FROM THE MAN BOOKER-SHORTLISTED AUTHOR OF EILEEN THE NEW YORK TIMES BESTSELLER 'Savage, funny, frequently on the verge of teetering into lunacy... My Year of Rest and Relaxation is a non-negotiable in your holiday carry-on this summer' Vogue It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? Our narrator has many of the advantages of life: Young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend. Blackly funny, both merciless and compassionate – dangling its legs over the ledge of 9/11 – My Year of Rest and Relaxation is a showcase for the gifts of one of America’s major young writers.
my year of rest and relaxation
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My Year of Rest and Relaxation by Ottessa Moshfegh: Conversation Starters She can well afford to rest the whole year surviving on the inheritance she gets from her dead parents, and she has unemployment benefits. Hoping to come out transformed into a better person, our unnamed protagonist intends to spend the whole year sleeping in her apartment as a form of the rest cure. She finds a psychiatrist on the yellow pages and gets a steady prescription of sleeping pills, psychotropic drugs, and anti-anxiety drugs. As she starts her year-long rest and relaxation, things happen. How can she find the healing and transformation she needs? My Year of Rest and Relaxation is a New York Times bestseller and the second novel of Otessa Moshfegh, one of the most admired new novelists today. Her debut novel, Eileen, is included in the 2016 Booker Prize's shortlist. A Brief Look Inside: EVERY GOOD BOOK CONTAINS A WORLD FAR DEEPER than the surface of its pages. The characters and their world come alive, and the characters and its world still live on. Conversation Starters is peppered with questions designed to bring us beneath the surface of the page and invite us into the world that lives on. These questions can be used to.. Create Hours of Conversation: - Promote an atmosphere of discussion for groups - Foster a deeper understanding of the book - Assist in the study of the book, either individually or corporately - Explore unseen realms of the book as never seen before Disclaimer: This book you are about to enjoy is an independent resource meant to supplement the original book. If you have not yet read the original book, we encourage you to before purchasing this unofficial Conversation Starters.
From the Booker-shortlisted author of Eileen, a novel of haunting metaphysical suspense While on her daily walk with her dog in the nearby woods, our protagonist comes across a note, handwritten and carefully pinned to the ground with stones. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. Shaky even on her best days, she is also alone, and new to this area, having moved here from her long-time home after the death of her husband, and now deeply alarmed. Her brooding about the note grows quickly into a full-blown obsession, as she explores multiple theories about who Magda was and how she met her fate. Her suppositions begin to find echoes in the real world, and the fog of mystery starts to form into a concrete and menacing shape. But is there either a more innocent explanation for all this, or a much more sinister one – one that strikes closer to home? In this triumphant blend of horror, suspense, and pitch-black comedy, we must decide whether the stories we tell ourselves guide us closer to the truth or keep us further from it.
A New York Times Book Review Notable Book of 2017 An electrifying first collection from one of the most exciting short story writers of our time "I can’t recall the last time I laughed this hard at a book. Simultaneously, I’m shocked and scandalized. She’s brilliant, this young woman."—David Sedaris Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.
The debut novella from one of contemporary fiction's most exciting young voices, now in a new edition. Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of name or situation or orientation--he may have killed a man. That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection. They said I've done something wrong? . . . And they've just left me down here to starve. They'll see this inanition and be so damned they'll fall to my feet and pass up hot cross buns slathered in fresh butter and beg I forgive them. All of them . . . : the entire world one by one. Like a good priest I'll pat their heads and nod. I'll dunk my skull into a barrel of gin.
*SHORTLISTED FOR THE MAN BOOKER PRIZE 2016* *SHORTLISTED FOR THE CWA NEW BLOOD DAGGER AWARD 2016* Trapped between caring for her alcoholic father and her job as a secretary at the boys’ prison, Eileen Dunlop dreams of escaping to the big city. In the meantime, her nights and weekends are filled with shoplifting and cleaning up her increasingly deranged father's messes. When the beautiful, charismatic Rebecca Saint John arrives on the scene as the new counsellor at the prison, Eileen is enchanted, unable to resist what appears to be a miraculously budding friendship. But soon, Eileen’s affection for Rebecca pull her into a crime that far surpasses even her own wild imagination. ‘Fully lives up to the hype. A taut psychological thriller, rippled with comedy as black as a raven's wing, Eileen is effortlessly stylish and compelling’ The Times
In a windowless office, women stand in a circle. One explains something from her real, nonwork life - about the frustration and indignity of returning an item she bought online. One wears a topknot. Another checks her pedometer. Watching them all is Millie. Thirty-years-old and an eternal temp, she says almost nothing, almost all of the time. But then the possibility of a permanent job arises. Will it bring the new life Millie is envisioning - one involving a gym membership, a book club, and a lot less beer and TV - finally within reach? Or will it reveal just how hollow that vision has become?
Winner of the 2018 Kirkus Prize, A PEN/Hemingway and NYPL Young Lions Finalist, A New York Times Notable Book of 2018, An Indie Next Selection A Best Book of 2018 at Elle, Marie Claire, Refinery29, Bustle, Buzzfeed, BookPage, Bookish, Mental Floss, Chicago Review of Books, HuffPost, Electric Literature, Amazon Editors', A.V. Club, Jezebel, Vulture "A fierce debut from a writer with seemingly boundless imagination. . . A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." —Michael Schaub, NPR.org Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance. Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend. So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies cease operations. The subways screech to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost. Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers? A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a moving family story, a quirky coming-of-adulthood tale, and a hilarious, deadpan satire. Most important, it’s a heartfelt tribute to the connections that drive us to do more than survive.
Three household adventures in the life of Mitzi include an intended trip to grandmother's, sharing a family cold, and reversing the President's motorcade.
Born into a wealthy New England family, Edie Sedgwick became, in the 1960s, both an emblem of, and a memorial to, the doomed world spawned by Andy Warhol. Edie was outrageous, vulnerable and strikingly beautiful. Her childhood was dominated by a brutal but glamouros father. Fleeing to New York, she became an instant celebrity, kown to everyone in the literary, artistic and fashionable worlds of the day. She was Warhol's twin soul, his creature, the superstar of his films and, finally, the victim of a life which he created for her. Edie is an American fable on an epic scale - the story of a short, crowded and vivid life which is also the story of the decade.