In his introduction to this new translation by Russell Price, Professor Skinner presents a lucid analysis of Machiavelli's text as a response both to the world of Florentine politics, and as an attack on the advice-books for princes published by a number of his contemporaries. This new edition includes notes on the principal events in Machiavelli's life, and on the vocabulary of The Prince, as well as biographical notes on characters in the text.
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The Prince embodies a series of vital issues, including power and morality, history and human nature, language and meaning, gender and government. It is these issues which the essays in this volume debate and explore from a variety of perspectives, from the original responses through to feminist and deconstructive approaches.
If any book could be called legendary, surely it is this one. Its author, Italian diplomat and philosopher NICCOL MACHIAVELLI (1469-1527) considered it his greatest work. Indeed, his thoughts on politics, as laid out so famously in this brief but profound work, have become so synonymous with him that his name has become an adjective: Machiavellian. How is political power achieved? How is it maintained? Though Machiavelli states explicitly that he is not discussing "Republics" here, only "Princedoms," this coldly rational guidebook to taking control and holding onto it contains such universal insights into human nature and the structure of human systems that his "advice" serves equally well in almost any power structure. With applications in such diverse realms as business, the military, even role-playing games, Machiavelli's rules for ruling continue to be required reading for students of politics, philosophy, and ethics.
"To investigate the imaginative leaps of so agile and incisive a mind as Machiavelli's one needs as much commentary about history, political theory, sources, and language as possible. I have gradually come to realize that readers who remain unaware of these topics frequently finish reading The Prince, put down their copies, and wonder what the shouting was all about." Thus commented eminent Machiavelli scholar James B. Atkinson thirty years ago in justifying what remains today the most informative English-language edition of Machiavelli's masterpiece available.
Machiavelli, as the Father of Political Science, continues to be translated and read throughout the world. This latest edition contains many illustrations dealing with The Prince.
How Shinran, a seminal figure in Pure Land Buddhism, was guided by a vision of Shoμtoku, the imperial prince who was both a political and religious figure.
"What am I writing? A historical tale of 300 years ago, simply for the love of it." Mark Twain’s "tale" became his first historical novel, The Prince and the Pauper, published in 1881. Intricately plotted, it was intended to have the feel of history even though it was only the stuff of legend. In sixteenth-century England, young Prince Edward (son of Henry VIII) and Tom Canty, a pauper boy who looks exactly like him, are suddenly forced to change places. The prince endures "rags & hardships" while the pauper suffers the "horrible miseries of princedom." Mark Twain called his book a "tale for young people of all ages," and it has become a classic of American literature. The first edition in 1881 was fully illustrated by Frank Merrill, John Harley, and L. S. Ipsen. The boys in these illustrations, Mark Twain said, "look and dress exactly as I used to see them cast in my mind. . . . It is a vast pleasure to see them cast in the flesh, so to speak." This Mark Twain Library edition exactly reproduces the text of the California scholarly edition, including all of the 192 illustrations that so pleased the author.
.0000000000Written in the sixteenth century and almost immediately a subject of controversy, The Prince presents Machiavelli's advice to a ruler who would seek to maintain his power most effectively. Pragmatism and expediency are seen to be more important considerations than ethical ones, and a ruler must be prepared to take actions in the interest of public order that might conflict with purely private ethical concerns. A good ruler must avoid being hated by his subjects however. In The Art of War Machiavelli examines ancient military practices for their relevance to modern political issues, and asserts that military power is at the base of all civil order.With an Afterword by Oliver Francis.