Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the single best writer on the subject of race in the United States” (The New York Observer) #1 NEW YORK TIMES BESTSELLER | NATIONAL BOOK AWARD WINNER | NAACP IMAGE AWARD WINNER | PULITZER PRIZE FINALIST | NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST | NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward. Praise for Between the World and Me “Powerful . . . a searing meditation on what it means to be black in America today.”—Michiko Kakutani, The New York Times “Eloquent . . . in the tradition of James Baldwin with echoes of Ralph Ellison’s Invisible Man . . . an autobiography of the black body in America.”—The Boston Globe “Brilliant . . . [Coates] is firing on all cylinders.”—The Washington Post “Urgent, lyrical, and devastating . . . a new classic of our time.”—Vogue “A crucial book during this moment of generational awakening.”—The New Yorker “Titanic and timely . . . essential reading.”—Entertainment Weekly
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A memoir of growing up in the tough world of Baltimore in the 1980s chronicles the relationship between the author and his father, a Vietnam vet and Black Panther affiliate, and his campaign to keep his sons from falling victim to the temptations of the streets.
Black Panther, Storm, Luke Cage, Misty Knight and Manifold band together to take on a dangerous wave of street-level threats in a new series by co-writers Ta-Nehisi Coates (New York Times best-selling author of Between the World and Me and Marvel's Black Panther) and Yona Harvey (Black Panther: World of Wakanda), and legendary artist Butch Guice! The death of a Harlem activist kicks off a mystery that will reveal surprising new secrets about the Marvel Universe's past - and set the stage for a huge story in the near future! Fear, hate and violence loom, but don't worry, The Crew's got this: They are the streets. COLLECTING: BLACK PANTHER AND THE CREW #1-6.
Borrowing from the ideas of John Dewey, schools and classrooms are a reflection of the world; therefore, in order to make sense of the urban classroom, we need to make sense of the world. In this book, the editors have compiled a collection of nine critical essays, or chapters, each examining a particular contemporary national and/or international event. The essays each undertake an explicit approach to naming oppression and addressing it in the context of urban schooling. Each essay has a two-fold purpose. The first purpose is to help readers see the world unveiled, through a more critical lens, and to problematize long held beliefs about urban classrooms, with regard to race, gender, social class, equity, and access. Second, as each author draws parallels between an event and urban classrooms, a better understanding of the microstructures that exist in urban classrooms emerges. “At a time of serious political, economic, and social uncertainty, we need a book like this, one that showcases how the world can be seen as a critical site of curriculum and pedagogy. A powerful intersectional analysis of the world, word, and urban sociopolitical context, authors in this book push the boundaries of what educators know and do in urban schools and classrooms. Grounded in frameworks of critical race theory and culturally relevant pedagogy, authors center essential societal moments that must be viewed as the real curriculum. These moments can equip students with tools to examine ‘the what of the world’ as well as how to examine, critique, challenge, and disrupt individual, systemic, and structural realities and practices that perpetuate and maintain a racist, sexist, homophobic, and xenophobic status quo. This is an important, forward-thinking, innovative book – a welcome addition to the field of urban education.” – H. Richard Milner IV, Helen Faison Chair of Urban Education, University of Pittsburgh
When it comes to race in America, there are certain issues we refuse to discuss. In book 2 of his 2-book series, Otis Brown, Jr, 26, highlights a number of those issues and describes his experiences with each. These issues include racism, white privilege, the "n word" and the Black family structure. With this work, Brown hopes to stimulate conversation on these issues and help facilitate meaningful solutions.
"Police officers and metal detectors have become fixtures in American public schools. In this tough-on-crime, security-oriented era, the new gold standard for school discipline has become the criminal justice system. While harsh school punishment has reshaped schools and communities across the socioeconomic divide, nowhere is the overlap between classroom and prison more striking than at the Orleans Parish Prison, the site of a New Orleans public school enrolling primarily poor African American boys expelled under zero-tolerance policies for minor infractions such as tardiness, but not actual criminal behavior. The Prison School examines how and why public schools take a punitive approach to education and analyzes how this criminalizing mode influences a student's approach toward correctional custody. How did schools and prisons--two very different kinds of public institutions--become so intertwined, and what does this combination mean for students, communities, and, ultimately, a democratic society? How do we begin to unravel the ties that bind the racialized realities of mass school failure and mass incarceration? And what does this mean to segments of the population--in particular, African American males--who have been systematically removed from their schools and their society?"--Provided by publisher.
In these “urgently relevant essays,”* the National Book Award–winning author of Between the World and Me “reflects on race, Barack Obama’s presidency and its jarring aftermath”*—including the election of Donald Trump. New York Times Bestseller • Finalist for the PEN/Jean Stein Book Award and the Los Angeles Times Book Prize, and the Dayton Literary Peace Prize Named One of the Best Books of the Year by The New York Times • USA Today • Time • Los Angeles Times • San Francisco Chronicle • Essence • O: The Oprah Magazine • The Week • Kirkus Reviews *Kirkus Reviews (starred review) “We were eight years in power” was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America’s “first white president.” But the story of these present-day eight years is not just about presidential politics. This book also examines the new voices, ideas, and movements for justice that emerged over this period—and the effects of the persistent, haunting shadow of our nation’s old and unreconciled history. Coates powerfully examines the events of the Obama era from his intimate and revealing perspective—the point of view of a young writer who begins the journey in an unemployment office in Harlem and ends it in the Oval Office, interviewing a president. We Were Eight Years in Power features Coates’s iconic essays first published in The Atlantic, including “Fear of a Black President,” “The Case for Reparations,” and “The Black Family in the Age of Mass Incarceration,” along with eight fresh essays that revisit each year of the Obama administration through Coates’s own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment. “Essential . . . Coates’s probing essays about race, politics, and history became necessary ballast for this nation’s gravity-defying moment.”—The Boston Globe
What is race and why does it matter? Why does the presence of Others make us so afraid? America’s foremost novelist reflects on themes that preoccupy her work and dominate politics: race, fear, borders, mass movement of peoples, desire for belonging. Ta-Nehisi Coates provides a foreword to Toni Morrison’s most personal work of nonfiction to date.
