Book Two in Elena Ferrante's Neapolitan Quartet In 2012, Elena Ferrante's My Brilliant Friend introduced readers to the unforgettable Elena and Lila, whose lifelong friendship provides the backbone for the Neapolitan Novels. The Story of a New Name is the second book in this series. With these books, which the New Yorker's James Wood described as "large, captivating, amiably peopled...a beautiful and delicate tale of confluence and reversal," Ferrante proves herself to be one of Italy's most accomplished storytellers. She writes vividly about a specific neighborhood of Naples from the late-1950s through to the current day and about two remarkable young women who are very much the products of that place and time. Yet in doing so she has created a world in which readers will recognize themselves and has drawn a marvelously nuanced portrait of friendship. In The Story of a New Name, Lila has recently married and made her enterée into the family business; Elena, meanwhile, continues her studies and her exploration of the world beyond the neighborhood that she so often finds stifling. Love, jealousy, family, freedom, commitment, and above all friendship: these are signs under which both women live out this phase in their stories. Marriage appears to have imprisoned Lila, and the pressure to excel is at times too much for Elena. Yet the two young women share a complex and evolving bond that is central to their emotional lives and is a source of strength in the face of life's challenges. In these Neapolitan Novels, Elena Ferrante, the acclaimed author of The Days of Abandonment, gives readers a poignant and universal story about friendship and belonging.
the story of a new name
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A NEW YORK TIMES BESTSELLER A NATIONAL INDIE BESTSELLER "One of the great novelists of our time."--Roxana Robinson, the New York Times Lila has recently married and made her entrée into her husband's family business. Elena, meanwhile, continues her studies and her exploration of the world beyond the Neapolitan neighborhood that she so often finds stifling. Love, jealousy, family, freedom, commitment, and above all friendship: these are signs under which both women live out this phase of their stories. Marriage appears to have imprisoned Lila, and the pressure to excel is at times too much for Elena. The two young women share a complex and evolving bond that is central to their emotional lives. In this "large, captivating, amiably peopled bildungsroman," (James Wood, The New Yorker) Elena Ferrante gives readers a poignant, universal story about friendship, class, and belonging.
You Need To Read This Book if you want to dive deeper into the world of Elena Ferrante. From the author of My Brilliant friend, comes the second novel in the Neapolitan Novel series, The Story of a New Name. The novel tells the tale of Lila's unhappiness and her desire to erase herself and everything she has created around her. We again follow Lila's confusion by her friend's actions, and her twisted feelings of both love and hatred towards her. The two girls seem to grow in completely different directions, and yet by the end of the novel it becomes apparent to Elena that she has and always will retain part of Lila and that they should never let one other go. This companion includes: Chapter summaries Character Analysis Important Themes Imagery Important Quotes Disclaimer: This text serves as a companion and guide to the bestseller "The Story of a New Name: Neapolitan Novels, Book Two" by Elena Ferrante. It will help to broaden the reader's understanding of the book, and highlight insights that might otherwise be overlooked. As this is a companion volume, you'll want to have a copy of the actual book on hand before reading this.
Book Four in Elena Ferrante's Neapolitan Quartet “Nothing quite like this has ever been published before,” proclaimed The Guardian newspaper about the Neapolitan Novels in 2014. Those Who Leave and Those Who Stay, the third book in the series, was an international best seller and a New York Times Notable Book of the Year. Its author was dubbed “one of the great novelists of our time” by the New York Times Book Review. This fourth and final installment in the series raises the bar even higher and indeed confirms Elena Ferrante as one of the world’s best living storytellers. Here is the dazzling saga of two women, the brilliant, bookish Elena and the fiery uncontainable Lila. In this book, both are adults; life’s great discoveries have been made, its vagaries and losses have been suffered. Through it all, the women’s friendship, examined in its every detail over the course of four books, remains the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up—a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received books. But now, she has returned to Naples to be with the man she has always loved. Lila, on the other hand, never succeeded in freeing herself from Naples. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Yet somehow this proximity to a world she has always rejected only brings her role as unacknowledged leader of that world into relief. For Lila is unstoppable, unmanageable, unforgettable! Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, this story of a lifelong friendship is told with unmatched honesty. Lila and Elena clash, drift apart, reconcile, and clash again, in the process revealing new facets of their friendship. The four volumes in this series constitute a long remarkable story that readers will return to again and again, and, like Elena and Lila themselves, every return will bring with it new discoveries.
