The popular figure known as the superhero has exerted such a strong and mushrooming influence upon society, morality, and politics that a mythology now pervades our culture. This phenomenon, begun in the 1930s, had its roots in comic books. In recent times the extremely successful movies about Superman and Batman have made these two individual superheroes, created by the comic book muse, as familiar worldwide as any characters ever created. Here is a study of this superhuman creation, revealed as a proliferating symbol whose dimensions over sixty years of comic book history have been rendered to satisfy the demands and expectations of the popular audience. This fascinating book shows how the superhero has become a vivid figure in the mainstream of modern culture.
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Presents literary excerpts and readings which analyze and debate the origin, interpretation and validity of mythological theories
The archaeologist studies human life in its material remains; he tracks progress (and occasional degeneration) from the rudely chipped flints in the ancient gravel beds, to the polished stone weapon, and thence to the ages of bronze and iron. He is guided by material "survivals"-ancient arms, implements, and ornaments. The student of Institutions has a similar method. He finds his relics of the uncivilised past in agricultural usages, in archaic methods of allotment of land, in odd marriage customs, things rudimentary-fossil relics, as it were, of an early social and political condition. The archaeologist and the student of Institutions compare these relics, material or customary, with the weapons, pottery, implements, or again with the habitual law and usage of existing savage or barbaric races, and demonstrate that our weapons and tools, and our laws and manners, have been slowly evolved out of lower conditions, even out of savage conditions. The anthropological method in mythology is the same. In civilised religion and myth we find rudimentary survivals, fossils of rite and creed, ideas absolutely incongruous with the environing morality, philosophy, and science of Greece and India. Parallels to these things, so out of keeping with civilisation, we recognise in the creeds and rites of the lower races, even of cannibals; but there the creeds and rites are not incongruous with their environment of knowledge and culture. There they are as natural and inevitable as the flint-headed spear or marriage by capture. We argue, therefore, that religions and mythical faiths and rituals which, among Greeks and Indians, are inexplicably incongruous have lived on from an age in which they were natural and inevitable, an age of savagery.
The beginning of the twenty-first century has already seen its fair share of modern myths with heroes such as Spider-Man, Superman, and Harry Potter. The authors in this volume deconstruct, discuss, engage, and interrogate the mythologies of the new millennium in science fiction fantasy texts. Using literary and rhetorical criticism - paired with philosophy, cultural studies, media arts, psychology, and communication studies - they illustrate the function, value, and role of new mythologies, and show that the universal appeal of these texts is their mythic power, drawing upon archetypes of the past which resonate with individuals and throughout culture. In this way they demonstrate how mythology is timeless and eternal.
Modern Mythology is a collection of fifteen imaginative stories having mythological themes and also possessing interesting mythological allusions and characters. Humor is represented in "Olympus Lives" and in "Olympus Lives, Part II." Anachronism is depicted in the stories "Immoral Immortality," "The Seven Statues," "The Heroic Belt," "Greek Statutory Law" and in the very intriguing exploit "Mythology Economics." Conflict and action/adventure situations dominate the tales "The Amazon Sorority," "Perseus, II" and also "Twelve Modern Labors." The presentations "Excavations" and "Ice Ages" involve rather amazing archeological discoveries from ancient times. Finally, mystery and suspense can be found in "The Oracle," in "Marvelous Modern Mythology" and in the creative rendition "Accidental Coincidence."
Modern physics has degenerated into mythology. Quantum mechanics (QM) is based on the assumption that "elementary" particles are truly fundamental. This assumption has been invalidated by numerous experiments. By interaction with other particles, quarks and other components of "elementary" particles are pulled apart or squeezed together. Due to such deformations, the complex structures called "elementary" particles accumulate internal energy, which is neglected in the entire Quantum Mechanics literature. Double slit experiments do not justify the abandonment of Classical Physics and the creation of Quantum Mechanics. The interference patterns, which supposedly demonstrate the unique nature of "elementary" particles, are faithfully reproduced with common objects. Correctly applied i.e., without neglecting internal energy, Classical Physics provides a deterministic and unitary description of virtually all quantum phenomena. Classical Physics also explains relativistic effects, i.e., mass increase, length contraction and time dilation without recourse to particular hypotheses like the existence of aether. The components of "elementary" particles are bound by cohesion forces propagating through quanta. The energy of quanta increases with particle velocity according to the Doppler Effect. As a result, the relativistic energy and mass of an "elementary" particle are proportional to the Lorentz factor. This mass increase causes length contraction and time dilation.
Eros, the Greek god of love, spends his time matching mortals to their heart’s desires, all the while ignoring his own heart until he comes across Melina Caras. The innocent woman with a heart of gold deserves better than any mortal man he can find, so he seeks a demigod for her while fighting his own feelings and protecting her from Aphrodite’s wrath. Inside the fantasy realm of gods and monsters, Melina learns how wonderful it is to be loved by love itself.
Explores of the relationship between contemporary literature and film and the ancient myths of Greek, Celtic, Semitic, and Hindu origin.
In 'Ink-stained Amazons and Cinematic Warriors', author Jennifer Stuller looks at the role of superwomen in modern mythology, tracing their development in comics, in films and on television over the course of the past seven decades. From Wonder Woman to Buffy Summers, Emma Peel to Sydney Bristow, Charlie’s Angels to The Powerpuff Girls, Superwomen are more than just love interests or sidekicks who stand by their Supermen. In her new book, Stuller shows how the female hero in modern mythology has broken through the boy's club barrier of tradition and reveals the pivotal role of high-heeled crimefighters in popular culture. Featuring spies and sexuality, daddy's girls and super-mothers, this is a comprehensive, engaging and thought-provoking guide to female detectives, meta-humans and action heroines, as well as their creators, directors, performers, and consumers. The book also includes a glossary of modern mythic women, from Aeon to Zoë, as well as a foreword by acclaimed cultural commentator Roz Kaveney, author of 'Superheroes! Capes and Crusaders in Comics and Films' (published by I.B.Tauris, April 2008).