Last night I dreamt I went to Manderley again . . . Working as a lady's companion, the orphaned heroine of Rebecca learns her place. Life begins to look very bleak until, on a trip to the South of France, she meets Maxim de Winter, a handsome widower whose sudden proposal of marriage takes her by surprise. Whisked from glamorous Monte Carlo to his brooding estate, Manderley, on the Cornish Coast, the new Mrs de Winter finds Max a changed man. And the memory of his dead wife Rebecca is forever kept alive by the forbidding Mrs Danvers . . . Not since Jane Eyre has a heroine faced such difficulty with the Other Woman. An international bestseller that has never gone out of print, Rebecca is the haunting story of a young girl consumed by love and the struggle to find her identity. I am reminded of how profoundly du Maurier changed the way I felt about myself, how she engaged and excited me with her writing.
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This is the first in-depth biography of Rebecca Gratz (1781-1869), the foremost American Jewish woman of the nineteenth century. Perhaps the best-known member of the prominent Gratz family of Philadelphia, she was a fervent patriot, a profoundly religious woman, and a widely known activist for poor women. She devoted her life to confronting and resolving the personal challenges she faced as a Jew and as a female member of a prosperous family. In using hundreds of Gratz's own letters in her research, Dianne Ashton reveals Gratz's own blend of Jewish and American values and explores the significance of her work. Informed by her American and Jewish ideas, values, and attitudes, Gratz created and managed a variety of municipal and Jewish institutions for charity and education, including America's first independent Jewish women's charitable society, the first Jewish Sunday school, and the first American Jewish foster home. Through her commitment to establishing charitable resources for women, promoting Judaism in a Christian society, and advancing women's roles in Jewish life, Gratz shaped a Jewish arm of what has been called America's largely Protestant "benevolent empire." Influenced by the religious and political transformations taking place nationally and locally, Gratz matured into a social visionary whose dreams for American Jewish life far surpassed the realities she saw around her. She believed that Judaism was advanced by the founding of the Female Hebrew Benevolent Society and the Hebrew Sunday School because they offered religious education to thousands of children and leadership opportunities to Jewish women. Gratz's organizations worked with an inclusive definition of Jewishness that encompassed all Philadelphia Jews at a time when differences in national origin, worship style, and religious philosophy divided them. Legend has it that Gratz was the prototype for the heroine Rebecca of York in Sir Walter Scott's Ivanhoe, the Jewish woman who refused to wed the Christian hero of the tale out of loyalty to her faith and father. That legend has draped Gratz's life in sentimentality and has blurred our vision of her. Rebecca Gratz is the first book to examine Gratz's life, her legend, and our memory.
Almost the entire corpus of West's fiction receives attention in this volume (with the exception of The Thinking Reed, which is in itself a telling fact)."--Jacket.
After completing his biography of Rebecca West in 1995, Carl Rollyson felt bereft. As his wife said, "Rebecca was such good company." He had already embarked on another biography, but Rebecca kept beckoning him. He felt there was more to say about her politics-a misunderstood part of her repertoire as reporter and novelist. And had he done justice to her enormous sense of fun and humor? He regretted excising the portrait of her he wanted to put at the beginning of his biography. His editor kept cutting away at what he called Rollyson's doorstop of a book. And then after years of waiting, Rollyson received her FBI file. He kept running into Rebecca, so to speak, when he was working on his biographies of Martha Gellhorn and Jill Craigie. Interviews in London often turned up people who had known West as well. Thus piece by piece, Rollyson accumulated what is now another book about Rebecca West. This new collection tells the story of how his biography got written, of what it means to think like a biographer, and why West's vision remains relevant. She is one of the great personalities and writers of the modern age, and one that we are just beginning to comprehend.
Part I - Recent Writings by Scholars on ClarkeChapter 1 Nancy Reich: "Rebecca Clarke: An Uncommon Woman" Chapter 2 Liane Curtis: "Rebecca Clarke and the British Musical Renaissance" Chapter 3 Deborah Stein: "'Dare Seize the Fire': An Introduction to the Songs of Rebecca Clarke" Chapter 4 Bryony Jones: "'But do not quite forget': The Trio for Violin, Cello and Piano (1921) and the Viola Sonata (1919) Compared" Part II Clarke's Published Writings About Music (1923-1931). Chapter 5 "The History of the Viola in Quartet Writing." Music and Letters IV (1923) Chapter 6 "The Beethoven Quartets as a Player Sees Them." Music and Letters VIII (1927) Chapter 7 "Viola." Cobbett's Cyclopedic Survey of Chamber Music Chapter 8
This is the story of the birth, so-short life, and death of Rebecca, the baby daughter of Robert and Margaret Jonas. After months of anticipation, she flashed through their lives like a comet and was gone. As Henri Nouwen says in his foreword, "It is a book about grief, but also about gratitude; about anger, but also about hope; about fear, but also about love; about loss but also about gain; about powerlessness, but also about power; about time, but also about eternity. It is a book about hospital rooms, but also about the universe. It is a book about being human, but also about being divine".
Hugely popular when it was first published in 1903 and admired by authors from Jack London to Mark Twain, this delightful novel introduced a heroine as irrepressible and fun-loving as Tom Sawyer, who would serve as a role model for a century of American girls and women. When ten-year-old Rebecca Randall comes to live with flinty aunt Miranda and her sentimental sister Jane in a small town in Maine, they expect to turn her into a proper young lady. Instead, Rebecca will end up changing them. Rebecca of Sunnybrook Farm is as charming today as it was one hundred years ago and is unexpectedly poignant in its evocation of an America contemplating the choices open to women facing their futures in a new era. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. From the Trade Paperback edition.
The ten stories gathered here show Rebecca Harding Davis to be an acute observer of the conflicts and ambiguities of a divided nation and position her as a major transitional writer between romanticism and realism. Capturing the fluctuating cultural environment of the Civil War and Reconstruction eras, the stories explore such issues as racial prejudice and slavery, the loneliness and powerlessness of women, and the effects of postwar market capitalism on the working classes. Davis’s characters include soldiers and civilians, men and women, young and old, blacks and whites. Instead of focusing (like many writers of the period) on major conflicts and leaders, Davis takes readers into the intimate battles fought on family farms and backwoods roads, delving into the minds of those who experienced the destruction on both sides of the conflict. Davis spent the war years in the Pennsylvania and Virginia borderlands, a region she called a “vast armed camp.” Here, divided families, ravaged communities, and shifting loyalties were the norm. As the editors say, “Davis does not limit herself to writing about slavery, abolition, or reconstruction. Instead, she shows us that through the fighting, the rebuilding, and the politics, life goes on. Even during a war, people must live: they work, eat, sleep, and love.”
Rebecca is a thirteen-year-old orphan who lives in a group home. Being thirteen, she believes she will never be adopted. One night, she receives a few dreams of magical worlds. Come along on Rebeccas adventures, and discover what miracle she is given.