Tom is frustrated in his job and distressed at home by the mental withdrawal from life of his crippled sister Laura. His energetic but misguided mother clings frantically to the idea that Laura can lead a normal life while Laura lives for her glass figures--'the small and tender things that make life endurable'. This edition contains notes and activities to enhance your understanding and enjoyment of the play.
the glass menagerie
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Presents a collection of critical essays on the play that analyze its structure, characters, and themes.
Seminar paper from the year 2004 in the subject English - Literature, Works, grade: 1,7, University of Tubingen, course: Introduction to literary studies (American literature), language: English, abstract: The subject of this work is the character of Jim O’Connor in Tennessee Williams’ play The Glass Menagerie . The text discusses the question to what extent he is a symbol of hope for all members of the Wingfield family and of whether he is a representative of the American ideology of optimism and progressivism.
Abandoned by her husband, Amanda Wingfield comforts herself with recollections of her earlier, more gracious life in Blue Mountain when she was pursued by 'gentleman callers'. Her son Tom, a poet with a job in a warehouse, longs for adventure and escape from his mother's suffocating embrace, while Laura, her shy crippled daughter, has her glass menagerie and her memories. Amanda is desperate to find her daughter a husband, but when the long-awaited gentleman caller does arrive, Laura's romantic illusions are crushed.
|Book Title||: The Soft People of Laura and Tom Wingfield in The Glass Menagerie and Blanche DuBois in A Streetcar named Desire|
|Author||: Toni Friedrich|
|Publisher||: GRIN Verlag|
|Release Date||: 2012-01-03|
|Available Language||: English, Spanish, And French|
Seminar paper from the year 2010 in the subject American Studies - Literature, grade: 1,0, Martin Luther University, language: English, abstract: “I ́ve run for protection .... And so the soft people have got to – shimmer and glow – put a – paper lantern over the light. ... But I ́m scared now – awf`ly [sic] scared.” These lines of self-revelation by Blanche DuBois, the protagonist of A Streetcar Named Desire, go hand in hand with Maggie ́s words of consolation at the end of Cat on a Hot Tin Roof: “Oh, you weak, beautiful people who give up with such grace. What you need is someone to take hold of you – gently, with love, and hand your life back to you, like something gold you let go of ....“ Both describe one of the most crucial, if not the most central, elements of Tennessee Williams literary work: the concept of fragility and need for protection within a universe of hostility – the notion of “soft people.” This term paper is intended to elucidate on the topic of “soft people” within Tennessee Williams most important plays, The Glass Menagerie and A Streetcar Named Desire. It will try to investigate the following questions: Why did the theme “soft people” gain such prominence within Williams` work? What parallels can be detected between the author ́s life and aspects of his characters? What makes Laura and Tom Wingfield, on the one hand, and Blanche DuBois, on the other hand, belong to this category? What misery do these characters share? What signifies their softness in any individual case, and what determines their fate at the end of the plays? In order to answer these questions, a thorough look into the characters and metaphors of the plays – with help of the plays – will be provided, as well as secondary literature of a wide range of literary scholars consulted. To achieve a high and detailed level of understanding of Tennessee Williams` allusions, tropes and allegories, an examination of the playwright’s personal life will precede the analysis of his “soft people.” Moreover, to attain a profound exploration of the singularity of Tom ́s situation – with respect to him being trapped within a society of mediocrity and sedation – the ideas and postulations of the Frankfurt School, the so called critical theory of industrial society, will be discussed.
This edition of The Glass Menagerie has been adapted specifically to help prepare students for CXC examinations.
Seminar paper from the year 2007 in the subject American Studies - Literature, grade: 1,0, http: //www.uni-jena.de/ (Institut fur Anglistik/Amerikanistik), course: Classics of Modern American Drama, 18 entries in the bibliography, language: English, comment: This seminar paper deals with the Character of Amanda in the play and influences on the depiction of it., abstract: Of particular interest for this paper is the juxtaposition of conflicting traits in Amanda's character. On the one hand, she is characterized by critics as the good mother and perpetuator. On the other hand, she is the terrible, cruel mother and perpetrator. These different characteristics seem to be directly connected to Amanda's relationship to her children. For her daughter she is the good mother, trying everything to ensure her daughter's security in the future. Her son experiences his mother's treatment as suffocating and restricting for his dreams and ambitions. Yet, both of these different attitudes seem to be motivated by the same disposition in Amanda: the love and devotion of a mother for her children. Consequently, there must be other reasons that motivate Amanda's behavior. This paper is going to consider the social and economical situation in the USA at the time of the play, Amanda's glorification of her own past and the fact that the play is Tom's memory for a combination of these three points seem to be the reason why Amanda is portrait as such an ambiguous character in the drama. To begin with, the relevant social and economic circumstances in the USA during the time of the play are going to be analyzed. Amanda's glorification of her past is then discussed followed by the analysis of the influence of Tom's memory on the portrayal of Amanda in the play. Finally, the results of the analysis of the three factors are applied to the relationship of Amanda and her children."
Delma E. Presley's 'The Glass Menagerie: An American Memory' offers a cogent and thorough analysis of Tennessee William's masterpiece. The study addresses such issues as characterization, structure, and the visual and dramatic devices used to create this compelling 'memory play.'