Since the publication of the acclaimed My Brilliant Friend and The Story of A New Name, Elena Ferrante’s reputation has grown enormously. Her novels about the friendship between Lila and Elena, about the mysteries of human relationships, are utterly compelling. In Those Who Leave and Those Who Stay, the two protagonists are now in their thirties. Lila, married at sixteen, has left her husband and the comforts of her marriage, and has now joined the workforce. Elena has left the neighbourhood in Naples, been to university, and published a successful novel, all of which has brought her into a wealthier, more cultured world. Both women are seizing opportunities to flee a life of poverty, ignorance and submission. Yet they are still very much bound to each other by an unbreakable bond. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan Novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Fragments, a selection of interviews, letters and occasional writings by Ferrante, will be published in early 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Award. ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘In the past decade, no fiction writer has made it more necessary to think about the performative aspect of being a woman than Elena Ferrante. Her novels, written originally in Italian and translated beautifully by Ann Goldstein, are ferociously engaged with the ways in which a woman—as a daughter, a teenager, a lover, and, most dramatically, a mother—is a kind of person in drag, speaking through a costume that slowly becomes all that one knows of her...It’s Ferrante’s ability to capture both the mirror and the woman standing before it that makes her a writer to be reckoned with.’ John Freeman ‘Nothing you read about Elena Ferrante’s work prepares you for the ferocity of it...This is a woman’s story told with such truthfulness that it is not so much a life observed as it is felt.’ New York Times ‘Elena Ferrante is one of the great novelists of our time...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘It is a testament to Ferrante’s achievement that, at the end of this third book and anticipating the fourth, it seems there’s limitless potential for Lina to reinvent herself again.’ Times Literary Supplement ‘Ferrante’s project is bold: her books chronicle the inner conflicts of intelligent women...Her writing has a powerful intimacy...a bona fide literary sensation–the famous writer nobody knows.’ Guardian UK ‘The best thing I’ve read this year, far and away...She’s marvellous.’ Richard Flanagan 'The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily
Reading Groups have made Elena Ferrante’s Neapolitan Quartet a long-selling bestseller. At Europa Editions we’d like to express by offering this extensive guide to the four installments of the Neapolitan series for book groups, reading groups, and book discussion leaders. With a summary of the series, discussion questions, a summary of international praise and much more, this publication should prove a helpful guide to any and all discussions about Ferrante’s masterpiece.
In Ferrante’s Story of a New Name, the protagonist’s journey to self-knowledge and self-realization is mapped through a farewell trip to Naples before she begins her studies in Pisa. As the centerpiece and background around and against which Elena’s accomplishments, failures, and societal pressures revolve, Naples emerges as a mosaic of energy and lethargy, unbreakable traditions and negligible innovations. While these elements mirror the protagonist’s powerlessness in changing the “norms” to which she is expected to adhere, they also function as her spur to a steady shift toward self-understanding. In this article, I analyze the ways in which Ferrante’s use of the beauty and lure, corrosiveness and lethality of Naples parallel her discourse on the protagonist’s search for self-understanding, a process that will ultimately enable Elena, the protagonist, to find self-realization.
A New York Times BestsellerThe Neapolitan Novels (Book 1)A modern masterpice from one of Italy's most acclaimed authors set against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, this story of a lifelong friendship is told with unmatched honesty. Lila and Elena clash, drift apart, reconcile, and clash again, in the process revealing new facets of their friendship.With My Brillant Briend Ferrante begins the rich, intense, and generous-hearted portrait of two friends, Elena and Lila. Through their lives, she tells the story of a neighborhood, a city, and a country undergoing momentous change.
Following her mother’s untimely and mysterious death, Delia embarks on a voyage of discovery through the streets of her native Naples searching for the truth about her family. Reality is buried somewhere in the fertile soil of memory, and Delia is determined to find it. This stylish fiction is set in a beguiling but often hostile Naples, whose chaotic, suffocating streets become one of the book’s central motifs. A story about mothers and daughters, and the complicated knot of lies and emotions that binds them. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan Novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Fragments, a selection of interviews, letters and occasional writings by Ferrante, will be published in early 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Award. ‘Ferrante’s polished language belies the rawness of her imagery, which conveys perversity, violence, and bodily functions in ripe detail.’ New Yorker ‘It’s the first time a novel ever made me get physical, and it was the first good mood I’d been in for weeks.’ New York Times ‘Like Joyce’s Ulysses, this journey draws vigorously on its cityscape. Naples is one of those sun-drenched spooky cities, thrumming with life and populated by ghosts, spastic with impermeable local culture.’ Time Out New York ‘A brutally frank tale about the dangerous intersection of rage and desire.’ Booklist ‘Both The Days of Abandonment and Troubling Love are tour de forces, and harrowing tours of a feminine psyche under siege. They both confirm Ferrante’s reputation as one of Italy’s best contemporary novelists.’ Seattle Times ‘There is an increasingly hallucinatory quality to the prose, a vulgarity and grotesqueness, too. Ferrante’s novels are regarded as brilliant. Gritty and confronting, they are about an underbelly of southern Italy tourists rarely see.’ New Zealand Herald ‘Ferrante’s uncompromising directness and her unflinching gaze cannot be faulted.’ Age/Sydney Morning Herald ‘The most erratic of the three novellas, its unhinged, broken quality matching the psyche of both Delia and her mother, whose violent history is hinted at in the character of a half-drawn child...It’s brave to write a protagonist who at turns shames and exalts her mother with such cruelty and tenderness.’ New Zealand Listener
Through a series of essays contributed by leading experts in the field, The Wiley-Blackwell Companion to Practical Theology presents an introduction to practical theology as a major area of Christian study and practice, including an overview of its key developments, themes, methods, and future directions. The first comprehensive reference work to provide a survey, description and analysis of practical theology as an area of study A range of leading scholars in the field provide original contributions on the major areas, issues, and figures in practical theology Reviews an extensive range of methods for studying theology in practice, along with sub-disciplines in theological education such as pastoral care and preaching Covers developments in the discipline in a range of global contexts and distinct Christian traditions Shows how practical theology is relevant to everyday life