identity and gender, and a theological commentary on violence.
Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon. The essays in this collection--many of which are not widely available today--either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism. A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience. Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright
My best short stories. Eight twisted tales of seduction and revenge.