Au revoir, Pluto! In this beloved revised classic, beginning readers and budding astronomers are launched on a wild trip to visit the eight planets in our solar system (per the International Astronomical Union’s 2006 decision to downgrade Pluto from a planet to a dwarf planet), along with the Cat in the Hat, Thing One, Thing Two, Dick, and Sally. It’s a reading adventure that’s out of this world!
theres no place like space
In order to READ Online or Download Theres No Place Like Space ebooks in PDF, ePUB, Tuebl and Mobi format, you need to create a FREE account. We cannot guarantee that Theres No Place Like Space book is in the library, But if You are still not sure with the service, you can choose FREE Trial service. READ as many books as you like (Personal use).
This is the first comprehensive account of Germany's most enduring film genre, the Heimatfilm, which has offered idyllic variations on the idea that "there is no place like home" since cinema's early days. Charting the development of this popular genre over the course of a century in a work informed by film studies, cultural history, and social theory, Johannes von Moltke focuses in particular on its heyday in the 1950s, a period that has been little studied. Questions of what it could possibly mean to call the German nation "home" after the catastrophes of World War II are anxiously present in these films, and von Moltke uses them as a lens through which to view contemporary discourses on German national identity.
When author and teacher Jane Bedard shifted from working mom to Stay-at-Home Mom, her eyes opened to a brand new world, so different from the one she returned home to each night. With her autopilot control turned off, she was surprised to find a vegetarian, a carnivore, a pescetarian, and two nuggetarians at her kitchen table. When did that happen, and what else awaited her? Join Jane as she addresses daily dilemmas so many of us face, such as: When is it a good idea to tell a stranger to stick a piece of garlic up her ass? Why is Batmom better than Supermom? If you unexpectedly find yourself in a Thai brothel for a massage, how much do you tip? Is it irresponsible parenting if a game of catch accidentally lands your kids at the edge of the Grand Canyon? How do you say goodbye to the people you love? THERE’S NO PLACE LIKE HOME celebrates that most domestic and exotic of all professions: The Stay-at-Home Mom, yet embraces women from all vocations with poignant and hilarious commentary on motherhood & childhood, sisterhood & daughterhood, wifehood & friendshiphood... all from within Toronto’s hood and beyond.
Against a background of debate around global ageing and what this means in terms of the future care need of older people, this book addresses key concerns about the nature and site of care and care-giving. Following a critical review of research into who cares, where and how, it uses geographical perspectives to present a comprehensive analysis of how the intersection of informal care-giving within domestic, community and residential care homes can create complex landscapes and organizational spatialities of care. Drawing on contemporary case studies largely, but not exclusively from the UK, the book reviews and develops a theoretical basis for a geographical analysis of the issue of care. By relating these theoretical concepts to empirical data and case studies it illustrates how formal and informal care-giver responses to the changing landscape of care can act to facilitate or constrain the development of inclusionary models of care.
This book takes the creativity and inventiveness of the maker movement and applies that energy in a new way to help children learn across all subject areas as well as broaden their world view. • Addresses the avid interests of youth in technology • Provides librarians with a practical resource for incorporating tech literacy into storytime and other youth programs • Gives librarians a programming tool to use with makerspaces that can be used to integrate them with all areas of learning
A collection of essays written by leading anthropologists that take a close look at the causes of recent poverty and the severe shortage of low-income housing.
Maps and globes are among the most important tools that scientists have for studying the earth. In the 1500s, Gerardus Mercator created the first globes and maps. William Davis helped make geography a school subject and is a founder of geomorphology, the study of landforms. He also made important discoveries about the cycle of erosion. Many of today's discoveries come from photos taken from satellites that orbit our planet.
For those of us who love The Rocky and Bullwinkle Show, these names conjure up memories of some of the wittiest, most inspired, and relentlessly hilarious half-hours of animation ever produced. There was a kind of gleeful magic to the shows, a cumulative joy that transcended the crude animation and occasionally muddy sound, and it's this quality that was the essence of the legendary Jay Ward and Bill Scott. Jay Ward was the magnificent visionary, the outrageous showman who lobbied Washington for statehood for Moosylvania, and invited the press to a picnic on the floor of the Plaza Hotel's august Grand Ballroom. Bill Scott was the genial, brilliant head writer, coproducer, and all-purpose creative whirlwind, often described as the "soul" of the shows. In fact, Scott even provided the voices for most of the star characters, giving life to Bullwinkle J. Moose, Mr. Peabody, Dudley Do-Right, and George of the Jungle. From their tiny, oddball animation studio, Jay Ward Productions, they created some of the most memorable animation of all time, and gave birth to a family of characters whose undying popularity has cast them forever into the pop culture firmament. With their distinctively unorthodox, artist-friendly philosophy, Ward and Scott attracted some of the most talented writers and voice actors in the industry, and for a time, Jay Ward Productions was a kind of Camelot of cartoons. Now, through exclusive interviews with Bill Scott, Tiffany Ward, June Foray, and dozens of others intimately involved with the Ward epoch, as well as access to original scripts, artwork, story notes, letters, and memos, Keith Scott has created the definitive history of Jay Ward Productions, including episode guides and voice credits for all the Jay Ward cartoons. From the first "Hey Rocky, watch me pull a rabbit out of a hat!" to the last "Watch out for that tree!", The Moose That Roared is not only the record of a legendary chapter in animation history, but also the story of a rare and magical relationship between two artists who were wildly, exuberantly ahead of their time, and the fascinating story of the struggle to bring their vision of bad puns and talking animals to unforgettable life.
A retro look at those old black and white monster horror scary Sci Fi movies with a special twist. A humorous poke at Horror TV shows like Elvira, Mistress of the Dark, The Vegas Vampire and other late night TV horror show hosts that still linger on like the undead that creep from the shadows of the night to inflict us with sarcasm and humor.