moving the still life
In order to READ Online or Download Moving The Still Life ebooks in PDF, ePUB, Tuebl and Mobi format, you need to create a FREE account. We cannot guarantee that Moving The Still Life book is in the library, But if You are still not sure with the service, you can choose FREE Trial service. READ as many books as you like (Personal use).
Moving Pictures, Still Lives revisits the cinematic and intellectual atmosphere of the late twentieth century. Against the backdrop of the historical fever of the 1980s and 1990s-the rise of the heritage industry, a global museum-building boom, and a cinematic fascination with costume dramas and literary adaptations-it explores the work of artists and philosophers who complicated the usual association between tradition and the past or modernity and the future. Author James Tweedie retraces the "archaeomodern turn" in films and theory that framed the past as a repository of abandoned but potentially transformative experiments. He examines late twentieth-century filmmakers who were inspired by old media, especially painting, and often viewed those art forms as portals to the modern past. In detailed discussions of Alain Cavalier, Terence Davies, Jean-Luc Godard, Peter Greenaway, Derek Jarman, Agnès Varda, and other key directors, the book concentrates on films that fill the screen with a succession of tableaux vivants, still lifes, illuminated manuscripts, and landscapes. It also considers three key figures-Walter Benjamin, Gilles Deleuze, and Serge Daney-who grappled with the late twentieth century's characteristic concerns, including history, memory, and belatedness. It reframes their theoretical work on film as a mourning play for past revolutions and a means of reviving the possibilities of the modern age (and its paradigmatic medium, cinema) during periods of political and cultural retrenchment. Looking at cinema and the century in the rear-view mirror, the book highlights the unrealized potential visible in the history of film, as well as the cinematic phantoms that remain in the digital age.
Ada escaped her family’s self-enclosed world to elope with a mysterious stranger. Five months later, she’s a widow in a strange new world. Ada was born into a fringe religious sect named for her father, The Prophet. But her lifelong habit of absolute obedience was shattered when she fled the family compound to elope with photographer Julian Goetz. Katherine Walker’s marriage was a sham. She and Will rarely spoke without yelling—and never touched. Her affair brings her both escape and guilt. When a tragic plane crash takes Julian from Ada and exacerbates Katherine’s sense of shame, both women become desperately unsure of where they belong in the world—until the devotion of an artistic young boy conspires to bring them together. From award-winning novelist Christa Parrish, Still Life is a cunningly complex work that captures themes of abusive religion, supernatural love, and merciful escape. It will resonate with anyone who has ever felt called to a drastic change—or tried to hear the small whisper of God’s voice.
Meet Emily Ross, thirty years old, married to her college sweetheart, and personal advocate for cake at breakfast time. Meet Emily's husband, Kevin, a sweet technical writer with a passion for small appliances and a teary weakness for Little Women. Enter David, a sexy young reporter with longish floppy hair and the kind of face Emily feels the weird impulse to lick. In this captivating novel of marriage and friendship, Lauren Fox explores the baffling human heart and the dangers of getting what you wish for. From the Trade Paperback edition.
In this, the only up-to-date critical work on still life painting in any language, Norman Bryson analyzes the origins, history and logic of still life, one of the most enduring forms of Western painting. The first essay is devoted to Roman wall-painting while in the second the author surveys a major segment in the history of still life, from seventeenth-century Spanish painting to Cubism. The third essay tackles the controversial field of seventeenth-century Dutch still life. Bryson concludes in the final essay that the persisting tendency to downgrade the genre of still life is profoundly rooted in the historical oppression of women. In Looking at the Overlooked, Norman Bryson is at his most brilliant. These superbly written essays will stimulate us to look at the entire tradition of still life with new and critical eyes.
This comprehensive historical account demonstrates the rich diversity in 1970s British experimental filmmaking, acting as a form of reclamation for films and filmmakers marginalized within established histories. An indispensable book for practitioners, historians and critics alike, it provides new interpretations of this rich and diverse history.
In DRAWING FROM THE MASTERS: ILLUSTRATIONS & STORIES OF AN ASPIRING ARTIST, Debora continues her creative arts theme. She describes the experiences of a young artist copying from the master artists in a museum setting. The young artist ́s thoughts and efforts are related as she renders her interpretations of famous paintings and also creates her own artwork. They are accompanied by the author’s vivid drawings.
The equivalent of a foundation course in traditional oil painting for beginning to intermediate level artists, this in-depth book uses the still life as a practical way to master oil techniques. The still life is a practical, forgiving genre as it does not require the likeness of a portrait or the accurate proportions of the figure and, unlike the landscape, it doesn’t change with the weather. Instead, it gives aspiring artists ample time to study and the opportunity to look closer. It can be used as a purely formal subject for drawing and painting techniques, or a platform for emotional expression using personal symbolism and imagery. However, though the still life is used throughout as a teaching tool, this is first and foremost a book about oil painting. It begins with simple compositions that build to more complex arrangements. Starting with essential information on how to best set up your studio—including lighting, equipment, materials (paints, solvents, brushes, mediums), and preparing your canvas and paper for oil painting—Still Life Painting Atelier then offers concrete lessons in a logical progressive sequence, with step-by-step illustrations, finished paintings, diagrams and tips. Chapters cover: • How to address composition through thumbnail sketches and line drawings • Using underpainting to study the characteristics of light and shade • The basics of color theory and color mixing • How to use a variety of brushes to create sharp and soft edges • Techniques that are helpful when painting metal and glass • How to apply glazing and scumbling to bring luminosity and texture
Ms. Casser-Jayne¿s coffee table book is the first serious compilation of photographs to be published on the Civil War¿s Battle of Antietam since Alexander Gardner¿s book in 1866. In his foreward to the book, Antietam National Battlefield Superintendent, John Howard calls Ms.Casser-Jayne's work a new monument to those who fought and to those who help us remember. Featuring 70 duotone images and 70 Civil War era quotes, this striking 152-page book captures the spirit that inhabits the Maryland battlefield. The $32.95 book also features a battle overview by eminent historian Dr. Thomas G. Clemens, President of Save Historic Antietam Foundation (SHAF).
Still Life: Sketches from a Tunbridge Wells Childhood (the sub-title is important) was first published in 1984. It won the J.R. Ackerley Prize for Literary Biography in that year. It is a classic among middle-class memoirs. In twenty-one short chapters the town is vividly anatomized. So too are its residents: meet Dr Ranking and, best of all, meet the Limbury-Buses living a life of contented ossification. 'Cobb remembers, and that, as well as his redeeming freedom from all conventional standards of dignity and relevance, is what makes this offbeat, capricious book a rare treasure'. John Carey, Sunday Times 'A remarkable feat of making purest autobiography part of a general, social history... Cobb has broken one of the strangest silences in English social commentary; on the missing history of the English bourgeoisie'. Michael Neve, Times Literary Supplement