NEW YORK TIMES BESTSELLER “An inspiring story that manages to be painful, honest, shocking, bawdy and hilarious.” —The New York Times Book Review From stand-up comedian, actress, and breakout star of Girls Trip, Tiffany Haddish, comes The Last Black Unicorn, a sidesplitting, hysterical, edgy, and unflinching collection of (extremely) personal essays, as fearless as the author herself. Growing up in one of the poorest neighborhoods of South Central Los Angeles, Tiffany learned to survive by making people laugh. If she could do that, then her classmates would let her copy their homework, the other foster kids she lived with wouldn’t beat her up, and she might even get a boyfriend. Or at least she could make enough money—as the paid school mascot and in-demand Bar Mitzvah hype woman—to get her hair and nails done, so then she might get a boyfriend. None of that worked (and she’s still single), but it allowed Tiffany to imagine a place for herself where she could do something she loved for a living: comedy. Tiffany can’t avoid being funny—it’s just who she is, whether she’s plotting shocking, jaw-dropping revenge on an ex-boyfriend or learning how to handle her newfound fame despite still having a broke person’s mind-set. Finally poised to become a household name, she recounts with heart and humor how she came from nothing and nowhere to achieve her dreams by owning, sharing, and using her pain to heal others. By turns hilarious, filthy, and brutally honest, The Last Black Unicorn shows the world who Tiffany Haddish really is—humble, grateful, down-to-earth, and funny as hell. And now, she’s ready to inspire others through the power of laughter.
the last black unicorn
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***50 MILLION TERRY BROOKS COPIES SOLD AROUND THE WORLD*** 'Terry's place is at the head of the fantasy world' Philip Pullman An outcast king fights for his throne! A year has passed since Ben Holiday bought the Magic Kingdom and claimed the throne despite the machinations of the wizard Meeks. Three loyal friends had come to his aid: the incompetent Court Wizard, Questor Thews; the court scribe, Abernathy, a talking dog; and the lovely willow, who was sometimes a tree. Now Ben dreamt of a former partner, Miles Bennett, in grave trouble. But when he returned to Earth, Miles was in the best of spirits. His home-coming to Landover was shattered by the disappearance of Willow and the partial destruction of Questor's books of magic. Not only that, no one seemed to recognise Ben himself. And Meeks had taken on Ben's appearance, and the role of king. Ben Holiday and his kingdom were in deep trouble. Praise for Terry Brooks: 'A master of the craft . . . required reading' Brent Weeks 'I can't even begin to count how many of Terry Brooks's books I've read (and re-read) over the years' Patrick Rothfuss, author of The Name of the Wind 'I would not be writing epic fantasy today if not for Shannara' Peter V. Brett, author of The Painted Man 'If you haven't read Terry Brooks, you haven't read fantasy' Christopher Paolini, author of Eragon
Despite the warnings of his father, the great white Unicorn, Blackie ventures from his secure refuge in the heart of the forest into the restless, striving world of humans. His travels take him from the peaceful Shrine at the top of the world to the burning dragon pit at its bottom. Blackie meets monsters and beasts and humans of every rank from beggars, gypsies, peasants, and priests to knights, nobles, and his irrepressible, irresistible Princess. He learns the joys of love, friendship, and a well-baked bowl of cookies, as well as the miseries of sickness, treachery, and death. Ultimately, he learns what it means to be unicorn, a "holy beast" to the humans with his celebrated horn of violence in battle and healing in sickness.
