The View from the Cheap Seats draws together myriad non-fiction writing by international phenomenon and Sunday Times bestselling author Neil Gaiman. From Make Good Art, the speech that went viral, to pieces on artists and legends including Terry Pratchett and Lou Reed, the collection offers a glimpse into the head and heart of one of the most acclaimed writers of our time. 'If this book came to you during a despairing night, by dawn, you would believe in ideas and hope and humans again' Caitlin Moran 'Literature does not occur in a vacuum. It cannot be a monologue. It has to be a conversation' This collection will draw you in to exchanges on making good art and Syrian refugees, the power of a single word and playing the kazoo with Stephen King, writing about books, comics and the imagination of friends, being sad at the Oscars and telling lies for a living. Here Neil Gaiman opens our minds to the people he admires and the things he believes might just mean something - and welcomes us to the conversation too.
the view from the cheap seats
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Poet Barry Holland wasnt born to riches and fancy things in South Wales. He recalls, blithely, that his family was so poor when he was young that, in wintertime, his dad would suck an extra strong mint and the whole family would sit around his tongue to stay warm. Now, he looks back on forty-two years of living in Newport and what those years have meant. View from the Cheap Seats is a collection of fictions, imaginings, as well as true stories from Hollands tumultuous life. He writes of his battles with mental illness as well as the challenges of being a single parentwith a mental illness. Poems draw upon visions Holland saw while sick to real people, the wild characters hes met along the way. Despite lifes difficulties, Holland weaves his quirky sense of humor through every word. He dedicates pages to his beloved son, LeuanHollands favorite rugby player and best friendand some serious words to delusion. But no matter how dark things get, how desperate the times, Holland believes in seeing the levity and finding whatever it is that keeps you laughing.
A View from the Cheap Seats is an unlikely book from an unlikely author. By the unwritten laws of life, it shouldn't exist. Kids don't give advice on anything, and few care about their opinions. Kids don't know anything, especially when it involves the hard lessons of life, political matters, religion, the culture war or the nation's current struggles with mental and physical health.
Have you ever wondered what goes on in the mind of an evangelist? Probably not, but here is your chance to get a glimpse from the cheap seats. Join with Matthew Watson as we laugh through church bloopers, evangelist woes, and childhood memories and while we reflect on serious matters such as the foreign mission field and things learned in evangelism. Centered around the culture of the Apostolic Church "From the Cheap Seats" is a humor gold, with just a hint of the thought provoking.
This essay collection explores the phenomenon of "teen TV" in the United States, analyzing the meanings and manifestations of this category of programming from a variety of perspectives. Part One views teen television through an industrial perspective, examining how networks such as WB, UPN, The CW, and The N have created a unique economic framework based on demographic niches and teen-focused narrowcasting. Part Two focuses on popular teen programs from a cultural context, evaluating how such programs reflect and at times stretch the envelope of the cultural contexts in which they are created. Finally, Part Three explores the cultures of reception (including the realms of teen consumerism, fan discourse, and unofficial production) through which teens and consumers of teen media have become authors of the teenage experience in their own right.
Contributions by Lanette Cadle, Züleyha Çetiner-Öktem, Renata Lucena Dalmaso, Andrew Eichel, Kyle Eveleth, Anna Katrina Gutierrez, Darren Harris-Fain, Krystal Howard, Christopher D. Kilgore, Kristine Larsen, Thayse Madella, Erica McCrystal, Tara Prescott-Johnson, Danielle Russell, Joe Sutliff Sanders, Joseph Michael Sommers, and Justin Wigard Neil Gaiman (b. 1960) reigns as one of the most critically decorated and popular authors of the last fifty years. Perhaps best known as the writer of the Harvey, Eisner, and World Fantasy Award–winning series The Sandman, Gaiman quickly became equally renowned in literary circles for Neverwhere, Coraline, and the award-winning American Gods, as well as the Newbery and Carnegie Medal–winning The Graveyard Book. For adults, children, comics readers, and viewers of the BBC’s Doctor Who, Gaiman’s writing has crossed the borders of virtually all media, making him a celebrity around the world. Despite Gaiman’s incredible contributions to comics, his work remains underrepresented in sustained fashion in comics studies. In this book, the thirteen essays and two interviews with Gaiman and his frequent collaborator, artist P. Craig Russell, examine the work of Gaiman and his many illustrators. The essays discuss Gaiman’s oeuvre regarding the qualities that make his work unique in his eschewing of typical categories, his proclamations to “make good art,” and his own constant efforts to do so however the genres and audiences may slip into one another. The Artistry of Neil Gaiman forms a complicated picture of a man who has always seemed fully assembled virtually from the start of his career, but only came to feel comfortable in his own voice far later in life.
In his latest collection of award-winning boxing essays, Springs Toledo takes a hard look at the hardest game from a seat next to yours. Where the widely-acclaimed The Gods of War (Tora, 2014) zoomed in at the greatness of the golden era, In the Cheap Seats zooms out for a panoramic view of the wild world of boxing: the true champions and contenders, the stumblebums trying to make a buck inside of six rounds, the fans who swear by it and sometimes swear at it, and the rich assortment of characters large and small that inevitably gather around the ring. Whether you're a purist or a critic, a casual fan or a toe dipper, Toledo proves to be the perfect companion at the fights.
This book is about politics, both local and national, and how each impacts the other. The city of Scranton is itself a hotbed of partisan politics and, at other times, a home to apathy and antipathy. The host of “Hard Ball,” Chris Mathews, talks about ordinary citizens “from Scranton to Oshkosh.” In the last couple presidential elections, Scranton has had an outsized effect because it is the hometown of Joe Biden and was the nearby summer vacation home of Hillary Rodham Clinton. Learn how a committed group of thoughtful writers seek to turn Northeast Pennsylvania (and beyond) around with its incisive reporting of enlightened views
This book links the questions people ask about why things exist, why the world is the way it is, and whether and how it is possible to change their society or world with the societal myths they develop and teach to answer those questions and organize and bring order to their communal lives. It also is about the need for change in western societies’ current organizing concept, classical (Lockean) liberalism. Despite the attempts of numerous insightful political thinkers, the myth of classical liberalism has developed so many cracks that it cannot be put back together again. If not entirely failed, it is at this point unsalvageable in its present form. Never the thought of just one person, the liberal model of individual religious, political, and economic freedom developed over hundreds of years starting with Martin Luther’s dictum that every man should be his own priest. Although, classical liberalism means different things to different people, at its most basic level, this model sees human beings as individuals who exist prior to government and have rights over government and the social good. That is, the individual right always trumps the moral and social good and individuals have few obligations to one another unless they actively choose to undertake them. Possibility’s Parents argues that Lockean liberalism has reached the end of its logic in ways that make it unable to handle the western world’s most pressing problems and that novelists whose writing includes the form and texture of myth have important insights to offer on the way forward.