“Tough talk for tough times. Silencer is both lyrical and merciless–Wicker’s mind hums in overdrive, but with the calm and clarity of a marksman.” —Tim Seibles, author of One Turn Around the Sun and finalist for the National Book Award A suburban park, church, a good job, a cocktail party for the literati: to many, these sound like safe places, but for a young black man these insular spaces don’t keep out the news—and the actual threat—of gun violence and police brutality, or the biases that keeps body, property, and hope in the crosshairs. Continuing conversations begun by Citizen and Between the World and Me, Silencer sings out the dangers of unspoken taboos present on quiet Midwestern cul-de-sacs and in stifling professional settings, the dangers in closing the window on “a rainbow coalition of cops doing calisthenics around/a six-foot, three-hundred-fifty-pound man, choked back into the earth for what/looked a lot, to me, like sport.” Here, the language and cadences of hip-hop and academia meet prayer—these poems are crucibles, from which emerge profound allegories and subtle elegies, sharp humor and incisive critiques. “There is not a moment in this book when you are allowed to forget the complexities of a black man's life in America. These poems evoke so much—strength, beauty, passion, fear. There is the quiet, ironic pleasure of life on a cul-de-sac juxtaposed with the tensions of always wondering when a police officer's gun or fists might get in the way of the black body. The stylistic range of these poems, the wit, and the intelligence of them offers so much to be admired. There is nothing silent about Silencer. What an outstanding second book from Marcus Wicker.” —Roxane Gay “Marcus Wicker’s masterful and hard-hitting second collection is exactly the book we need in this time of malfeasance, systemic violence, and the double talk that obfuscates it all... He writes the kinds of vital, clear-eyed poems we can turn to when codeswitching slogans and online power fists no longer get the job done. These are poems whose ink is made from anger and quarter notes. They remind us that to remain silent in the face of aggression is to be complicit and to be complicit is not an option for any of us.” —Adrian Matejka, author of The Big Smoke and finalist for the National Book Award and Pulitzer Prize “Silencer is an important book of American poetry: wonderfully subtle, wholly original, and subversive. Politics and social realities aside, this is foremost a book that delights in language, how it sounds to the ear and plays to the mind. We have suburban complacency played against hip-hop resistance, Christian prayers uttered in the face of dread violence, real meaning pitted against materialism, and love, in its largest measure, set against ignorance.To say Silencer is a tour de force would be an understatement. What a work of true art this is, and what a gift Marcus Wicker has given to us.” —Maurice Manning, author of One Man’s Dark and finalist for the Pulitzer Prize "Silencer disarms and dazzles with its wisdom and full-throated wit. [This] collection snaps to attention with a soundtrack full of salty swagger and a most skillful use of formal inventions that’ll surely knock you out. Here in these pages, sailfish and hummingbirds assert their frenetic movements on a planet simmering with racial tensions, which in turn forms its own kind of bopping and buoyant religion. What a thrill to read these poems that provoke and beg for beauty and song-calling into the darkest of nights." —Aimee Nezhukumatathil, author of Lucky Fish and poetry editor at Orion Magazine
By the author of the Canada Reads finalist and bestselling Intolerable comes a stunning new book about the meaning of being brown Finalist for the 2016 Governor General's Award for Non-Fiction Brown is not white. Brown is not black. Brown is an experience, a state of mind. Historically speaking, issues of race and skin colour have been interpreted along black and white lines, leaving out millions of people whose stories of migration and racial experiences have shaped our modern world. In this new book by Kamal Al-Solaylee¸ whose bestselling Intolerable was a finalist for Canada Reads and for the Hilary Weston Writers’ Trust Nonfiction Prize and won the Toronto Book Award, fills in the narrative gap by taking a global look at the many social, political, economic and personal implications of being a brown-skinned person in the world now. Brown people have emerged as the source of global cheap labour (Hispanics or South Asians) while also coming under scrutiny and suspicion for their culture and faith (Arabs and Muslims). To be brown is to be on the cusp of whiteness and on the edge of blackness. Brown is packed with storytelling and on-the-street reporting conducted over two years in 10 countries from four continents that reveals a multitude of lives and stories from destinations as far apart as the United Arab Emirates, Philippines, Britain, Trinidad, France, Hong Kong, Sri Lanka, Qatar, the United States, and Canada. It contains striking research about immigration, workers’ lives and conditions, and the pursuit of a lighter shade of brown as a global status symbol. It is also a personal book, as the author studies the significance of brown skin for those whose countries of origin include North Africa and the Middle East, Mexico and Central America, and South and East Asia, he also reflects on his own identity and experiences as a brown-skinned person (in his case from Yemen) who has grown up with images of whiteness as the only indicators of beauty and desire.