An unparalleled look at AmericaÍs Revolutionary War invasion of Canada
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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Excerpt from Our Struggle for the Fourteenth Colony, Vol. 2: Canada and the American Revolution Zion had walls; and here a line of Old batteries and fresh-looking palisades crested the precipice. To the left of the Castle, the rising cliﬂ' mounted to its climax in a rounded pinnacle of dark slate, studded with sparkling quartz crystals, known as Cape Diamond, from which the rigging of the ships looked like spider's web; and here stood a small square fort, called the citadel, joined by a sloping curtain to a very high cavalier. A fortified wind mill surmounted the cavalier; while on the summit Of the cape hung a sort of iron cage, in which the bodies of strangled felons had formerly been left for the-winds, the rains, and the birds. Below, on a shelf some fifty or sixty feet from the top, stood a blockhouse and beyond almost wholly ought of sight - were hints of walls, towers, and bastions on the farther Side of the town. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“Excellent . . . deserves high praise. Mr. Taylor conveys this sprawling continental history with economy, clarity, and vividness.”—Brendan Simms, Wall Street Journal The American Revolution is often portrayed as a high-minded, orderly event whose capstone, the Constitution, provided the nation its democratic framework. Alan Taylor, a two-time Pulitzer Prize winner, gives us a different creation story in this magisterial history. The American Revolution builds like a ground fire overspreading Britain’s colonies, fueled by local conditions and resistant to control. Emerging from the continental rivalries of European empires and their native allies, the revolution pivoted on western expansion as well as seaboard resistance to British taxes. When war erupted, Patriot crowds harassed Loyalists and nonpartisans into compliance with their cause. The war exploded in set battles like Saratoga and Yorktown and spread through continuing frontier violence. The discord smoldering within the fragile new nation called forth a movement to concentrate power through a Federal Constitution. Assuming the mantle of “We the People,” the advocates of national power ratified the new frame of government. But it was Jefferson’s expansive “empire of liberty” that carried the revolution forward, propelling white settlement and slavery west, preparing the ground for a new conflagration.
The commemorative tradition in early American art is considered for the first time in Sally Webster's fascinating study of public monuments and the construction of an American patronymic tradition. Until now, no attempt has been made to create a coherent early history of the carved symbolic language of American liberty and independence. Webster's study provides a new focus on New York City as the eighteenth-century city in which the European tradition of public commemoration was reconstituted as monuments to liberty's heroes.
If you have ever read those “This Day in History” listings, you may have been curious about the events behind the scenes. The 366 short history stories in this collection of history stories include both well known and obscure, little known historical facts and forgotten events. stories, journal, united states, little known
Canadians have been celebrated participants in numerous conflicts on foreign soil, but most Canadians arent aware that theyve also had to defend themselves many times at home. From U.S. General Benedict Arnolds covetous attempts to declare Canada the 14th colony during the American Revolution to the German U-boat battles in the Gulf of St. Lawrence in the Second World War, Canada has successfully defended itself against all invaders. Jennifer Crump brings to life the battles fought by Canadians to ensure the countrys independence, from the almost ludicrous Pork n Beans War to the deadly War of 1812. She reveals the complex American and German plans to invade and conquer Canada, including the nearly 100-page blueprint for invading Canada commissioned by the U.S. government in 1935 a scheme that remains current today!
The history of this unique endeavor is written by an eye witness to the “rise and demise” of America’s Fourteenth Colony. The story is the result of the author retrieving original documents to verify the people and events of an odyssey that spanned five decades. The story is collaborated by the survivors and the beneficiaries of an experiment, for a better way of life, by a group of predominately Eastern European and Russian Jews with their political “shades of red” philosophy settling into what was a predominately “conservative” Chatham Township, a rural community in Central New Jersey. It is a story of objection, rejection, suspicion, ridicule and ultimately, assimilation and acceptance. The story has been influenced and colored by the author’s personal observations and personal experiences while growing up in the Colony. Bert Abbazia was a “Colony Boy”.