Citizen Journalism: Global Perspectives' examines the spontaneous actions of ordinary people, caught up in extraordinary events, and compelled to adopt the role of a news reporter. This collection of twenty-one chapters investigates citizen journalism in the West, including the United States, United Kingdom, Europe, and Australia, as well as its development in other national contexts around the globe, including Brazil, China, India, Iran, Iraq, Kenya, Palestine, South Korea, Vietnam, and even Antarctica. Its aim is to assess the contribution of citizen journalism to crisis reporting, and to encourage new forms of dialogue and debate about how it may be improved in the future. The book contains contributions by Mark Deuze about 'The Future of Citizen Journalism' and Paul Bradshaw about 'Wiki Journalism.
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"Adah, a woman from the Ibo tribe, moves to England to live with her Nigerian student husband. She soon discovers that life for a young Nigerian woman living in London in the 1960s is grim. Rejected by British society and thwarted by her husband, who expects her to be subservient to him, she is forced to face up to life as a second-class citizen." -- back cover.
Drawings with brief comments by the author describe her memories of life in a California internment camp during World War II
Citizen Kane, widely considered the greatest film ever made, continues to fascinate critics and historians as well as filmgoers. While credit for its genius has traditionally been attributed solely to its director, Orson Welles, Carringer's pioneering study documents the shared creative achievements of Welles and his principal collaborators. The Making of Citizen Kane, copiously illustrated with rare photographs and production documents, also provides an in-depth view of the operations of the Hollywood studio system. This new edition includes a revised preface and overview of criticism, an updated chronology of the film's reception history, a reconsideration of the locus of responsibility of Welles's ill-fated The Magnificent Ambersons, and new photographs.
In analyzing the obstacles to democratization in post- independence Africa, Mahmood Mamdani offers a bold, insightful account of colonialism's legacy--a bifurcated power that mediated racial domination through tribally organized local authorities, reproducing racial identity in citizens and ethnic identity in subjects. Many writers have understood colonial rule as either direct (French) or indirect (British), with a third variant--apartheid--as exceptional. This benign terminology, Mamdani shows, masks the fact that these were actually variants of a despotism. While direct rule denied rights to subjects on racial grounds, indirect rule incorporated them into a customary mode of rule, with state-appointed Native Authorities defining custom. By tapping authoritarian possibilities in culture, and by giving culture an authoritarian bent, indirect rule (decentralized despotism) set the pace for Africa; the French followed suit by changing from direct to indirect administration, while apartheid emerged relatively later. Apartheid, Mamdani shows, was actually the generic form of the colonial state in Africa. Through case studies of rural (Uganda) and urban (South Africa) resistance movements, we learn how these institutional features fragment resistance and how states tend to play off reform in one sector against repression in the other. Reforming a power that institutionally enforces tension between town and country, and between ethnicities, is the key challenge for anyone interested in democratic reform in Africa. -- "Foreign Affairs"
Can politics be combined with entertainment? Can political involvement and participation be fun? Politics and popular culture are converging all the time, whether it's in Arnold Schwarzenegger's election as governor of California or in political television dramas and movies like The West Wing and Dave. This book encourages readers to think about how links between entertainment and politics have the potential to rejuvenate citizenship, endorse civic values, and sustain civic commitment. Instead of discarding the popular as irrelevant or dangerous to the democratic process, Liesbet van Zoonen shows us the possibilities for increasing political knowledge and participation through the arenas of politics and popular music, political "soaps," political television dramas, and politicians as celebrities. A first-rate starting point for debate, Entertaining the Citizen will stimulate and entertain students and general readers alike.
"Becoming a Citizen is a terrific book. Important, innovative, well argued, theoretically significant, and empirically grounded. It will be the definitive work in the field for years to come."--Frank D. Bean, Co-Director, Center for Research on Immigration, Population and Public Policy "This book is in three ways innovative. First, it avoids the domestic navel-gazing of U.S .immigration studies, through an obvious yet ingenious comparison with Canada. Second, it shows that official multiculturalism and common citizenship may very well go together, revealing Canada, and not the United States, as leader in successful immigrant integration. Thirdly, the book provides a compelling picture of how the state matters in making immigrants citizens. An outstanding contribution to the migration and citizenship literature!"--Christian Joppke, American University of Paris
Bringing together new work from many of the leading experts on democratic citizenship, this volume presents both normative argument and empirical analysis to help deepen our understanding of the various competences that citizens require if there is to be a flourishing democratic political order in our present age. The essays explore the following themes: (1) the essential components of democratic citizenship and how these can be fostered; (2) the state of citizen competence in various democratic regimes; (3) civil society as a crucial site for the exercise and development of democratic citizenship; (4) new findings that show democratic citizens to have more political information and behave more rationally than hitherto supposed; and (5) the theory and practice of new institutional forms for democratic deliberation and democratic control. The final section of the book explores new and revitalized forms of democratic participation as well as the kind of participation that is likely to foster a wide variety of citizen competences. The discussion runs from what we know and can expect from town meetings, to the value of public work in fostering a democratic citizenry, to entirely new forms for expressing citizen judgment. The Contributors are Benjamin Barber, Harry C. Boyte, Frank M. Bryan, Michael A. Dimock, Stephen L. Elkin, James S. Fishkin, Norman Frohlich, John Gaventa, Elizabeth Gerber, Alan Kay, Robert E. Lane, Arthur Lupia, Jane Mansbridge, Joe A. Oppenheimer, Benjamin Page, Samuel Popkin, Nancy Rosenblum, Robert Shapiro, Karol Edward Soltan, Marion Smiley, and David Steiner.