WINNER OF THE HUGO AWARD 2018 WINNER OF THE NEBULA AWARD 2018 WINNER OF THE LOCUS AWARD FOR BEST FANTASY 2018 An Amazon Best Book of the Year The incredible conclusion to the record-breaking triple Hugo award-winning trilogy that began with the The Fifth Season The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women. Essun has inherited the phenomenal power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every outcast child can grow up safe. For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed. Praise for this trilogy: 'Amazing' Ann Leckie 'Breaks uncharted ground' Library Journal 'Beautiful' Nnedi Okorafor 'Astounding' NPR 'Brilliant' Washington Post The Broken Earth trilogy begins with The Fifth Season, continues in The Obelisk Gate and concludes with The Stone Sky - out now.
the stone sky
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This special boxed set includes the New York Times bestselling author N. K. Jemisin's complete, two-time Hugo award-winning Broken Earth Trilogy. This is the way the world ends. For the last time. A season of endings has begun. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the earth is wielded as a weapon. And where there is no mercy. The Broken Earth trilogyThe Fifth SeasonThe Obelisk GateThe Stone Sky
THE STONE SKY - Part One, Guests, was written as the first pan of a trilogy. It takes place in the Wright Dry Valley, a snow free portion of Antarctica. Part Two, Visitors is being prepared now for publication. Part Three. The Prime Directive, may not be written. The characters developed in the first two parts may not logically or psychologically allow it. Part Three may be the last four chapters of Part Two. As a first time novelist this character driven plot was an unplanned but pleasant surprise. THE STONE SKY, with no surprise, takes place under ground in great caverns. It deals with the Antarctic capture of a man and woman from the temperate zone. With an architect's mind, the center of the book looks at how the captors could exist. With only available materials, and only those modern conveniences left by contemporary Guests, why do the captors feel they need at least one of these new Guests? THE STONE SKY is science and fiction. It is not Science Fiction. It is an adventure in Antarctic caverns, and the controlling potential of human minds. For the two from our world, it is an adventure in seeing how many of our problems of food, shelter, energy and avarice can be solved by other means. Some of J.B. Langley's architectural back ground was in designing structures to imprison miscreants. Some was to Chair a Budget Commission and see how expensive and ineffective jail and prison operation can be. Some was to research for an Ed D. Can there be other ways? THE STONE SKY starts with the attempted freeing from his personal prison of one of the temperate escapees, The end of Part One reveals the mysteries and ramifications of that escape. A novelist once said. "Never describe a rifle hanging over the fire place unless you attend to shoot some one with it." Is this why there may never be a Part Three? THE STONE SKY will introduce you to an adventure with some exotic people living in an exotic place and solving every day problems with new human potential. It will keep you as it did the author guessing as to its rational outcome. Antarctica belongs to no one and to every one, including you. Do you enjoy challenge, adventure, mystery and romance? THE STONE SKY - Part Two, Visitors will be available shortly.
The Japanese have faithfully preserved their ancient myths as a connected and well ordered system. And as a system, Japanese myths say much about the human condition in the cosmos and about the human place in the cosmic order. Not until now has a book-length, English-language study been released on Japanese mythology. Drawing on his meticulous research, Asianist Peter Metevelis presents this selection of analytic essays that form a mosaic of themes on the primordial world of Japanese myth, adding a rewarding voice to cultural history and the history of ideas around the world. Metevelis shows that, contrary to popular belief, Japanese myths have much in common with other myths around the globe, and are mythically, logically, and symbolically equivalent. This suggests that Japanese culture has always resonated with the rest of the world and provides a valuable touchstone for comparative mythologists. The mythic themes Metevelis explores include: Linkage of birth with death Loss of immortality Containment of souls Effect of time on mortals Creation of the cosmos And many more This incomparable volume also includes detailed notes, bibliographies, and appendices to help further your knowledge of Japanese myth. Under Metevelis's guidance, you can expand your understanding of the Japanese myth system, its structure, and its principal actors, and immerse yourself in the ancient Japanese mysteries of the cosmos.
Unlike most cultures, the Japanese culture has preserved its native myths as a connected system, and as a system Japanese myths have much to say about the human condition in the cosmos. The series, Mythological Essays by Prof. Metevelis explores what this myth system seeks to tell us. Volume One, Mythical Stone, focuses on how the substance of stone works in the genesis and structure of the cosmos, and how it relates to establishing the human condition. The volume also delves into how stone came to possess its mythical qualities. The series of essays took twenty years and long residence in Japan to research. It treats Japanese myths in the context of world mythology, and is interdisciplinary, oriented toward mythologists, historical folklorists, historians of religion, archaeoastronomers, Japanologists, and anyone interested in East Asian culture or history.
As the first novel opens, Titus, heir to Lord Sepulchrave, has just been born: he stands to inherit the miles of rambling stone and mortar that stand for Gormenghast Castle. Inside, all events are predetermined by a complex ritual, lost in history, understood only by Sourdust, Lord of the Library. There are tears and strange laughter; fierce births and deaths beneath umbrageous ceilings; dreams and violence and disenchantment contained within a labyrinth of stone.
Interest in word-meaning is on the increase among mainstream linguists again after a half-century of neglect. During this interval progress in phonology and syntax was great, but further progress in these sub-disciplines will remain blocked until it is recognized that the prime functional unit of speech is the word, that the central problem of language theory is lexis. Word-meaning is typically complicated by changes across time; for a theory of language creativity, these effects must be discerned from spontaneous creation. The articles brought together in this volume attempt to illuminate, on the basis of particular lexical studies, the dynamics of perception and word-meaning, of language and mind. [No further volumes appeared]
This book traces the journeys of a stone across the world. From its remote point of origin in the city of Nishapur in eastern Iran, turquoise was traded through India, Central Asia, and the Near East, becoming an object of imperial exchange between the Safavid, Mughal, and Ottoman empires. Along this trail unfolds the story of turquoise--a phosphate of aluminum and copper formed in rocks below the surface of the earth--and its discovery and export as a global commodity. In the material culture and imperial regalia of early modern Islamic tributary empires moving from the steppe to the sown, turquoise was a sacred stone and a potent symbol of power projected in vivid color displays. From the empires of Islamic Eurasia, the turquoise trade reached Europe, where the stone was collected as an exotic object from the East. The Eurasian trade lasted into the nineteenth century, when the oldest mines in Iran collapsed and lost Aztec mines in the Americas reopened, unearthing more accessible sources of the stone to rival the Persian blue. Sky Blue Stone recounts the origins, trade, and circulation of a natural object in the context of the history of Islamic Eurasia and global encounters between empire and nature.
Landscape is a powerful factor in the operation of memory because of the associations narrators make between the local landscape and the events of the stories they tell. Ancestors and mythological events often become fixed in a specific landscape and act as timeless reference points. In conventional anthropological literature, "landscape" is the term applied to the meaning local people bestow on their cultural and physical surroundings. In this work, the authors explore the cultural and physical landscapes an individual or cultural group has constructed to define the origins or beginnings of that cultural group as revealed through shared or traditional memory. The cultural landscapes of origins in diverse sites throughout the Americas are investigated through multidisciplinary research, not only to reveal the belief system and mythologies but also to place these origin beliefs in context and relationship to each other. In a continual interaction between the past, present, and future, time is subordinate to place, and history, as defined in Western academic terms, does not exist.