"Lush and mysterious...casts its spell from the first page...This is a deeply satisfying novel." - Kelly O'Connor McNees, author of The Island of Doves The redemptive journey of a young woman unsure of her engagement, who revisits in memory the events of one scorching childhood summer when her beautiful yet troubled mother spirits her away from her home to an Indian village untouched by time, where she discovers in the jungle behind her ancestral house a spellbinding garden that harbors a terrifying secret.
the girl from the garden
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An extraordinary new writer makes her literary debut with this suspenseful novel of desire, obsession, power and vulnerability, in which a crisis of inheritance leads to the downfall of a wealthy family of Persian Jews in early twentieth-century Iran. For all his wealth and success, Asher Malacouti—the head of a prosperous Jewish family living in the Iranian town of Kermanshah—cannot have the one thing he desires above all: a male son. His young wife Rakhel, trapped in an oppressive marriage at a time when a woman’s worth is measured by her fertility, is made desperate by her failure to conceive, and grows jealous and vindictive. Her despair is compounded by her sister-in-law Khorsheed’s pregnancy and her husband’s growing desire for Kokab, his cousin’s wife. Frustrated by his wife’s inability to bear him an heir, Asher makes a fateful choice that will shatter the household and drive Rakhel to dark extremes to save herself and preserve her status within the family. Witnessed through the memories of the family’s only surviving daughter, Mahboubeh, now an elderly woman living in Los Angeles, The Girl from the Garden unfolds the complex, tragic history of her family in a long-lost Iran of generations past. Haunting, suspenseful and inspired by events in the author’s own family, it is an evocative and poignant exploration of sacrifice, betrayal, and the indelible legacy of the families that forge us.
“Soulful and exquisite, this novel blooms with the beauty of humanity.”—Shelf Awareness “In this exceptional novel, Melanie Wallace conveys the depths and complexities of life in a seemingly uneventful New England village. The Girl in the Garden strikingly affirms Eudora Welty’s belief ‘that one place understood helps us understand all other places better.’”—Ron Rash, author of Serena and Above the Waterfall “Powerful…A quiet, contemplative novel that builds slowly and leaves a lasting impact.”—Publishers Weekly When June arrives on the coast of New England, baby in arms, an untrustworthy man by her side, Mabel—who rents them a cabin—senses trouble. A few days later, the girl and her child are abandoned. June is soon placed with Mabel’s friend, Iris, in town, and her life becomes entwined with a number of locals who have known each other for decades: a wealthy recluse with a tragic past; a widow in mourning; a forsaken daughter returning for the first time in years, with a stranger in tow; and a kindly WWII veteran who serves as the town’s sage. Surrounded by the personal histories and secrets of others, June finds the way forward for herself and her son becoming determined by the others’ pasts, including loves—and crimes—from years ago. In vivid, nuanced prose, Melanie Wallace—“a writer with a tender regard for the marginal, the missing, and the lost” (Hilary Mantel)—explores the time-tested bonds of a small community, the healing power of friendship and love, and whether the wrongs of the past can ever be made right.
Wendy's friend, kate, didn't choose to be an only child, but she did choose a loyal group of friends who go a long way to fill that void. Now raising their own children, the sisterhood that exists between their way through life and forgeout their path. A girls' weekned away will see events unfold that take Kate on a journey to ultimately reveal the foundations of not only her own existence within a fragile family, but also the identity of the girl in the garden.
Winner of the August Derleth Award, No One Gets Out Alive is the ultimate haunted house thriller from horror writer Adam Nevill. Darkness lives within . . . Cash-strapped, working for agencies and living in shared accommodation, Stephanie Booth feels she can fall no further. So when she takes a new room at the right price, she believes her luck has finally turned. But 82 Edgware Road is not what it appears to be. It's not only the eerie atmosphere of the vast, neglected house, or the disturbing attitude of her new landlord, Knacker McGuire, that makes her uneasy - it's the whispers behind the fireplace, the scratching beneath floors, the footsteps in the dark, and the young women weeping in neighbouring rooms. And when Knacker's cousin Fergal arrives, the danger goes vertical. But this is merely a beginning, a gateway to horrors beyond Stephanie's worst nightmares. And in a house where no one listens to the screams, will she ever get out alive?
This book assembles a collection of papers in two different domains: formal syntax and neurolinguistics. Here Moro provides evidence that the two fields are becoming more and more interconnected and that the new fascinating empirical questions and results in the latter field cannot be obtained without the theoretical base provided by the former. The book is organized in two parts: Part 1 focuses on theoretical and empirical issues in a comparative perspective (including the nature of syntactic movement, the theory of locality and a far reaching and influential theory of copular sentences). Part 2 provides the original sources of some innovative and pioneering experiments based on neuroimaging techniques (focusing on the biological nature of recursion and the interpretation of negative sentences). Moro concludes with an assessment of the impact of these perspectives on the theory of the evolution of language. The leading and pervasive idea unifying all the arguments developed here is the role of symmetry (breaking) in syntax and in the relationship between language and the human brain.
"With its broad selection from written and oral sources, Leaves from the garden of Eden is a landmark collection, representing the full range of Jewish folklore from the Talmud to the present"--Jacket.
Dark secrets, a devastating mystery and the games people play: the gripping new novel from the bestselling author of The House We Grew Up In and The Third Wife. You live on a picturesque communal garden square, an oasis in urban London where your children run free, in and out of other people’s houses. You’ve known your neighbours for years and you trust them. Implicitly. You think your children are safe. But are they really? Midsummer night: a thirteen-year-old girl is found unconscious in a dark corner of the garden square. What really happened to her? And who is responsible? Utterly believable characters, a gripping story and a dark secret buried at its core: this is Lisa Jewell at her heart-stopping best.
This is a completely revised edition of Gold Medallion Award-winning Expositor’s Bible Commentary. This revised commentary has undergone substantial revisions that keep pace with current evangelical scholarship and resources. Just as its previous edition, it offers a major contribution to the study and understanding of the Scriptures. Providing pastors and Bible students with a comprehensive and scholarly tool for the exposition of the Scriptures and the teaching and proclamation of the gospel, this ten-volume reference work has become a staple of seminary and college libraries and pastors’ studies worldwide. Its fifty-six contributors—thirty of them are new—represent the best in evangelical scholarship committed to the divine inspiration, complete trustworthiness, and full authority of the Bible.As before, The Expositor’s Bible Commentary features full NIV text, but also refers freely to other translations and to the original languages. In addition to its exposition, each book of the Bible has an introduction, outline, and an updated bibliography. Notes on textual questions and special problems are correlated with the expository units; transliteration and translation of Semitic and Greek words make the more technical notes accessible to readers unacquainted with the biblical languages. In matters where marked differences of opinion exist, commentators, while stating their own convictions, deal fairly and irenically with opposing views.