It began -- and ended -- in 1958 when seven children searched in the drains beneath Derry for an evil creature, but in 1985, Mike, once one of those children, makes six phone calls and disinters an unremembered promise that sets off the ultimate terror.
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THE STORY: The scene is the set where Anthony J. Lefcourt, writer and director, is rehearsing his new play, a classic whodunit (in which all the characters are named Butler) with which he hopes to regain the success that has eluded him in recent
In the twenty interviews collected in this volume, seventeen of which appear in English for the first time, Levinas sets forth the central features of his ethical philosophy and discusses biographical matters not available elsewhere.
The teachings presented in As It Is, Volume I are primarily selected from talks given by the Dzogchen master, Tulku Urgyen Rinpoche, in 1994 and 1995, during the last two years of his life. The unambiguous Buddhist perception of reality is transmitted in profound, simple language by one of the foremost masters in the Tibetan tradition. Dzogchen is to take the final result, the state of enlightenment itself, as path. This is the style of simply picking the ripened fruit or the fully bloomed flowers. Tulku Urgyen's way of communicating this wisdom was to awaken the individual to their potential and reveal the methods to acknowledge and stabilize that prospective. His distinctive teaching style was widely known for its unique directness in introducing students to the nature of mind in a way that allowed immediate experience. This book offers the direct oral instructions of a master who inspired admiration, delight in practice, and deep trust and confidence in the Buddhist way.
Includes information on Woody Allen, Robert Altman, Asian films, Brian de Plama, European cinema, Alfred Hitchcock, Hong Kong films, Sam Peckinpah, Arthur Penn, Otto Preminger, Brett Ratner, Martin Scorsese, Steven Spielberg, Oliver Stone, Orson Welles, American Graffiti, At Long Last Love, A Beautiful Mind, Bonnie and Clyde, Chinatown, Citizen Kane, The Godfather, Jaws, Jerry Maguire, Lord of the Rings trilogy, Matrix trilogy, Memento, Raiders of the Lost Ark, Sixth Sense, Star Wars series, Two Weeks Notice, arcing shots, axis of action, black and white footage, camera movement, characterization, climax, close ups, comedies, complicating action, cutting, dialogue hook, directors, editing, energy, epilogue, establishing shots, fantasy, film noir, flashbacks, following shots, foreshadowing, four part structure, framing, handheld shots, heroes, horror, hyperclassical construction, independent films, innovation, intensified continuity, intercutting, long lens, long takes, low budget films, montage sequences, motifs, multiple camera shooting, narrative, over the shoulder shots, overt narration, plot, postclassical cinema, protagonists, puzzle films, rapid cutting, reverse order plotting, romantic comedy, science fiction, set up, shots, singles, soundtracks, special effects, Stedicam, story development, studio era, television, thrillers, time, tracking shots, video, violence, visceral effects, visual style, wide angle lens, wide screen, wipe by cuts, wipes, etc.
This catalogue is published in conjunction with Faking It: Manipulated Photography before Photoshop, on view at The Metropolitan Museum of Art, New York, from October 11, 2012, through January 27, 2013; at The National Gallery of Art, Washington, D.C., from February 17 through May 5, 2013; and at The Museum of Fine Arts, Houston from June 2 through August 25, 2013.
Discusses the best methods of learning, describing how rereading and rote repetition are counterproductive and how such techniques as self-testing, spaced retrieval, and finding additional layers of information in new material can enhance learning.
Introduces forces, such as pushing, pulling, gravity, and friction, using simple terminology and examples.
Presents an Indonesian phrase book that features practical words and phrases for travelers, arranged into sections on types of words and words appropriate to certain situations.
Revised for this second edition, Now You See It, Richard Dyer’s groundbreaking study of films by and about lesbians and gay men, now includes an outline of developments in queer cinema since 1990. Placing the book within lesbian and gay film history, Dyer examines familiar titles such as Girls in Uniform, Un Chant D’Amour and Word is Out in their lesbian/gay context, as well as bringing to light many other forgotten, but remarkable films. Each film is examined in detail in relation to both film type and tradition, and the sexual subculture in which it was made. Now featuring a brand new introduction by Juliane Pidduck, this will be an excellent aid to cinema and film studies courses.