Capture the fantasy, thrills, and far-flung adventure of the first three novels in Terry Brooks’s enchanting Magic Kingdom of Landover series–now for the first time in one gripping volume. Chicago lawyer Ben Holiday can’t fathom what lies ahead when he purchases Landover–a magical kingdom of chivalry and sorcery–from Meeks, the mysterious seller who placed the ad. Weary and jaded, Ben clings to the ad’s promise: “Escape into your dreams.” But Landover is not the enchanted idyll he expected. The kingdom is in ruin. The barons refuse to recognize Ben as King, a dragon is decimating the countryside, and a demon lord has challenged any prospective ruler to a fatal duel. To make matters worse, the Paladin, renowned champion of the Kings of Landover, seems to be merely a legend. Ben’s only allies are a bumbling court magician, a talking dog turned court scribe, and the beautiful Willow, who is part girl, part tree. With his friends in tow, Ben sets out to claim the throne. But when Meeks decides he wants Landover back, Ben will face supernatural foes of every stripe to prove himself worthy of the kingship. The question is: Can he survive? From the Trade Paperback edition.
From Publishers Weekly Tanaquil, whose only talent is the ability to fix things, lives in the isolated desert palace of her mother, the sorceress Jaive. When an inquisitive peeve--one of the palace pets--unearths a cache of strange, sparkling bones, Tanaquil uses them to piece together a unicorn's skeleton. A stray blast of Jaive's magic brings the creature to life, and it escapes to the desert, followed by Tanaquil and the peeve. Free at last from her mother's wizardry, Tanaquil embarks on a series of adventures that culminate in the fulfillment of an ancient prophecy. A magical journey that mirrors a teenager's coming-of-age is hardly a new plot device, but experienced SF writer Lee allows events to unfold at their own pace, revealing unexpected twists along the way. The combination of self-assured storytelling and the near-tangible evocation of a quirky world will have much appeal for fantasy devotees. As in the novels of Robin McKinley ( The Hero and the Crown; The Blue Sword ), an understated current of feminism runs throughout. Illustrations not seen by PW. Ages 12-up. Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. From School Library Journal Grade 7-12-- Tanaquil may be the daughter of a sorceress, but she can't do any magic--or so she thinks--and she finds life in her mother's castle very dull and lonely. Her one skill, that of mending things, leads her to piece together a pile of old bones found in the desert and unknowingly bring back to life a black unicorn that needs Tanaquil to help it return to its own, more perfect world. In the process of doing this, Tanaquil finds a sister, and discovers what her own powers really are. The plot of The Black Unicorn is in no way as simple as this description. It is complex and twisting, and while readers may not be sure where they're going, they'll never be bored. Lee's lush and highly visual style and her down-to-earth sense of humor are a constant entertainment. Her imagination is boundless, whether in recreating the life of desert nomads or describing a castle full of magical devices all gone slightly awry. The static cover illustration, with rearing unicorn and silver-gowned heroine, does not begin to convey the special flavor of this stylish, humorous fantasy. --Ruth S. Vose, San Francisco Public Library
Quadroped, a young pig, is chosen by the magic key to seal the Gate that locks out water demons, pitch fiends, and death wings from the world
And as I groped in darkness and felt the pain of millions, gradually, like day driving night across the continent, I saw dawn upon them like the sun a vision. —Dudley Randall, from "Roses and Revolutions" In 1963, the African American poet Dudley Randall (1914–2000) wrote "The Ballad of Birmingham" in response to the bombing of a church in Alabama that killed four young black girls, and "Dressed All in Pink," about the assassination of President Kennedy. When both were set to music by folk singer Jerry Moore in 1965, Randall published them as broadsides. Thus was born the Broadside Press, whose popular chapbooks opened the canon of American literature to the works of African American writers. Dudley Randall, one of the great success stories of American small-press history, was also poet laureate of Detroit, a civil-rights activist, and a force in the Black Arts Movement. Melba Joyce Boyd was an editor at Broadside, was Randall's friend and colleague for twenty-eight years, and became his authorized biographer. Her book is an account of the interconnections between urban and labor politics in Detroit and the broader struggles of black America before and during the Civil Rights era. But also, through Randall's poetry and sixteen years of interviews, the narrative is a multipart dialogue between poets, Randall, the author, and the history of American letters itself, and it affords unique insights into the life and work of this crucial figure.
Organizes fantasy literature into sub-genres and examines the lives and works of authors in each of the different areas