Her body is broken. Wrapped in plastic. Dumped on the side of the road. She is the first. There will be more. The serial killer thriller that "refuses to let go until you've read the last sentence." The most recent body was discovered in the grease dumpster behind a Burger King. Dismembered. Shoved into two garbage bags and lowered into the murky oil. Now rookie agent Violet Darger gets the most important assignment of her career. She travels to the Midwest to face a killer unlike anything she's seen. Aggressive. Territorial. Deranged and driven. Another mutilated corpse was found next to a roller rink. A third in the gutter in a residential neighborhood. These bold displays of violence shock the rural community and rattle local law enforcement. Who could carry out such brutality? And why? Unfortunately for Agent Darger, there's little physical evidence to work with, and the only witnesses prove to be unreliable. The case seems hopeless. If she fails, more will die. He will kill again and again. The victims harbor dark secrets. The clues twist and writhe and refuse to keep still. And the killer watches the investigation on the nightly news, gleeful to relive the violence, knowing that he can't be stopped.
dead end girl
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This book explores the reality of living as a domestic violence survivor, the ongoing pain of trauma, and mending borderline personality disorder. A true story, this piece explores how one learns to love again, to live independently, to process the emotional pain and turmoil. These poems were written over the course of three years, from the beginning of the abuse to what came after the departure and ending of the relationship, including what it was like to re-enter a relationship with real, healthy love.
Diary of Thoughts: Dead End Girl by L.T. Vargus - A Journal for Your Thoughts About the Book is a journal designed for note-taking, designed and produced by Summary Express. With blank, lined pages in a simplistic yet elegant design, this journal is perfect for recording notes, thoughts, opinions, and takeaways in real-time as you read. Divided into sections and parts for easy reference, this journal helps you keep your thoughts organized. Disclaimer Notice: This is a unofficial journal book and not the original book.
Dead End Kids exposes both the depravity and the humanity in gang life through the eyes of a teenaged girl named Cara, a member of a Kansas City gang. In this shocking yet compassionate account, Mark Fleisher shows how gang girls’ lives are shaped by poverty, family disorganization, and parental neglect.
No one exemplifies the angst of the Depression era street kid more than The Dead End Kids. They were the stars of Sidney Kingsley’s 1935 play, Dead End, and reprised their roles in Samuel Goldwyn’s 1937 Hollywood film version. The movie defined the theme of slum dramas for the juvenile rebellion films of subsequent decades. The Dead End Kids were Billy Halop, Huntz Hall, Bobby Jordan, Leo Gorcey, Gabriel Dell, and Bernard Punsly. The best of their films were the gangster movies where the boys collided with the likes of Humphrey Bogart in Dead End and Crime School, James Cagney in Angels with Dirty Faces and John Garfield in They Made Me a Criminal. They bandied about lightweights like Ronald Reagan in lackluster efforts like Hell’s Kitchen and Angels Wash Their Faces before being reformed by a military academy in On Dress Parade. Their original reign was short-lived, not because they ran out of steam but because they had to be toned down due to criticisms. It didn’t matter because The Dead End Kids mutated into several splinter groups that starred in various configurations of the original members for the next quarter century, carving out a unique niche in motion picture history. One of the uncharted tributaries of this history is the solo careers of the actors who played the Dead End Kids. There were careers of mixed blessings after the initial stardom and each member faced and dealt with the typecasting dilemma in different ways and various degrees of success. There was plenty of heartbreak and disappointment along a way that started with Dead End in 1935 and ended with Dr. Bernard Punsly’s death in 2004. Joseph Fusco's Beyond Dead End: The Solo Careers of The Dead End Kids chronicles a saga of mixed blessings, where each member faced and dealt with the typecasting dilemma in different ways and various degrees of success. 388 pages. Illustrated.
When crime reporter Molly Cates’s father died more than twenty-five years ago, the case was ruled a suicide, and Molly’s efforts to prove otherwise led to nothing but anguish and the breakup of her family. But now new information has come her way and she reopens the investigation–and a rush of old wounds–with a vengeance. Soon the personal becomes dangerously political as Molly’s search for the truth leads her from the stately halls of Texas government to the mean streets of Austin’s down-and-out–and ultimately to a moral dilemma she never could have anticipated. From the Paperback edition.
The overview of television criticism, which this book provides, comes appropriately at a moment of change. Television is becoming dramatically different as a result of new and developing technologies such as cable, HDTV, satellite transmission and broadband distributions. By concentrating on the still-dominant notion of television, what the authors call "Classical Network Television," they argue that it is as important to understand this model as it is to understand Classical Hollywood Cinema. The co-authors have a unique approach to the study of television, viewing its history and reception not only through important articles about the medium, but also through analyzing how Hollywood auteur cinema has commented on television over the decades, in films such as Tootsie, Network, The Last Picture Show, A Face in the Crowd, Rollerball, The King of Comedy and others. Not only does this reflect the pervasive use of cinema theory to discuss television, it also helps to emphasize the importance of clarifying the distinctions between the criticisms of the two media. Television at the Movies argues that the study of television is a crucial aspect of understanding our recent and contemporary culture, and it provides an illuminating point of entry for students and researchers in the field.
The walking dead now rule the world, leaving the few survivors facing extinction in what remains. One group of survivors settles in the mountains, one roams the countryside for shelter, and another lives safely behind high walls in a haven. The zombies are not humanities only enemy, because humanity, as it has always been, is its own worst enemy. The three groups of survivors will meet in a clash in which only one thing is certain—the dead will gain numbers while the living dwindle. This struggle will settle Ralph and Sarah’s fate. * A zombie survival story. SEARCH KEYWORDS/CATEGORIES: apocalypse pandemic Armageddon doom cataclysm disaster calamity ruin catastrophe destruction downfall fall of civilization storm havoc end of the world gritty chaos survival society safety zombies woodland urban earth landscape battle flu illness virus, third person dystopian post-apocalyptic horror ebooks books fiction novels stories , freebie free ebook free books
Frances works the night shift at a local convenience store, dividing her time between restocking shelves and working on her art. Her routine is broken one night when Devin comes into the store. He claims to be the son of a famous local artist and offers her advice on her drawings. Although he seems to know way too much about her, Frances decides, against the advice of her boyfriend, that he is odd but harmless. By the time she realizes the danger she is in, Devin is completely obsessed with her and convinced that if he can't have her, no one will. Frances will be forced to use all her strength to escape from Devin. Also available in Spanish.
BITING IS SO LAST SEASON. A vivacious vampire with a flair for accessorizing, Lil Marchette is unlike most of her kind. She prefers lively shades of pink to dismal black (soo not her color), plus she’s a hopeless romantic. In need of a steady paycheck to support a compulsive cosmetics habit, Lil starts Dead End Dating (DED), a Manhattan-based matchmaking service that helps smart, sophisticated singles like herself find eternity mates–and may even help her stake a claim to her very own Count Right! When Lil meets geeky vampire Francis Deville, she knows he’s the perfect first client. If she can hook up Francis–after a little revamping, of course–she will prove her skills to the vampire community and turn DED into the hottest dating service in the Big Apple. But just as her business takes off, Lil meets the (literally) drop-dead gorgeous bounty hunter Ty Bonner, who is hot on the chase of a serial killer. Instantly drawn to the luscious vamp stud, Lil really wants a taste. But as a made vampire, Ty can’t procreate–and Lil will settle for nothing less. Luckily, between “vampifying” Francis and helping Ty solve his murder mystery, Lil has no time for silly romantic entanglements . . . even if Ty is all that and a Bloody Mary chaser! From the Paperback edition.