For the first time in English, a catalog of the world through fourteenth-century Arab eyes—a kind of Schott’s Miscellany for the Islamic Golden Age An astonishing record of the knowledge of a civilization, The Ultimate Ambition in the Arts of Erudition catalogs everything known to exist from the perspective of a fourteenth-century Egyptian scholar and litterateur. More than 9,000 pages and thirty volumes—here abridged to one volume, and translated into English for the first time—it contains entries on everything from medieval moon-worshipping cults, sexual aphrodisiacs, and the substance of clouds, to how to get the smell of alcohol off one’s breath, the deliciousness of cheese made from buffalo milk, and the nesting habits of flamingos. Similar works by Western authors, including Pliny’s Natural History, have been available in English for centuries. This groundbreaking translation of a remarkable Arabic text—expertly abridged and annotated—offers a look at the world through the highly literary and impressively knowledgeable societies of the classical Islamic world. Meticulously arranged and delightfully eclectic, it is a compendium to be treasured—a true monument of erudition. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
the ultimate ambition in the arts of erudition
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Based on the author's dissertation (doctoral)-- Harvard University, 2012.
In the early sixteenth century, the political landscape of West Asia was completely transformed: of the previous four major powers, only one - the Ottoman Empire - continued to exist. Ottoman survival was, in part, predicated on transition to a new mode of kingship, enabling its transformation from regional dynastic sultanate to empire of global stature. In this book, Christopher Markiewicz uses as a departure point the life and thought of Idris Bidlisi (1457-1520), one of the most dynamic scholars and statesmen of the period. Through this examination, he highlights the series of ideological and administrative crises in the fifteenth-century sultanates of Islamic lands that gave rise to this new conception of kingship and became the basis for sovereign authority not only within the Ottoman Empire but also across other Muslim empires in the early modern period.
The articles in this anthology discuss the connection between the rhetorical and narrative manifestations of literature, and the media and communicative structures in which they appear. Background literature is described from antique Greece to the present. The conception of literature is here a formal construction rather than an expression of a certain aesthetic perception. The book is structured in three themes: "Tradition and Authority," about the relations between the author and the tradition in post-modern literature; "Narrative Technique," about the role of the author; and "Textuality and Hypertext," concentrating on the textuality of literature in modernistic lyrics and the digitalized hypertext.
This 1980 book is designed to help university students to master the technicalities and techniques of French verse. The author assumes that part of the difficulty encountered by readers derives from the need to approach French verse through English verse; this book undertakes, therefore, a differentiation of the two verse traditions. Dr Scott's concern is to provide the groundwork of a terminology, to discuss the origins and implications of that terminology, and to show how terminological knowledge can be translated into critical speculation about poetry. After three chapters which establish the essential features of the French line of verse and outline the difficulties the student is likely to encounter in trying to describe it and deal with it, the book moves on to consider rhyme, stanzas, verse forms and free verse.
From popular histories through to reworkings of classical subject matter by contemporary poets, dramatists, and novelists, the classical world and the masterpieces of its literature continue to fascinate readers and audiences in a huge variety of media. In this Very Short Introduction, William Allan explores what the 'classics' are and why they continue to shape our Western concepts of literature. Presenting a range of material from both Greek and Latin literature, he illustrates the variety and sophistication of these works, and considers examples from all the major genres. Ideal for the general reader interested in works of classic literature, as well as students at A-Level and University, this is a lively and lucid guide to the major authors and literary forms of the ancient period. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Excerpts from criticism of the works of novelists, poets, playwrights, short story writers and other creative writers who lived between 1900 and 1960, from the first published critical appraisals to current evaluations.