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"Published just after her untimely death in 1971, this book--whether or not aided by the artist's notoriety--has achieved massive sales for a volume of such uncompromising photographs. Edited by Doon Arbus and Marvin Israel, its titled implies a mere trawl through her best-known images. It is that, but it also a brilliant exposé of American life. ... While it is true that she often photographed those outside society's norms, a more pertinent observation is that if she made 'normals' look like 'freaks', she also made 'freaks' look like 'normals'. Furthermore, her exploration of normalcy was complicated by gender issues. In her aggressive, full frontal 'exploitation' of her subjects, Arbus appropriated an essentially male convention: that of staring. Indeed, it may well be her assumption of this prerogative of masculine domination that has attracted much of the negative comment, compounded by her undercutting of gender stereotypes. She was a great feminist photographer. Her women and girls are invariably strong--like the confident twins [on the cover of the book]--and her men are frequently damaged or uncomfortable in their surroundings."--The Photobook : A History Volume I / Martin Parr and Gerry Badger. London : Phaidon, 2004.
For more information, please contact Kellie McLaughlin T (212) 946-7130 E [email protected] Distributed by Thames & Hudson Ltd. c/o Littlehampton Book Services, Faraday Close, Durrington, Worthing, West Sussex BN13 3RB England Customer Service T +44 (0) 1903 828 501 E [email protected] Direct Order Desk T +44 (0) 1903 828 511 F +44 (0) 1903 828 801/02 E [email protected]d.co.uk Diane Arbus A Chronology Diane Arbus: A Chronology is the closest thing possible to reading a contemporaneous diary by one of the most daring, influential, and controversial artists of the twentieth century. Drawn primarily from Arbuss extensive correspondence with friends, family, and colleagues; personal notebooks; and other unpublished writings, this beautifully produced volume exposes the private thoughts and motivations of an artist whose astonishing vision derived from the courage to see things as they are and the grace to permit them simply to be. Further rounding out Arbuss life and work are exhaustively researched footnotes that amplify the entire Chronology. A section at the end of the book provides biographies for fifty-five personalities, family members, friends, and colleagues, from Marvin Israel and Lisette Model to Weegee and August Sander. Describing the Chronology in Art in America, Leo Rubinfien noted that Arbus . . . wrote as well as she photographed, and her letters, where she heard each nuance of her words, were gifts to the people who received them. Once one has been introduced to it, the beauty of her spirit permanently changes and deepens ones understanding of her pictures . . . The texts in Diane Arbus: A Chronology originally appeared in Diane Arbus Revelations. This volume makes this invaluable text available in an accessible, paperback volume for the very first time.
The Diane Arbus Poems is a poetic tribute to the life and work of the photographer Diane Arbus. In this sequence, Stephen Guppy crafts poems from the events of Arbus' life and gives voice to the subjects of her confrontational portraits. Using language that is often as visceral and stark as the photographer's famous images, Guppy invites the reader to explore the impact and implications of Arbus' work in particular and of the replication of the human image in general.
“A spellbinding portrait” of the tumultuous life and artistic career of one of the most creative photographers of the 1960s (New York magazine). Diane Arbus became famous for her intimate and unconventional portraits of twins, dwarfs, sideshow performers, eccentrics, and everyday “freaks.” Condemned by some for voyeurism, praised by others for compassion, she was nonetheless a transformative figure in twentieth-century photography and hailed by all for her undeniable genius. Her life was cut short when she committed suicide in 1971 at the peak of her career. In the first complete biography of Arbus, author Patricia Bosworth traces the arc of Arbus’s remarkable life: her sheltered upper-class childhood and passionate, all-consuming marriage to Allan Arbus; her roles as wife and devoted mother; and her evolution from fashion photographer to critically acclaimed artist—one who forever altered the boundaries of photography.
A stunning retrospective spanning Diane Arbus's entire career features two hundred full-page duotones, many never before seen, accompanied by an essay on the artist's work, a discussion of her printing techniques, a definitive chronology, more than three hundred color illustrations, and previously unpublished excerpts from letters, notebooks, and other writings. 50,000 first printing.
Monografie over het werk van de Amerikaanse fotografe (1923-1971) en hoe zich dit verhoudt tot andere kunstzinige en maatschappelijke ontwikkelingen in de zestiger jaren van de twintigste eeuw.
Diane Arbus (1923–1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist’s first seven years of work, from 1956 to 1962. Drawn primarily from the rich holdings of the Metropolitan Museum’s Diane Arbus Archive—a remarkable treasury of photographs, negatives, appointment books, notebooks, and correspondence—it is an essential contribution to our understanding of Arbus and her oeuvre. diane arbus: in the beginning showcases over 100 of the artist’s early photographs, more than half of which are published here for the first time. The book provides a crucial, in-depth presentation of the artist’s genesis, showing Arbus as she developed her evocative and often haunting imagery. The photographs featured in this handsome volume reveal an artist defining her style, honing her subject matter, and in full possession of the many gifts for which she is now recognized the world over.
Untitled is the third volume of Diane Arbuss work and the only one devoted exclusively to a single project. The photographs were taken at residences for the mentally retarded between 1969 and 1971, in the last years of Arbuss life. Although she considered doing a book on the subject, the vast majority of these pictures remained unpublished prior to this volume. These photographs achieve a lyricism, an emotional purity that sets them apart from all her other accomplishments. Finally what Ive been searching for, she wrote at the time. The product of her consistently unflinching regard for reality as she found it, the images in this book have less in common with the documentary than with the mythic. Untitled may well be Arbuss most transcendent, most romantic vision. It is a celebration of the singularity and connectedness of each and every one of us. For Diane Arbus, this is what making pictures was all about. This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessey using prints by Neil Selkirk.