This book explores the representation of Hinduism through myth and discourse in urban Hindi theatre in the period 1880-1960. It discusses representative works of seven influential playwrights and looks into the ways they have imagined and re-imagined Hindu traditions. Diana Dimitrova examines the intersections of Hinduism and Hindi theatre, emphasizing the important role that both myth and discourse play in the representation of Hindu traditions in the works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and Mohan Rakesh. Dimitrova’a analysis suggests either a traditionalist or a more modernist stance toward religious issues. She emphasizes the absence of Hindi-speaking authors who deal with issues implicit to the Muslim or Sikh or Jain, etc. traditions. This prompts her to suggest that Hindi theatre of the period 1880-1960, as represented in the works of the seven dramatists discussed, should be seen as truly ‘Hindu-Hindi’ theatre.
hinduism and hindi theater
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Her focus is on how different religious and mythological models pertaining to women have been reworked in Hindi drama and whether the seven representative dramatists discussed in this book present conservative or liberating Hindu images of the feminine. S
This book brings together several important essays examining the interface between identity, culture, and literature within the issue of cultural identity in South Asian literature. The book explores how one imagines national identity and how this concept is revealed in the narratives of the nation and the production of various cultural discourses. The collection of essays examines questions related to the interpretation of the Indian past and present, the meanings of ancient and venerated cultural symbols in ancient times and modern, while discussing the ideological implications of the interpretation of identity and “Indianness” and how they reflect and influence the power-structures of contemporary societies in South Asia. Thus, the book studies the various aspects of the on-going process of constructing, imagining, re-imagining, and narrating “Indianness”, as revealed in the literatures and cultures of India.
The issue of divinizing in South Asian traditions has not been examined before as a process involving various methods to affect the socio-cultural cognition of the community. It is therefore essential to consider the context of "divinizing" and to analyse what groups, institutions or individuals define the discourse, what are the ideological positions that they represent, and who or what is being divinized. This book deals with the issue of divinizing in South Asian traditions. It aims at studying cultural questions related to the representations and the mythologizing of the divine. It also explores the human relations to the "divine other." It studies the interpretations of the divine in religious texts and the embodiment of the "divine other" in ritual practices. The focus is on studying the phenomenon of divinizing in its religious, cultural, and ideological implications. The book comprises eight chapters that explore the question of divinizing from the 2nd century CE up to present-day in North and South India. The chapters discuss the issue both from insider and outsider perspectives, within the framework of textual study as well as ideological and anthropological analysis. All articles explore various aspects of the cultural phenomenon of being in relation to the divine other, of the process of interpreting and embodying the divine, and of the representation of the divinizing process, as revealed in the literatures and cultures of South Asia. Applying theoretical models of religious and cultural studies to discuss texts written in South Asian languages and engage in critical dialogue with current scholarship, this book is an indispensable study of literary, religious and cultural production in South Asia. It will be of interest to academics in the fields of South Asian studies, Asian Studies, religious and cultural studies as well as comparative religion.
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This book introduces the term "otherism" and looks at the discourse of otherism and the issue of otherness in South Asian religion, literature and film. It examines cultural questions related to the human condition of being the "other," of the process of "othering" and of the representation of "otherness" and its religious, cultural and ideological implications. The book applies the perspectives of ideological criticism, theories of hybridity, orientalism, nationalism, and gender and queer studies to gain new insights into the literature, film and culture of South Asia. It looks at the different ways of interpreting "otherness" today. The book goes on to analyze the ideological implications of the creation of "otherness" with regard to religious and cultural identity and the legitimation of power, as well as how the representation of "otherness" reflects the power structures of contemporary societies in South Asia. Offering a well-thought-out reflection on important cultural questions as well as a deep insight into the study of religion and "otherness" in South Asian literature and film, this book is a pioneering project that is of interest to scholars of South Asian Studies and South Asian religions, literatures and cultures.
Includes general and summer catalogs issued between 1878/1879 and 1995/1997.