"I adored The Light of Paris. It’s so lovely and big-hearted—it made me long for Paris."—Jojo Moyes, New York Times-bestselling author of Me Before You and After You The miraculous new novel from the New York Times–bestselling author of The Weird Sisters—a sensation beloved by critics and readers alike. Madeleine is trapped—by her family's expectations, by her controlling husband, and by her own fears—in an unhappy marriage and a life she never wanted. From the outside, it looks like she has everything, but on the inside, she fears she has nothing that matters. In Madeleine’s memories, her grandmother Margie is the kind of woman she should have been—elegant, reserved, perfect. But when Madeleine finds a diary detailing Margie’s bold, romantic trip to Jazz Age Paris, she meets the grandmother she never knew: a dreamer who defied her strict, staid family and spent an exhilarating summer writing in cafés, living on her own, and falling for a charismatic artist. Despite her unhappiness, when Madeleine’s marriage is threatened, she panics, escaping to her hometown and staying with her critical, disapproving mother. In that unlikely place, shaken by the revelation of a long-hidden family secret and inspired by her grandmother’s bravery, Madeleine creates her own Parisian summer—reconnecting to her love of painting, cultivating a vibrant circle of creative friends, and finding a kindred spirit in a down-to-earth chef who reminds her to feed both her body and her heart. Margie and Madeleine’s stories intertwine to explore the joys and risks of living life on our own terms, of defying the rules that hold us back from our dreams, and of becoming the people we are meant to be.
the light of paris
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As King Francois I once said, "Paris is not a city, it's a world." Long after the swarming crowd has deserted it, after the hum and buzz of traffic has subsided, Paris still resonates with a discreet life of its own. Working before sunrise and after sundown, photographer Jean-Michel Berts has created these dream-like black-and-white images, including Montmartre and the banks of the Seine. Following the Grands Boulevards and the footprints of Baudelaire, Brassa*, and Huysmans, the deserted streets of Paris take on a poetic, ethereal quality. Featuring beautiful text by the French novelist Pierre Assouline, this book is a moving homage to the city of lights. Each print is given ample breathing space in this volume, whose opulent trim size befits the spectacular quality of the shots.
|Book Title||: Popular Lectures on Astronomy Delivered at the Royal Observatory of Paris With Extensive Additions and Corrections by Dionysius Lardner|
|Author||: François Arago|
|Release Date||: 1845|
|Available Language||: English, Spanish, And French|
Endore’s classic werewolf novel—now back in print for the first time in over forty years—helped define a genre and set a new standard in horror fiction The werewolf is one of the great iconic figures of horror in folklore, legend, film, and literature. And connoisseurs of horror fiction know that The Werewolf of Paris is a cornerstone work, a masterpiece of the genre that deservedly ranks with Mary Shelley’s Frankenstein, Bram Stoker’s Dracula, and Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. Endore’s classic novel has not only withstood the test of time since it was first published in 1933, but it boldly used and portrayed elements of sexual compulsion in ways that had never been seen before, at least not in horror literature. In this gripping work of historical fiction, Endore’s werewolf, an outcast named Bertrand Caillet, travels across pre-Revolutionary France seeking to calm the beast within. Stunning in its sexual frankness and eerie, fog-enshrouded visions, this novel was decidedly influential for the generations of horror and science fiction authors who came afterward.
Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau, and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. Damisch's tale begins with the judgment of Paris, in which Paris awards Venus the golden apple and thus forever links beauty with desire. The casting of this decision as a mistake—in which desire is rewarded over wisdom and strength—is then linked to theories of the unconscious and psychological drives. In his quest for an exposition of the beautiful in its relation to visual pleasure, Damisch employs what he terms “analytic iconology,” following the revisions and repetitions of the motif of the judgment through art history, philosophy, aesthetics, and psychoanalysis. This translation brings an important figure of the French art historical tradition to Anglo-American audiences.
"This is a fascinating study of how politics, science, and religion intersected in the heated debates over the meanings of the hieroglyphics on a pair of stones brought from Egypt to Paris in 1821. At the heart of the tale is the question of how we know the past. It has the excitement of a real-life archeology mystery combined with a clash between science and theology that has great resonance for today."--Walter Isaacson, author of "Einstein: His Life and Universe" "This book presents important and fascinating themes, and skillfully combines them. The birth of Egyptology, the French Revolution, the rule of Napoleon, the age of the Earth, and our knowledge of the stars all feature in its chapters. Above all there is the ever-shifting relationship between science, religion, and atheism. I discovered something new on every page."--John Ray, University of Cambridge "Buchwald and Josefowicz give an account of the controversy surrounding the discovery of the spectacular circular zodiac of the temple of Dendera, currently installed in the ceiling of a room in the Louvre, discovered in the course of the Napoleonic expedition to Egypt. The authors skillfully weave the phases of that discourse, and its attendant scientific, personal, and theological controversies, into a brisk overview of the religious and political history of France from the late Enlightenment until the July Monarchy. At issue was the age of the temple, and hence of Egyptian civilization, as indexed by the zodiac, assumed to represent the contemporary state of the sky."--Charles C. Gillispie, professor emeritus, Princeton University "This book makes a major contribution to European scientific, intellectual, and cultural history. Buchwald and Josefowicz have wrested from oblivion a subject that no previous author, French or English, has analyzed in this form or breadth. "The Zodiac of Paris" not only embodies interdisciplinarity at its very best, but also exposes the nineteenth-century roots of many concerns of the twenty-first century."--Darius A. Spieth, author of "Napoleon's Sorcerers: The Sophisians" "This is an important book about an exciting topic. By tackling a subject that has largely been forgotten--the role technical science could play in religious debates--Buchwald and Josefowicz open up new avenues for understanding eighteenth- and nineteenth-century science. "The Zodiac of Paris" provides fascinating insights into the wide-ranging debates in Napoleonic and Restoration France."--John Steele, Brown University
Enter the world of supernatural crime investigation....In the autumn of 1934 a channel crossing to France takes a paranormal turn for private detective, Andrew Singleton, when he sees an extraordinary mirage and has an encounter with a lady in white.On arrival in Paris he is quickly drawn into a very unusual murder investigation in which the victim appears to have died of fright in his sleep.Who caused this death and how? And could there be some connection to Singleton's experience on the channel? In a city alive with surrealism and metaphysical research, Singleton and his partner James Trelawney set off on the trail of a criminal mastermind, whose evil methods and motives will prove bizarre beyond their wildest imaginings.