"I adored The Light of Paris. It’s so lovely and big-hearted—it made me long for Paris."—Jojo Moyes, New York Times-bestselling author of Me Before You and After You The miraculous new novel from the New York Times–bestselling author of The Weird Sisters—a sensation beloved by critics and readers alike. Madeleine is trapped—by her family's expectations, by her controlling husband, and by her own fears—in an unhappy marriage and a life she never wanted. From the outside, it looks like she has everything, but on the inside, she fears she has nothing that matters. In Madeleine’s memories, her grandmother Margie is the kind of woman she should have been—elegant, reserved, perfect. But when Madeleine finds a diary detailing Margie’s bold, romantic trip to Jazz Age Paris, she meets the grandmother she never knew: a dreamer who defied her strict, staid family and spent an exhilarating summer writing in cafés, living on her own, and falling for a charismatic artist. Despite her unhappiness, when Madeleine’s marriage is threatened, she panics, escaping to her hometown and staying with her critical, disapproving mother. In that unlikely place, shaken by the revelation of a long-hidden family secret and inspired by her grandmother’s bravery, Madeleine creates her own Parisian summer—reconnecting to her love of painting, cultivating a vibrant circle of creative friends, and finding a kindred spirit in a down-to-earth chef who reminds her to feed both her body and her heart. Margie and Madeleine’s stories intertwine to explore the joys and risks of living life on our own terms, of defying the rules that hold us back from our dreams, and of becoming the people we are meant to be.
the light of paris
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As King Francois I once said, "Paris is not a city, it's a world." Long after the swarming crowd has deserted it, after the hum and buzz of traffic has subsided, Paris still resonates with a discreet life of its own. Working before sunrise and after sundown, photographer Jean-Michel Berts has created these dream-like black-and-white images, including Montmartre and the banks of the Seine. Following the Grands Boulevards and the footprints of Baudelaire, Brassa*, and Huysmans, the deserted streets of Paris take on a poetic, ethereal quality. Featuring beautiful text by the French novelist Pierre Assouline, this book is a moving homage to the city of lights. Each print is given ample breathing space in this volume, whose opulent trim size befits the spectacular quality of the shots.
|Book Title||: The Light of Paris a Weekly Journal Director A de Wolska Editor Inchief Florence Grey Vol I No 1 3 April 14 28 1892 Under the Patronage of Madame Adam|
|Author||: Andzia de Wolska|
|Available Language||: English, Spanish, And French|
A collection of all-new Paris-themed essays written by some of the biggest names in women’s fiction, including Paula McLain, Therese Anne Fowler, Maggie Shipstead, and Lauren Willig, edited by Eleanor Brown, the New York Times bestselling author of The Weird Sisters and The Light of Paris. “My time in Paris,” says New York Times–bestselling author Paula McLain (The Paris Wife), “was like no one else’s ever.” For each of the eighteen bestselling authors in this warm, inspiring, and charming collection of personal essays on the City of Light, nothing could be more true. While all of the women writers featured here have written books connected to Paris, their personal stories of the city are wildly different. Meg Waite Clayton (The Race for Paris) and M. J. Rose (The Book of Lost Fragrances) share the romantic secrets that have made Paris the destination for lovers for hundreds of years. Susan Vreeland (The Girl in Hyacinth Blue) and J. Courtney Sullivan (The Engagements) peek behind the stereotype of snobbish Parisians to show us the genuine kindness of real people. From book club favorites Paula McLain, Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald), and anthology editor Eleanor Brown (The Light of Paris) to mystery writer Cara Black (Murder in the Marais), historical author Lauren Willig (The Secret History of the Pink Carnation), and memoirist Julie Powell (Julie and Julia), these Parisian memoirs range from laugh-out-loud funny to wistfully romantic to thoughtfully somber and reflective. Perfect for armchair travelers and veterans of Parisian pilgrimages alike, readers will delight in these brand-new tales from their most beloved authors.
