In viewing the great works of sacred Western art, many people find difficulty in understanding the stories and identifying the figures portrayed in them. This informative guide decodes these often-mysterious scenes and reveals a vibrant world of images from the Christian tradition for museum visitors, students, and art enthusiasts alike. Gospel Figures in Art examines depictions of stories and figures from both the New Testament's canonical gospels (the books of Matthew, Mark, Luke, and John) and the apocryphal gospels (early Christian writings excluded from the New Testament because of their unsubstantiated authorship), which served as rich sources of inspiration for medieval and Renaissance artists. Illustrated with masterpieces from many of the world's premier museums, the art works provided as visual references are carefully analyzed. Sections are devoted to the principal figures in the life of Jesus Christ-his family and the evangelists-and to the major biographical turning points: his birth and baptism, his public life, the miracles and good deeds he performed, his crucifixion, resurrection, and the events that followed. This indispensable resource makes the icons and narratives of sacred art come to life.
gospel figures in art
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"This book will examine the iconography of death as well as that of its symbolic opposite - resurrection and rebirth."-Introduction.
This resource enables biblical studies instructors to facilitate engaging classroom experiences by drawing on the arts and popular culture. It offers brief overviews of hundreds of easily accessible examples of art, film, literature, music, and other media and outlines strategies for incorporating them effectively and concisely in the classroom. Although designed primarily for college and seminary courses on the Bible, the ideas can easily be adapted for classes such as “Theology and Literature” or “Religion and Art” as well as for nonacademic settings. This compilation is an invaluable resource for anyone who teaches the Bible.
This volume examines the ways that sovereign rulers have employed well-defined symbols, attributes, and stereotypes to convey their power to their subjects and rivals, as well as to leave a legacy for subsequent generations to admire. Legendary rulers from antiquity such as Alexander the Great, Julius Caesar, and Constantine have been looked to as models for their display of imperial power by the rulers of later eras. From medieval sovereigns such as Charlemagne and France's Louis IX to the tsars of Russia and the great European royal dynasties of the Hapsburgs, the Bourbons, and the Tudors, the rulers of each period have appropriated and often embellished the emblems of power employed by their predecessors. Even the second-tier lords who ruled parts of France and Italy during the Renaissance, such as the dukes of Burgundy, the Gonzaga of Mantua, and the Medici of Florence became adept at manipulating this imagery. The final chapter is reserved for Napoleon I, perhaps the ultimate master of symbolic display, who assumed the attributes of Roman emperors to project an image of eternal and immutable authority. The author examines not only regal paraphernalia such as crowns, scepters, thrones, and orbs, but also the painted portraits, sculptures, tapestries, carved ivories, jewelry, coins, armor, and, eventually, photographs created to display their owner's sovereign power, a vast collection of works that now forms a significant portion of the cultural heritage of Western civilization.
From ancient sculptures to Renaissance paintings & modern art, this volume explores the depiction of music, musical instruments & musical performance in Western art through the ages.
Featuring unique NEW study tools for students and dynamic NEW lecture resources for instructors, the 13th Edition of GARDNER’S ART THROUGH THE AGES: THE WESTERN PERSPECTIVE takes this brilliant bestseller to new heights in addressing the challenges of today’s classroom. The most widely read history of art in the English language for more than 80 years, GARDNER has built its stellar reputation on the inclusion of the most significant images and monuments, discussions of these images in their full historical and cultural context, reproductions of unsurpassed quality, scholarship that is up-to-date and deep, and more help for students and instructors than any other survey text. The 13th Edition adds to this heritage with new images and new full-color reconstructions, as well as a unique scale feature that helps students visualize the size of each work. Students will also benefit from the clarity that only a book written by a single author can provide. New to this edition are the three levels of review including extended image captions, The Big Picture overviews at the end of every chapter, and a special global timeline. ArtStudy Online is a free interactive study guide that includes image flashcards and quizzes to help students master the material quickly. Dynamic lecture tools -- including a digital library with a full zoom and side-by-side comparison capability and the exciting Google Earth technology -- will save instructors time in preparing for class and personalizing their lectures. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
This volume is a romp through the portrayal of love and sexuality in art. The book surveys Western artworks illustrating more or less explicitly delicate or amorous subjects.
This is the first monographic study of a single Armenian manuscript, the Glajor Gospel, a fourteenth-century illuminated manuscript. In addition to critical studies of the iconography of the illuminations, Mathews and Sanjian provide the history of the Glajor Gospel and the political and cultural setting in which it was produced, as well as the history of the monastery and school of Glajor. All full-page illuminations from the Gospel are reproduced at their original size, with twenty-four color illustrations.
Contents of accompanying CD-ROM: Appendix 2 : the contents of the Lindisfarne Gosepls : key to manuscript sigla in the final column of the text table : table showing the textual arrangement of the Lindisfarne Gospels, with selective collation.