A lovable con woman and a disgraced detective team up to find a redneck reality TV star in this raucous and razor-sharp new novel from Carl Hiaasen, the bestselling author of Bad Monkey. Merry Mansfield, the eponymous Razor Girl, specializes in kidnapping for the mob. Her preferred method is rear-ending her targets and asking them for a ride. Her latest mark is Martin Trebeaux, owner of a private beach renourishment company who has delivered substandard sand to a mob hotel. But there's just one problem: Razor Girl hits the wrong guy. Instead, she ends up with Lane Coolman, talent manager for Buck Nance, the star of a reality TV show about a family of Cajun rooster farmers. Buck Nance, left to perform standup at a Key West bar without his handler, makes enough off-color jokes to incite a brawl, then flees for his life and vanishes. Now a routine promotional appearance has become a missing persons case. And Andrew Yancy, disgraced detective-turned-health inspector, is on the job. That the Razor Girl may be the key to Yancy's future will be as surprising to him as anything else he encounters along the way—including the giant Gambian pouched rats that are haunting his restaurant inspections.
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Technologically modified by her father to survive in the world after the apocalyptic release of a deadly zombie-creating virus, a young beauty and her long-lost love must find their way to Disney World and the remains of humanity.
Carl Hiaasen has been described as “one of the funniest crime writers in decades,” “America’s finest satirical novelist,” and a “great American writer about the great American subjects of ambition, greed, vanity, and disappointment.” A columnist for thirty years, Hiaasen also wrote several award-winning young adult books but is best known for his 14 crime novels. His distinctive blend of outrageous humor and biting satire appeals to mystery fans, as well as readers of comic fiction and those interested in social and environmental issues. The author examines Hiaasen’s entire body of work, from his earliest writing as a reporter and then columnist for the Miami Herald to his bestselling novels for both adult and young readers. While much of his writing focuses on his beloved Florida, his work has a universal appeal that has earned him global fame.
For many cultural theorists, the concept of the cyborg - an organism controlled by mechanic processes - is firmly rooted in the post-modern, post-industrial, post-Enlightenment, post-nature, post-gender, or post-human culture of the late twentieth century. Allison Muri argues, however, that there is a long and rich tradition of art and philosophy that explores the equivalence of human and machine, and that the cybernetic organism as both a literary figure and an anatomical model has, in fact, existed since the Enlightenment. In The Enlightenment Cyborg, Muri presents cultural evidence - in literary, philosophical, scientific, and medical texts - for the existence of mechanically steered, or 'cyber' humans in the works seventeenth- and eighteenth-century thinkers. Muri illustrates how Enlightenment exploration of the notion of the 'man-machine' was inextricably tied to ideas of reproduction, government, individual autonomy, and the soul, demonstrating an early connection between scientific theory and social and political thought. She argues that late twentieth-century social and political movements, such as socialism, feminism, and even conservatism, are thus not unique in their use of the cyborg as a politicized trope. The Enlightenment Cyborg establishes a dialogue between eighteenth-century studies and cyborg art and theory, and makes a significant and original contribution to both of these fields of inquiry.
|Book Title||: A Complete Collection of State Trials and Proceedings for High Treason and Other Crimes and Misdemeanors from the Earliest Period to the Year 1820 etc|
|Author||: Thomas Bayly Howell|
|Release Date||: 1816|
|Available Language||: English, Spanish, And French|
|Book Title||: Cobbett s Complete Collection of State Trials and Proceedings for High Treason and Other Crimes and Misdemeanors from the Earliest Period to the Present Time|
|Release Date||: 1811|
|Available Language||: English, Spanish, And French|
"Maeve Kerrigan [is] a fascinating and plausible character...What she has is persistence, integrity and emotional intelligence, and a very deft way of insinuating herself into a reader's affections."—The Irish Independent (UK) Vast wealth offers London defense attorney Philip Kennford a lot of things: a gorgeous house with a pool in the backyard, connections in the top echelons of society, a wardrobe worthy of Milan runways. But his money doesn't provide a happy marriage, or good relationships with his twin daughters...and it does nothing to protect his family when someone brutally murders his wife and daughter in their own home. When Detective Constable Maeve Kerrigan arrives at the scene, the two survivors—Philip and his second favorite daughter, Lydia—both claim to have seen nothing, but it's clear right away that this is an unhappy family accustomed to keeping secrets. Maeve soon finds herself entangled in a case with a thousand leads that all seem to point nowhere, and it doesn't help that her boss, whom she trusts more than almost anyone, is starting to make decisions that Maeve finds questionable at best. In The Last Girl, Jane Casey once again demonstrates her ability to write vivid, three-dimensional characters and spin a gripping, unpredictable mystery.
From Barbies to your first bra, from holding your teddy bear to slowdancing with your first boyfriend, from knowing everyone in elementary school to trying to make new friends in middle school. . . . When dealing with these changes, it's no wonder preteen girls can freak out from time to time.
RAZOR STREET Abel Marks was not a nice man, and when he's found murdered in his Razor Street flat, suspicion falls on Carol Marks, the young women he'd married just a few hours before. It was she who'd found the body, and she who'd agreed to marry him to pay back the money that her father owed the ruthless merchant. But Inspector Combridge soon discovers that both William Merritt, the girl's father, and Miss Barman, her aunt, had called upon the dead man just before his death. Each had had a motive for murder. When the trial begins, both women confess to the crime, but one or more of them is lying. Because there was a fourth visitor to Razor Street that afternoon! One of Fowler Wright's finest courtroom puzzles.