With three decades of ministry in San Diego, George McKinney presents us with illustrations of how God is blessing the inner City. "Cross the Line" shows how to effectively cross racial and social lines to minister and learn from people in the city.
cross the line
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Twenty high-profile footballers share their faith and reveal how it influences their lives, both on and off the pitch. The book offers a range of information and insights into strictly football matters, while also exploring the way these players have ‘crossed the line’ into a relationship with Jesus, and showing how God is actively at work in professional football today.
In all of Alex Cross's years with Homicide, Washington, DC, has never been more dangerous. After shots pierce the tranquil nighttime calm of Rock Creek Park, a man is dead: what looks at first like road rage might be something much more sinister. But Alex has only just begun asking questions when he's called across town to investigate a new murder, one that hits close to home: Washington's own chief of detectives. And Alex's former boss, beloved mentor of Alex's wife, Bree. Now there's a killer on the loose, a long list of possible suspects, a city in panic, and nobody in charge of the besieged police force. Until Bree gets tapped for the job. As Bree scrambles to find her footing and close two high-profile cases, new violence stuns the capital. What should be a time for her to rely on Alex for support and cooperation is instead a moment of crisis in their marriage as well as their city when their investigative instincts clash and their relationship reaches a breaking point. And the fiendish mind behind all the violence has appointed himself judge, jury, and executioner, with a terrifying master plan he's only begun to put in motion. To beat him at his own game, Alex and Bree must take the law back into their own hands before he puts them both out of commission...permanently.
When Reporters Cross the Line tells the true story of moments when the worlds of media, propaganda, politics, espionage and crime collide, casting journalism into controversy. Its pages feature some of the best-known names in British broadcasting, including John Simpson, Lindsey Hilsum and Charles Wheeler. There are men and women who went beyond recognised journalistic conventions. Some disregarded the code of their craft in the name of public interest; some crossed the line in ways that had truly shocking consequences. Many of the details have been kept as closely guarded secrets - until now. This unique account of modern reporting examines the lengths to which journalists on the front line are prepared to go to get a story or to espouse a cause. Journalistic heroes and villains abound, but certain of those heroes were flawed, and some of the villains were surprisingly principled. In the heat of war and political conflict, boundaries are ignored and ethics forgotten - and not just by opposing armies. In this extraordinary book, Stewart Purvis and Jeff Hulbert offer unparalleled access to the minds of reporters and to the often disturbing decisions they make when faced with extreme situations. In doing so, it hammers home some unpalatable truths, posing the fundamental question: where do you draw the line?
As W. E. B. DuBois famously prophesied in The Souls of Black Folk, the fiction of the color line has been of urgent concern in defining a certain twentieth-century U.S. racial “order.” Yet the very arbitrariness of this line also gives rise to opportunities for racial “passing,” a practice through which subjects appropriate the terms of racial discourse. To erode race’s authority, Gayle Wald argues, we must understand how race defines and yet fails to represent identity. She thus uses cultural narratives of passing to illuminate both the contradictions of race and the deployment of such contradictions for a variety of needs, interests, and desires. Wald begins her reading of twentieth-century passing narratives by analyzing works by African American writers James Weldon Johnson, Jessie Fauset, and Nella Larsen, showing how they use the “passing plot” to explore the negotiation of identity, agency, and freedom within the context of their protagonists' restricted choices. She then examines the 1946 autobiography Really the Blues, which details the transformation of Milton Mesirow, middle-class son of Russian-Jewish immigrants, into Mezz Mezzrow, jazz musician and self-described “voluntary Negro.” Turning to the 1949 films Pinky and Lost Boundaries, which imagine African American citizenship within class-specific protocols of race and gender, she interrogates the complicated representation of racial passing in a visual medium. Her investigation of “post-passing” testimonials in postwar African American magazines, which strove to foster black consumerism while constructing “positive” images of black achievement and affluence in the postwar years, focuses on neglected texts within the archives of black popular culture. Finally, after a look at liberal contradictions of John Howard Griffin’s 1961 auto-ethnography Black Like Me, Wald concludes with an epilogue that considers the idea of passing in the context of the recent discourse of “color blindness.” Wald’s analysis of the moral, political, and theoretical dimensions of racial passing makes Crossing the Line important reading as we approach the twenty-first century. Her engaging and dynamic book will be of particular interest to scholars of American studies, African American studies, cultural studies, and literary criticism.
For centuries, new sailors from European and North American countries have been subjected to an elaborate hazing at sea called “crossing the line.” Typically initiated upon a crossing of the equator, the beatings, dunkings, sexual play, and drinking displays that constitute crossing the line have in recent decades been banned by some fleets— but they have also been the subject of staunch defenses and fond reminiscences. Crossing the Line studies the purpose and the changing meaning of the ceremony, substantially revising long-held assumptions.
This book is about crossing the very real line that separates the worlds of public and private security and risk management. It is a guide for key players who are thinking of switching sectors and roles and moving from one kind of organization and operating culture to another often significantly different one. It is principally aimed at people who are seeking to play a senior role, with significant responsibilities for corporate security or other forms of risk management and mitigation, in a new environment, and where strong leadership skills will be a major advantage to meeting personal and organization objectives. It is particularly relevant for those moving within senior levels of expertise, especially where enterprise-wide skills will be required, yet there are lessons for all potential movers and for those challenged with finding and keeping outstanding talent.
Finally, a book that explains the cross border travel environment. Whether you are a seasoned cross-border traveler or you only cross once in a while. This book will provide you with the answers to many of your questions about cross border travel from the USA by land. I will provide an insightful look on how the make your next and every crossing stress free. Did you know an officer can seize your phone or laptop if you do not give up your passwords? Do you know what the criteria is for a strip search? Did you know if you give false statements it may be considered hindering an officer and you may be detained or arrested? These and many more questions will be answered in my book.
Jay Huss is young, idealistic, and honest to a fault. That's why he's handed the opportunity of a lifetime, running the Baja 1000. Locked in with the Mexican Mafia, Jay finds himself running drugs through the border of Mexico to the United States. Soon it becomes clear that what he thought was friendship becomes deadly