This cultural analysis of the divine indwelling from the fourth through sixteenth centuries reverses the history of doctrine to venture doctrine as history. It discovers a fundamental disparity between domestic values and the exilic asceticism that once dominated western civilization.
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Divine Domesticities: Christian Paradoxes in Asia and the Pacific fills a huge lacuna in the scholarly literature on missionaries in Asia/Pacific and is transnational history at its finest. Co-edited by two eminent scholars, this multidisciplinary volume, an outgrowth of several conferences/seminars, critically examines various encounters between western missionaries and indigenous women in the Pacific/Asia … Taken as a whole, this is a thought-provoking and an indispensable reference, not only for students of colonialism/imperialism but also for those of us who have an interest in transnational and gender history in general. The chapters are very clearly written, engaging, and remarkably accessible; the stories are compelling and the research is thorough. The illustrations are equally riveting and the bibliography is extremely useful. —Theodore Jun Yoo, History Department, University of Hawai’i The editors of this collection of papers have done an excellent job of creating a coherent set of case studies that address the diverse impacts of missionaries and Christianity on ‘domesticity’, and therefore on the women and children who were assumed to be the rightful inhabitants of that sphere … The introduction to the volume is beautifully written and sets up the rest of the volume in a comprehensive way. It explains the book’s aim to advance theoretical and methodological issues by exploring the role of missionary encounters in the development of modern domesticities; showing the agency of indigenous women in negotiating both change and continuity; and providing a wide range of case studies to show ‘breadth and complexity’ and the local and national specificities of engagements with both missionaries and modernity. My view is that all three aims are well and truly fulfilled. —Helen Lee, Head, Sociology and Anthropology, La Trobe University, Melbourne
Collected here are detailed and diverse essays, some that examine Rural Hours, Susan Fenimore Cooper's most famous work, and others that help establish Cooper as a major practitioner and theorist of American nature writing and as a socially engaged artist in many other genres. These essays discuss Cooper's uses and manipulations of various literary conventions, such as the picturesque, the literary village sketch, and domestic fiction, and illuminate her positions on conservation, religion, and woman's place in society. The engaging collection is divided into four sections. The first features essays examining Cooper's work in light of her relationship with her famous literary father, James Fenimore Cooper, and their devotion to and cultivation of each other's careers. The second focuses on Cooper's fascination with landscape and its relation to her environmental philosophies. Rural Hours is the subject of the third section, which presents new readings on its subtly crafted authorial stance, its two complementary conceptions of time, and its re-valuation of rural and scientific ways of knowing. The collection concludes with four works whose insights into Cooper's views on gender, domesticity, and environmental philosophy grow out of comparisons with several contemporary women writers. These remarkable essays by both established and emerging scholars of nineteenth-century literature present new findings and insights into a writer who is being reintroduced to the fields of eco-criticism and American literature.
In a fascinating and innovative study, first published in 2005, Ruby Lal explores domestic life and the place of women in the Mughal court of the sixteenth century. Challenging traditional, orientalist interpretations of the haram that have portrayed a domestic world of seclusion and sexual exploitation, the author reveals a complex society where noble men and women negotiated their everyday life and public-political affairs in the 'inner' chambers as well as the 'outer' courts. Using Ottoman and Safavid histories as a counterpoint, she demonstrates the richness, ambiguity and particularity of the Mughal haram, which was pivotal in the transition to institutionalisation and imperial excellence.
This book offers a detailed discussion of Callimachus' collection of Iambi. The chapters on individual poems set out the evidence for the text; address questions of linguistic and antiquarian detail; attempt an interpretation of each poem as a whole; consider the arrangement of the poems, and the composition of the book. The author argues that the collection consisted of thirteen pieces; that the arrangement of the collection goes back to the poet himself, and that the Iambi are one of the earliest surviving poetry books. An attempt is made to relate this new form of poetic composition to the influence ofscholarly interests and techniques on Hellenistic poetry in general, and on Callimachus in particular. The study includes a list of the papyri of the Iambi, and a list of new readings, supplements, conjectures, and other differences from Pfeiffer's text.
In Domesticity and Dissent Katharine Gillespie examines writings by seventeenth-century English Puritan women who fought for religious freedom. Seeking the right to preach and prophesy, women such as Katherine Chidley, Anna Trapnel, Elizabeth Poole, and Anne Wentworth envisioned the modern political principles of toleration, the separation of Church from state, privacy, and individualism. Gillespie argues that their sermons, prophesies, and petitions illustrate the fact that these liberal theories did not originate only with such well-known male thinkers as John Locke and Thomas Hobbes. Rather, they emerged also from a group of determined female religious dissenters who used the Bible to reassess traditional definitions of womanhood, public speech and religious and political authority. Gillespie takes the 'pamphlet literatures' of the seventeenth century as important subjects for analysis, and her study contributes to the important scholarship on the revolutionary writings that emerged during the volatile years of the mid-seventeenth-century Civil War in England.
The ten essays in this collection explore the discrete yet overlapping female spaces of privacy and domesticity in early modern England. The texts discussed in the volume include plays not only by Shakespeare but also Ford, Wroth, Marvell, Spenser and Cavendish, among others. Through the lens of literature, contributors consider the unstructured, fluid quality of everyday female experience as well as the dimensions, symbols, and the ever-changing politics and culture of the household. They analyse the complex habits of female settings - the verbal, spatial, and affective strategies of early-modern women's culture, including private rituals, domestic practices, and erotic attachments - in order to provide a broader picture of female culture and of female authority. The authors argue - through a range of critical approaches that include feminist, historical, and psychoanalytic - that early modern women often transformed their confinement into something useful and necessary, creating protected and even sacred spaces with their own symbols and aesthetic.
A portrait of the Civil War general describes his outrage at secession attempts, his strategies that were based on psychological tactics, the contradictions that marked his life, and his postwar achievements
The present volume is devoted to religious and philosophical concepts in relation to divine parenthood on the basis of biblical tradition, its reception, and ancient context. Extending from classical to late antiquity, the articles focus on the designation of God as "Father".