Hannah Arendt argued that the 'political' is best understood as a power relation between private and public realms, and that storytelling is a vital bridge between these realms -- a site where individualised passions and shared views are contested and recombined. In his new book, Michael Jackson explores and expands Arendt's ideas through a cross-cultural analysis of storytelling that includes Kuranko stories from Sierra Leone, Aboriginal stories of the stolen generation, stories recounted before the South African Truth and Reconciliation Commission, and stories of refugees, renegades, and war veterans. Focusing on the violent and volatile conditions under which stories are and are not told, and exploring the various ways in which narrative re-workings of reality enable people to symbolically alter subject-object relations, Jackson shows how storytelling may restore to the intersubjective fields of self and other, self and state, self and cosmos, the conditions of viable sociality. The book concludes in a reflexive vein, exploring the interface between public discourse and private experience.
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Michael Jackson extends his path-breaking work in existential anthropology by focusing on the interplay between two modes of human existence: that of participating in other peoples’ lives and that of turning inward to one’s self. Grounding his discussion in the subtle shifts between being acted upon and taking action, Jackson shows how the historical complexities and particularities found in human interactions reveal the dilemmas, conflicts, cares, and concerns that shape all of our lives. Through portraits of individuals encountered in the course of his travels, including friends and family, and anthropological fieldwork pursued over many years in such places as Sierra Leone and Australia, Jackson explores variations on this theme. As he describes the ways we address and negotiate the vexed relationships between "I" and "we"—the one and the many—he is also led to consider the place of thought in human life.
This is a collection of articles on and by Jackson Pollock including interviews, reviews and articles by friends and his wife, painter Lee Krasner.
Something of a nomad himself, having lived in New Zealand, Sierra Leone, England, France, Australia, and the United States, Jackson is deft at capturing the ambiguities of home as a lived experience among the Warlpiri. Blending narrative ethnography, empirical research, philosophy, and poetry, he focuses on the existential meaning of being at home in the world. Here home becomes a metaphor for the intimate relationship between the part of the world a person calls "self" and the part of the world called "other." To speak of "at-homeness," Jackson suggests, implies that people everywhere try to strike a balance between closure and openness, between acting and being acted upon, between acquiescing in the given and choosing their own fate. His book is an exhilarating journey into this existential struggle, responsive at every turn to the political questions of equity and justice that such a struggle entails.
The #1 New York Times bestseller! Michael Jackson’s one and only autobiography – his life, in his words. With original Foreword by Jacqueline Kennedy Onassis, a new Introduction by Motown founder Berry Gordy, and an Afterword by Michael Jackson’s editor and publisher, Shaye Areheart. “I’ve always wanted to be able to tell stories, you know, stories that came from my soul. I’d like to sit by a fire and tell people stories – make them see pictures, make them cry and laugh, take them anywhere emotionally with something as deceptively simple as words. I’d like to tell tales to move their souls and transform them. I’ve always wanted to be able to do that. Imagine how the great writers must feel, knowing they have that power. I sometimes feel I could do it. It’s something I’d like to develop. In a way, songwriting uses the same skills, creates the emotional highs and lows, but the story is a sketch. It’s quicksilver. There are very few books written on the art of storytelling, how to grip listeners, how to get a group of people together and amuse them. No costumes, no makeup, no nothing, just you and your voice, and your powerful ability to take them anywhere, to transform their lives, if only for minutes.” –Michael Jackson, in Moonwalk From the 1988 edition: Megastar Michael Jackson’s singularly brilliant career and intensely private lifestyle have become a magnificent obsession for millions of rock fans and celebrity watchers throughout the world. His double-platinum singles rocket to the top of the music charts with a velocity equaled only by the inevitable accompaniment of wild rumors about his eccentric personal life. Now for the first time, Michael Jackson breaks the fiercely guarded barrier of silence that has surrounded him in a remarkably candid and courageous book — Moonwalk. In this intimate and often moving personal account of Michael Jackson’s public and private life, he recalls a childhood that was both harsh and joyful but always formidable. Michael and his brothers played amateur music shows and seamy Chicago strip joints until Motown’s corporate image makers turned the Jackson 5 into worldwide superstars. Michael Jackson and the Jackson 5 have combined sales of over 200 million albums. He talks about the happy prankster days of his youth, traveling with his brothers, and of his sometimes difficult relationships with his family over the years. He speaks candidly about the inspiration behind his music, his mesmerizing dance moves, and the compulsive drive to create that has made him one of the biggest stars in the music business and a legend in his own time. The Guinness Book of World Records lists Thriller as the biggest-selling-album of all time. In Moonwalk, Michael Jackson shares his personal feelings about some of his most public friends…friends like Diana Ross, Berry Gordy, Quincy Jones, Paul McCartney, Fred Astaire, Marlon Brando, and Katharine Hepburn. He talks openly about the crushing isolation of his fame, of his first love, of his plastic surgery, and of his wholly exceptional career and the often bizarre and unfair rumors that have surrounded it. Illustrated with rare photographs from Jackson family albums and Michael’s personal photographic archives, as well as a drawing done by Michael exclusively for this book, Moonwalk is a memorable journey to the very heart and soul of a modern musical genius. From the Hardcover edition.