Paris. The name alone conjures images of chestnut-lined boulevards, sidewalk cafés, breathtaking façades around every corner--in short, an exquisite romanticism that has captured the American imagination for as long as there have been Americans. In 1995, Adam Gopnik, his wife, and their infant son left the familiar comforts and hassles of New York City for the urbane glamour of the City of Light. Gopnik is a longtime New Yorker writer, and the magazine has sent its writers to Paris for decades--but his was above all a personal pilgrimage to the place that had for so long been the undisputed capital of everything cultural and beautiful. It was also the opportunity to raise a child who would know what it was to romp in the Luxembourg Gardens, to enjoy a croque monsieur in a Left Bank café--a child (and perhaps a father, too) who would have a grasp of that Parisian sense of style we Americans find so elusive. So, in the grand tradition of the American abroad, Gopnik walked the paths of the Tuileries, enjoyed philosophical discussions at his local bistro, wrote as violet twilight fell on the arrondissements. Of course, as readers of Gopnik's beloved and award-winning "Paris Journals" in The New Yorker know, there was also the matter of raising a child and carrying on with day-to-day, not-so-fabled life. Evenings with French intellectuals preceded middle-of-the-night baby feedings; afternoons were filled with trips to the Musée d'Orsay and pinball games; weekday leftovers were eaten while three-star chefs debated a "culinary crisis." As Gopnik describes in this funny and tender book, the dual processes of navigating a foreign city and becoming a parent are not completely dissimilar journeys--both hold new routines, new languages, a new set of rules by which everyday life is lived. With singular wit and insight, Gopnik weaves the magical with the mundane in a wholly delightful, often hilarious look at what it was to be an American family man in Paris at the end of the twentieth century. "We went to Paris for a sentimental reeducation-I did anyway-even though the sentiments we were instructed in were not the ones we were expecting to learn, which I believe is why they call it an education."
A sparkling account of the nineteenth-century rebuilding of Paris as the most beautiful city in the world. 'This really is an impressive book' Sebastian Faulks. 'Brisk, vivid and unexpectedly stirring ... No one writes as evocatively and entertainingly about Paris as Christiansen does' Mail on Sunday. 'Every page is a pleasure, every building, every gas lamp brought shimmering to life ... Don't board the Eurostar without a copy' The Times. 'A wonderful book, amazingly vivid ... But also a truly original work of scholarship' Theodore Zeldin. In 1853 the French emperor Louis Napoleon inaugurated a vast and ambitious programme of public works, directed by Georges-Eugène Haussmann, the prefect of the Seine. Haussmann's renovation of Paris would transform the old medieval city of squalid slums and disease-ridden alleyways into a 'City of Light' – characterised by wide boulevards, apartment blocks, parks, squares and public monuments, new railway stations and department stores and a new system of public sanitation. City of Light charts a fifteen-year project of urban renewal which – despite the interruptions of war, revolution, corruption and bankruptcy – would set a template for nineteenth and early twentieth-century urban planning and create the enduring and globally familiar layout of modern Paris.
A comprehensive exploration of Paris through the texts and experiences of a vast and vibrant range of authors.
Endore’s classic werewolf novel—now back in print for the first time in over forty years—helped define a genre and set a new standard in horror fiction The werewolf is one of the great iconic figures of horror in folklore, legend, film, and literature. And connoisseurs of horror fiction know that The Werewolf of Paris is a cornerstone work, a masterpiece of the genre that deservedly ranks with Mary Shelley’s Frankenstein, Bram Stoker’s Dracula, and Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. Endore’s classic novel has not only withstood the test of time since it was first published in 1933, but it boldly used and portrayed elements of sexual compulsion in ways that had never been seen before, at least not in horror literature. In this gripping work of historical fiction, Endore’s werewolf, an outcast named Bertrand Caillet, travels across pre-Revolutionary France seeking to calm the beast within. Stunning in its sexual frankness and eerie, fog-enshrouded visions, this novel was decidedly influential for the generations of horror and science fiction authors who came afterward.
Recommended by Good Housekeeping. The streets of Paris hide a dark past… September, 1937. Kitty Travers enrols at the Conservatoire on the banks of the Seine to pursue her dream of becoming a concert pianist. But then war breaks out and the city of light falls into shadow. Nearly twenty-five years later, Fay Knox, a talented young violinist, visits Paris on tour with her orchestra. She barely knows the city, so why does it feel so familiar? Soon touches of memory become something stronger, and she realises her connection with these streets runs deeper than she ever expected. As Fay traces the past, with only an address in an old rucksack to help her, she discovers dark secrets hidden years ago, secrets that cause her to question who she is and where she belongs… A compelling story of war, secrets, family and enduring love. Praise for A Week in Paris: 'A tour de force. Rachel's Paris is rich, romantic, exotic and mysterious' Judy Finnigan 'An elegiac tale of wartime love and secrets' Telegraph 'A richly emotional story, suspenseful and romantic, but unflinching in its portrayal of the dreadful reality and legacy of war' Book of the Week, Sunday Mirror