From the bestselling author of The Woman on the Orient Express comes a haunting novel of two women--one determined to uncover the past and the other determined to escape it. At the close of World War II, London is in ruins and Rose Daniel isn't at peace. Eight years ago, her brother disappeared while fighting alongside Gypsy partisans in Spain. From his letters, Rose has just two clues to his whereabouts--his descriptions of the spectacular south slopes of the Sierra Nevada and his love for a woman who was carrying his child. In Spain, it has been eight years since Lola Aragon's family was massacred. Eight years since she rescued a newborn girl from the arms of her dying mother and ran for her life. She has always believed that nothing could make her return...until a plea for help comes from a desperate stranger. Now, Rose, Lola, and the child set out on a journey from the wild marshes of the Camargue to the dazzling peaks of Spain's ancient mountain communities. As they come face-to-face with war's darkest truths, their lives will be changed forever by memories, secrets, and friendships.
the snow gypsy
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A compilation of the American poet's works includes the contents of such acclaimed anthologies as "Chicago Poems," "Cornhuskers," and "Smoke and Steel."
Gypsy antique dealer Roman Grey is back in one of Martin Cruz Smith’s most beloved novels—the exciting and fast-paced Canto for a Gypsy. The priceless Royal Crown of Hungary is on display in St Patrick’s Cathedral in New York. Guarded by many, including the NYPD and the gypsy antique dealer Roman Grey, a heist is impossible. But everybody wants the legendary Crown of Saint Stephen. The Hungarian government wants it as a symbol of national greatness. Exiled rebels want it simply to rob the Communists of their pleasure. And an ex-Nazi art plunderer wants it to settle a very old score. Then the unthinkable happens, and murder, mayhem, and all hell breaks loose…and only Grey knows the century’s old secret about the crown.
In early eighteenth-century texts, the gypsy is frequently figured as an amusing rogue; by the Victorian period, it has begun to take on a nostalgic, romanticized form, abandoning sublimity in favour of the bucolic fantasy propagated by George Borrow and the founding members of the Gypsy Lore Society. Representations of the Gypsy in the Romantic Period argues that, in the gap between these two situations, the figure of the gypsy is exploited by Romantic-period writers and artists, often in unexpected ways. Drawing attention to prominent writers (including Wordsworth, Austen, Clare, Cowper and Brontë) as well as those less well-known, Sarah Houghton-Walker examines representations of gypsies in literature and art from 1780-1830, alongside the contemporary socio-historical events and cultural processes which put pressure on those representations. She argues that, raising troubling questions by its repeated escape from the categories of enlightenment discourses which might seek to 'know' or 'understand' in empirical ways, the gypsy exists both within and outside of conventional English society. The figure of the gypsy is thus available to writers and artists to facilitate the articulation of dilemmas and anxieties taking various forms, and especially as a lens through which questions of knowledge and identity (which is often mutable, and troubling) might be focussed. .
In the spring of 2004, Philip Anders ingested the first of what would be a daily dose of estrogen tablets, and from that moment forward, his life would change forever. During the agonizingly slow transformation from male to female, he would lose a 22-year career in journalism, his marriage, his home, his savings, and most of his friends."Gypsy Moon" presents an insightful view of the incredible courage and strength required to complete this journey.
GYPSY PRINCESS recounts heartaches and joys, fears and tears of a young girl and her close knit family who were torn apart and ravaged by war, reunited in Austria and made their way to the safe shores of America. GYPSY PRINCESS is a unique view of the other side of the story. It's different and nothing you have read before because most stories about World War II are written by German solders or Jewish refugees this is a young woman's perspective of the war as she wandered like a gypsy through nine countries ending up in North Dakota.
With an introduction by Robert Macfarlane Shortlisted for the Samuel Johnson Prize and winner of the Hawthornden Prize. I had attached myself to the birds. I couldn't move on until the birds moved on, and the birds couldn't move on without the spring. One winter, after an enforced period of recuperation, William Fiennes finds himself restless and yearning for adventure. He travels to Texas, where he begins a quest to trace the million-strong flocks of snow geese making their spring flight thousands of miles north to the Arctic tundra. On his epic journey he meets people from every walk of life, from ex-nuns to train fanatics, and their stories resound with the longing to arrive at the right place in the world. Shortlisted for the Samuel Johnson Prize and winner of the Hawthornden Prize, The Snow Geese is a poignant and lyrical paean to the richness and wonder of the world around us. A unique blend of autobiography, travel and nature writing, this is a classic tale of belonging and the inescapable lure of home.
Gypsy is a compelling historical novel of survival from international number one bestselling author Lesley Pearse. Tragedy sent her on a journey far from home . . . Fifteen-year-old Beth's life is shattered when she and her brother Sam are orphaned. Believing that only in America can they make a fresh start, brother and sister leave Liverpool and embark on the greatest adventure of their lives. In New York, Beth's talent with the fiddle earns her the friendship of gamblers, chancers and other rogues. Dodging trouble across America, Beth and her friends head for the Klondike river in search of gold. How far must Beth go to find happiness? And will her travels lead this gypsy to a place she can ever call home? Praise for Lesley Pearse: 'With characters it is impossible not to care about . . . this is storytelling at its very best' Daily Mail 'Lose yourself in this epic saga' Bella 'An emotional and moving epic you won't forget in a hurry' Woman's Weekly Find Lesley on Twitter @LesleyPearse or find out more on her website, www.lesleypearse.co.uk.
Gypsies and the British Imagination, 1807-1930, is the first book to explore fully the British obsession with Gypsies throughout the nineteenth century and into the twentieth. Deborah Epstein Nord traces various representations of Gypsies in the works of such well-known British authors John Clare, Walter Scott, William Wordsworth, George Eliot, Arthur Conan Doyle, and D. H. Lawrence. Nord also exhumes lesser-known literary, ethnographic, and historical texts, exploring the fascinating histories of nomadic writer George Borrow, the Gypsy Lore Society, Dora Yates, and other rarely examined figures and institutions. Gypsies were both idealized and reviled by Victorian and early-twentieth-century Britons. Associated with primitive desires, lawlessness, cunning, and sexual excess, Gypsies were also objects of antiquarian, literary, and anthropological interest. As Nord demonstrates, British writers and artists drew on Gypsy characters and plots to redefine and reconstruct cultural and racial difference, national and personal identity, and the individual's relationship to social and sexual orthodoxies. Gypsies were long associated with pastoral conventions and, in the nineteenth century, came to stand in for the ancient British past. Using myths of switched babies, Gypsy kidnappings, and the Gypsies' murky origins, authors projected onto Gypsies their own desires to escape convention and their anxieties about the ambiguities of identity. The literary representations that Nord examines have their roots in the interplay between the notion of Gypsies as a separate, often despised race and the psychic or aesthetic desire to dissolve the boundary between English and Gypsy worlds. By the beginning of the twentieth century, she argues, romantic identification with Gypsies had hardened into caricature-a phenomenon reflected in D. H. Lawrence's The Virgin and the Gipsy-and thoroughly obscured the reality of Gypsy life and history.