Describes how athletes reach a high level of performance in which they feel perfectly attuned toward their sport
Revising conventional wisdom about the Klan, Mr. Jackson shows that its roots in the 1920s can also be found in the burgeoning cities. Comprehensively researched, methodically organized, lucidly written...a book to be respected. Journal of American History."
The postmodern opposition between theory and lived reality has led in part to an anthropological turn to "dialogic" or "reflexive" approaches. Michael Jackson claims these approaches are hardly radical as they still drift into such abstractions as "society" or "culture." His Minima Ethnographica proposes an existential anthropology that recognizes even abstract relationships as modalities of interpersonal life. Written in the style of Theodor Adorno's Minima Moralia, Jackson's work shows how general ideas are always anchored in particular social events and critical concerns. Emphasizing the intersubjective encounter over objective descriptions of the whole historical and contemporary situation of a given people, he illustrates the power and originality of existential anthropology through a series of vignettes from his fieldwork in Sierra Leone and Australia. An award-winning poet, novelist, and anthropologist, Jackson offers a timely critique of conventions that dull our sense of the links between academic study and lived experience.
"This collection of essays widens the scope of Jackson scholarship with new writing on works such as The road through the wall and We have always lived in the castle and topics from Jackson's domestic fiction to ethics, cosmology, and eschatology. The book makes available some of the significant Jackson scholarship published in the last two decades"--Provided by publisher.
Offering a fascinating look at an ordinary soldier's struggle to survive not only the horrors of combat but also the unrelenting hardship of camp life, Lee and Jackson's Bloody Twelfth brings together for the first time the extant correspondence of Confederate lieutenant Irby Goodwin Scott, who served in the hard-fighting Twelfth Georgia Infantry. The collection begins with Scott's first letter home from Richmond, Virginia, in June 1861, and ends with his last letter to his father in February 1865. Scott miraculously completed the journey from naïve recruit to hardened veteran while seeing action in many of the Eastern Theater's most important campaigns: the Shenandoah Valley, the Peninsula, Second Manassas, and Gettysburg. His writings brim with vivid descriptions of the men's activities in camp, on the march, and in battle. Particularly revelatory are the details the letters provide about the relationship between Scott and his two African American body servants, whom he wrote about with great affection. And in addition to maps, photographs, and a roster of Scott's unit, the book also features an insightful introduction by editor Johnnie Perry Pearson, who highlights the key themes found throughout the correspondence. By illuminating in depth how one young Confederate stood up to the physical and emotional duress of war, the book stands as a poignant tribute to the ways in which all ordinary Civil War soldiers, whether fighting for the South or the North, sacrificed, suffered, and endured. Johnnie Perry Pearson is a retired state service officer formerly with the North Carolina Division of Veteran Affairs. He served as an infantry platoon sergeant during the Vietnam War and lives in Hickory, North Carolina.