The Americanist crisis grew out of a series of issues which occupied the attention of American and Roman prelates in the last decade of the nineteenth century and which divided the American hierarchy into two camps: on the one hand, the liberals, led by John Ireland, Archbishop of St. Paul, and Cardinal James Gibbons, Archbishop of Baltimore, and aided by Denis J, O'Connell, rector of the American College in Rome and agent for the American hierarchy; and on the other hand, the conservatives, led by Michael Corrigan, and the german-speaking bishops. The liberals or Americanists took a progressive stance toward American culture and sought to explain to Rome why America was different from Europe and why in America the separation of church and state was beneficial to the church. Throughout its history Roman Catholicism in America has faced the dual problematic of explaining itself to Rome and to the American cultural majority.
the american agent
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A career CIA officer, Dick Holm served in America's 'secret war' in Laos, then in 1965 was transferred to the Congo where he was injured in a plane crash and suffered appalling burns. This near-death experience had a profound effect on him, and after two painful years of recuperation he went to Hong Kong to run agents into China, then returned to CIA Headquarters as Chief of the Counter Terrorism Centre. In this role he played a key part in tracking down Carlos the Jackal, and when he was posted to Paris as Station Chief he participated in his arrest in the Sudan. Holm's work in Paris proved highly controversial when a French source became a double agent and compromised the CIA station, resulting in Holm's expulsion from France and his forced resignation from the Bureau. Two months later he was invited back to receive an official Medal of Commendation. Working under thirteen different heads of the CIA in theatres of operations across the world, Dick Holm's memoir is the eventful life of one of the CIA's most celebrated officers and diplomats.
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Beloved heroine Maisie Dobbs, “one of the great fictional heroines” (Parade), investigates the mysterious murder of an American war correspondent in London during the Blitz in a page-turning tale of love and war, terror and survival. When Catherine Saxon, an American correspondent reporting on the war in Europe, is found murdered in her London digs, news of her death is concealed by British authorities. Serving as a linchpin between Scotland Yard and the Secret Service, Robert MacFarlane pays a visit to Maisie Dobbs, seeking her help. He is accompanied by an agent from the US Department of Justice—Mark Scott, the American who helped Maisie escape Hitler’s Munich in 1938. MacFarlane asks Maisie to work with Scott to uncover the truth about Saxon’s death. As the Germans unleash the full terror of their blitzkrieg upon the British Isles, raining death and destruction from the skies, Maisie must balance the demands of solving this dangerous case with her need to protect Anna, the young evacuee she has grown to love and wants to adopt. Entangled in an investigation linked to the power of wartime propaganda and American political intrigue being played out in Britain, Maisie will face losing her dearest friend—and the possibility that she might be falling in love again.
Inspiring debate since the early days of its publication, Elizabeth L. Eisenstein's The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe (1979) has exercised its own force as an agent of change in the world of scholarship. Its path-breaking agenda has played a central role in shaping the study of print culture and "book history"--fields of inquiry that rank among the most exciting and vital areas of scholarly endeavor in recent years. Joining together leading voices in the field of print scholarship, this collection of twenty essays affirms the catalytic properties of Eisenstein's study as a stimulus to further inquiry across geographic, temporal, and disciplinary boundaries. From early modern marginalia to the use of architectural title pages in Renaissance books, from the press in Spanish colonial America to print in the Islamic world, from the role of the printed word in nation-building to changing histories of reading in the electronic age, this book addresses the legacy of Eisenstein's work in print culture studies today as it suggests future directions for the field. In addition to a conversation with Elizabeth L. Eisenstein, the book includes contributions by Peng Hwa Ang, Margaret Aston, Tony Ballantyne, Vivek Bhandari, Ann Blair, Barbara A. Brannon, Roger Chartier, Kai-wing Chow, James A. Dewar, Robert A. Gross, David Scott Kastan, Harold Love, Paula McDowell, Jane McRae, Jean-Dominique Mellot, Antonio Rodr'guez-Buckingham, Geoffrey Roper, William H. Sherman, Peter Stallybrass, H. Arthur Williamson, and Calhoun Winton.
Morton and Spinelli's work is a rich, detailed history of the American Revolution and one of the eighteenth century's most engaging characters."--Jacket.
Agents of Innocence is the book that established David Ignatius's reputation as a master of the novel of contemporary espionage. Into the treacherous world of shifting alliances and arcane subterfuge comes idealistic CIA man Tom Rogers. Ordered to penetrate the PLO and recruit a high-level operative, he soon learns the heavy price of innocence in a time and place that has no use for it.