Rethinks films including Pillow Talk and Rear Window by identifying the apartment plot as a distinct genre, one in which the urban apartment figures as a central narrative device.
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The charming homes of River Bluffs, Indiana, make perfect projects for house-flipper Jazzi Zanders. Less charming is her hothead brother-in-law, who's a bit of a fixer-upper himself. But could he also be a murderer? Jazzi married her gorgeous contractor Ansel—not his family. But somehow she keeps living with them. So she's delighted to help Ansel's brother Radley move out of their home and into his own place, in the same building as his work supervisor, Donovan. But when Donovan is shot and his apartment ransacked following an argument with Ansel and Radley's older brother Bain, their sibling becomes a suspect—especially after his missing gun turns up as the murder weapon. Told not to leave town by Detective Gaff, big brother moves in with . . . Jazzi and Ansel. Now Jazzi needs to prove Bain's no killer, not only to keep him out of jail—but to get him out of their house. What was the killer looking for in Donovan's apartment? And what will happen to the next person who gets in the way? Visit us at www.kensingtonbooks.com
From the bachelor pad that Jack Lemmon's C. C. Baxter loans out to his superiors in Billy Wilder's The Apartment (1960) to the crumbling tenement in a dystopian Taipei in Tsai Ming-liang's The Hole (1998), the apartment in films and television series is often more than just a setting: it can motivate or shape the narrative in key ways. Such works belong to a critical genre identified by Pamela Robertson Wojcik as the apartment plot, which comprises specific thematic, visual, and narrative conventions that explore modern urbanism's various forms and possibilities. In The Apartment Complex a diverse group of international scholars discuss the apartment plot in a global context, examining films made both within and beyond the Hollywood studios. The contributors consider the apartment plot's intersections with film noir, horror, comedy, and the musical, addressing how different national or historical contexts modify the apartment plot and how the genre's framework allows us to rethink the work of auteurs and identify productive connections and tensions between otherwise disparate texts. Contributors. Steven Cohan, Michael DeAngelis, Veronica Fitzpatrick, Annamarie Jagose, Paula J. Massood, Joe McElhaney, Merrill Schleier, Lee Wallace, Pamela Robertson Wojcik
From Blumhouse Books, a haunting thriller about a troubled married couple whose vacation to Paris leads them into a nightmare. “An impressively compelling chiller… an ideal choice for late nights alone.” -- CultureCrypt Mark and Steph have a relatively happy family with their young daughter in sunny Cape Town until one day when armed men in balaclavas break in to their home. Left traumatized but physically unharmed, Mark and Steph are unable to return to normal and live in constant fear. When a friend suggests a restorative vacation abroad via a popular house swapping website, it sounds like the perfect plan. They find a genial, artistic couple with a charming apartment in Paris who would love to come to Cape Town. Mark and Steph can’t resist the idyllic, light-strewn pictures, and the promise of a romantic getaway. But once they arrive in Paris, they quickly realize that nothing is as advertised. When their perfect holiday takes a violent turn, the cracks in their marriage grow ever wider and dark secrets from Mark's past begin to emerge. Deftly weaving together two complex and compelling narrators, S. L. Grey builds an intimate and chilling novel of a disintegrating marriage in the wake of a very real trauma. The Apartment is a terrifying and tour-de-force of horror, of psychological thrills, and of haunting suspense.
NEW YORK TIMES BESTSELLER • This vibrant, tender, and moving tale pulses with the excitement of New York City, as Danielle Steel explores twists of fate, and the way that sometimes, in special places, friends can be the family we need most. They come together by chance in the heart of New York City, four young women at turning points in their lives. Claire Kelly finds the walk-up apartment—a spacious loft in Hell’s Kitchen. But the aspiring shoe designer needs at least one roommate to manage it. She meets Abby Williams, a writer trying to make it on her own, far away from her successful family in L.A. Four years later, Morgan Shelby joins them. She’s ambitious, with a serious finance job on Wall Street. Then Sasha Hartman, a medical student whose identical twin sister is a headline-grabbing supermodel. And so the sprawling space, with its exposed brick and rich natural light, becomes a home to friends about to embark on new, exhilarating adventures. Frustrated by her ultra-conservative boss, Claire soon faces a career crisis as a designer. Abby is under the spell of an older man, an off-off-Broadway producer who exploits her and detours her from her true talent as a novelist, while destroying her self-confidence. Morgan is happily in love with a successful restaurateur who supplies her roommates with fine food. At her office, she begins to suspect something is off about her boss, a legendary investment manager whom she’s always admired. But does she even know him? And Sasha begins an all-work-no-play residency as an OB/GYN, as her glamorous jet-set sister makes increasingly risky decisions. Their shared life in the apartment grounds them as they bring one another comfort and become a family of beloved friends. Unexpected opportunities alter the course of each of their lives, and as they meet the challenges, they face the bittersweet reality that in time, they will inevitably move away from the place where their dreams began. From the Hardcover edition.
A powerful and elegant debut novel about love, memory, exile, and war. One snowy December morning in an old European city, an American man leaves his shabby hotel to meet a local woman who has agreed to help him search for an apartment to rent. THE APARTMENT follows the couple across a blurry, illogical, and frozen city into a past the man is hoping to forget, and leaves them at the doorstep of an uncertain future-their cityscape punctuated by the man's lingering memories of time spent in Iraq and the life he abandoned in the United States. Contained within the details of this day is a complex meditation on America's relationship with the rest of the world, an unflinching glimpse at the permanence of guilt and despair, and an exploration into our desire to cure violence with violence. A novel about how our relationships to others-and most importantly to ourselves-alters how we see the world, THE APARTMENT perfectly captures the peculiarity and excitement of being a stranger in a strange city. Written in an affecting and intimate tone that gradually expands in scope, intensity, poetry, and drama, Greg Baxter's clear-eyed first novel tells the intriguing story of these two people on this single day. Both beguiling and raw in its observations and language, THE APARTMENT is a crisp novel with enormous range that offers profound and unexpected wisdom.
Billy Wilder won two Oscars - as co-screenwriter and director - for this mordant comedy about getting ahead in the corporate world. Jack Lemmon played the 'schnook' who lends out his apartment for his boss's sexual trysts, only to fall in love with the boss's girl - played by Shirey MacLaine. The Apartment is a beautifully judged piece of writing saved from cynicism by Wilder and Diamond's tenderness towards their central characters. This edition of the screenplay includes a specially commissioned introduction by Mark Cousins.
A decorating handbook for apartment dwellers explains how to transform large or small spaces into a home that reflects one's taste and personality, combining nearly three hundred full-color photographs, floor plans, informational sidebars, and practical tips for high-style decorating ideas that emphasize easy-to-complete, economical projects ranging from storage solutions to dealing with a tiny kitchen. Original.
The tenants of the apartment house are busy avoiding one anotheruntil Angie moves in. Gwen is just a housekeeper. Why wont Jerry leave her alone?
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