Relates the story of a woman born in a harem in Morocco, growing up with wise, funny, individualistic women, and creating a fantasy world from sheer imagination because the outside world was inaccessible
dreams of trespass
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Examining late twentieth-century autobiographical writing by Arab women novelists, poets, and artists, this anthology explores the ways in which Arab women have portrayed and created their identities within differing social environments. Even as the collection dismantles standard notions of Arab female subservience, the works presented here go well beyond the confines of those traditional boundaries. The book explores the many routes Arab women writers have taken to speak to each other, to their readers, and to the world at large. Drawing from a rich body of literature, the essays collectively attest to the surprisingly lively and committed roles Arab women play in varied geographic regions, at home and abroad. These recent writings assess how the interplay between individual, private, ethnic identity and the collective, public, global world of politics has impacted Arab women's rights.
This volume collects some of the best lectures at the African Literature Association's 25th annual conference held in 1999. The conference brought together for the first time a large number of scholars, creative writers and artists from Northern Africa and their counterparts from Sub- Saharan Africa. The conference and this collection highlight the inspiring and stimulating dialogue between two literary and cultural areas that have often been artificially compartmentalised. The essays draw suprising connections and illustrate the breadth and dynamism of African literature.
This book presents a detailed critical analysis of the work of Fatima Mernissi. Mernissi is considered to be one of the major figures in Feminist thought for both Morocco and Muslim society in general. This work discusses Mernissi's intellectual trajectory from 'secular' to 'Islamic' feminism in order to trace the evolution of so-called Islamic feminist theory. The book also engages critically with the work of other Muslim feminists, using frameworks and approaches developed in the works of Muslim reformist thinkers, namely Mohammed Arkoun and Nasr Abu Zaid, with the aim of engaging the theorization of this emerging Feminism.
In a globalizing age, studying American literature in isolation from the rest of the world seems less and less justified. But is the conceptual box of the nation dispensable? And what would American literature look like without it?Leading scholars take up this debate in Shades of the Planet, beginning not with the United States as center, but with the world as circumference. This reversed frame yields a surprising landscape, alive with traces of West Africa, Eastern Europe, Iran, Iraq, India, China, Mexico, and Australia. The Broadway musical Oklahoma! has aboriginal antecedents; Black English houses an African syntax; American slavery consorts with the Holocaust; Philip Roth keeps company with Milan Kundera; the crime novel moves south of the border; and R. P. Blackmur lectures in Japan. A national literature becomes haunted by the world when that literature is seen extending to the Pacific, opening up to Islam, and accompanying African-American authors as they travel. Highlighting American literature as a fold in a planet-wide fabric, this pioneering volume transforms the field, redrawing its institutional as well as geographical map.The contributors are Rachel Adams, Jonathan Arac, Homi K. Bhabha, Lawrence Buell, Wai Chee Dimock, Susan Stanford Friedman, Paul Giles, David Palumbo-Liu, Ross Posnock, Joseph Roach, and Eric J. Sundquist.
Journeys and Destinations: Studies in Travel, Identity, and Meaning brings together scholarship from diverse fields all focused on either practices of journeying, or destinations to which such journeys lead. Common across the contributions herein are threads that indicate travel as a core component — as a concept or a practice — of the fabric of identity and meaning.
This book presents a critical study of citizenship, state and globalization in societies that have been historically influenced by Islamic traditions and institutions. Interrogating the work of contemporary theorists of Islamic modernity such as Mohammed Arkoun, Abdul an-Na'im, Fatima Mernissi, Talal Asad, Saba Mahmood and Aziz Al-Azmeh, this book explores the debate on Islam, democracy and modernity, contextualized within contemporary Muslim lifeworlds. These include contemporary Turkey (following the 9/11 attacks and the onset of war in Afghanistan), multicultural France (2009–10 French burqa debate), Egypt (the 2011 Tahrir Square mass mobilizations), and India. Ali Mirsepassi and Tadd Graham Fernée critique particular counterproductive ideological conceptualizations, voicing an emerging global ethic of reconciliation. Rejecting the polarized conceptual ideals of the universal or the authentic, the authors critically reassess notions of the secular, the cosmopolitan and democracy. Raising questions that cut across the disciplines of history, anthropology, sociology and law, this study articulates a democratic politics of everyday life in modern Islamic societies.
Global struggles over women's roles, rights, and dress increasingly cast the secular and the religious in tense if not violent opposition. When advocates for equality speak in terms of rights and modern progress, or reactionaries ground their authority in religious and scriptural appeals, both tend to presume women's emancipation is ineluctably tied to secularization. Religion, the Secular, and the Politics of Sexual Difference upsets this certainty by drawing on diverse voices and traditions in studies that historicize, question, and test the implicit links between secularism and expanded freedoms for women. Rather than position secularism as the answer to conflicts over gender and sexuality, this volume shows both religion and the secular collaborate in creating the conditions that generate them.
Culture shapes every aspect of the relationship between God and the believer in Islam - as well as among believers, and with those beyond the fold. Fasts, prayers and pilgrimages are attuned to social rhythms old and new, no less than the designs of mosques and public gardens, the making of ‘religious’ music, and ways of thinking about technology and wellbeing. Ancient deserts and modern urban landscapes may echo with the same call for transcendence, but in voices that emerge from very different everyday realities. Scripture itself, as the Prophet Muhammad knew, is ever seen through a cultural lens; both language and what it communicates are intimately tied to context. And the cosmopolitanism that runs through Muslim history from the outset recalls T.S. Eliot’s remark that culture is ‘that which makes life worth living’. It frames how the deepest religious values are understood and practiced, from modesty in adornment and solidarity with the underprivileged, to integrity and accountability in political life. Muslims have never been content with a passive separation of faith from their daily lives, whether public or private. What are the implications of this holistic view in a diverse world of Muslims and non-Muslims? How do core ethical values interface with the particulars of local cultures in all their complexity, especially when it comes to matters like the status of women and the scope of individual religious freedom? The answers - at a time when secular and Muslim identities appear to be locked in conflict- are explored in this Companion by some of today’s finest scholars.