The instant #1 New York Times bestseller (January 2019) everyone is talking about! People Magazine's Book of the Week • Bookish's "Must-Read Books of Winter" • PopSugar's "Best Books of Winter" • Cosmopolitan's "2019 Books to Bring to Your Book Club" • Bookbub's "Biggest Books of Winter" • Refinery 29's "Best Books of January 2019" • Crime Reads' "January's Best Psychological Thrillers" • InStyle's "7 Books That You Should Resolve to Read This January" • HelloGiggles' "The 50 Most Anticipated Books of 2019" • USA Today's "5 New Books Not to Miss" • Marie Claire's "The Best Women’s Fiction of 2019 (So Far)" • Hypable's "Winter Releases You Can’t Afford to Miss" "Hendricks and Pekkanen are at the top of their game...You won't see the final twist coming." —People Magazine “Beware strange psychologists...the authors know exactly how to play on their characters’ love of danger to bring them to the brink of disaster - and dare them to jump off.” —New York Times Book Review "Slickly twisty [with] gasp-worthy final twists...major league suspense." —Publishers Weekly (starred review) "For those who relished the creepy stalking in Hendricks and Pekkanen's The Wife Between Us, this unnerving tale will have them rethinking what secrets are safe to share and if moral and ethics really matter when protecting the ones you love." —Library Journal (starred review) "Masterfully escalates the suspense." —Booklist (starred review) Looking to earn some easy cash, Jessica Farris agrees to be a test subject in a psychological study about ethics and morality. But as the study moves from the exam room to the real world, the line between what is real and what is one of Dr. Shields’s experiments blurs. Dr. Shields seems to know what Jess is thinking... and what she’s hiding. Jessica’s behavior will not only be monitored, but manipulated. Caught in a web of attraction, deceit and jealousy, Jess quickly learns that some obsessions can be deadly. From the authors of the blockbuster bestseller The Wife Between Us, Greer Hendricks and Sarah Pekkanen, An Anonymous Girl will keep you riveted through the last shocking twist.
an anonymous girl
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The next novel of psychological suspense and obsession from the authors of the blockbuster bestseller The Wife Between Us Seeking women ages 18–32 to participate in a study on ethics and morality. Generous compensation. Anonymity guaranteed. When Jessica Farris signs up for a psychology study conducted by the mysterious Dr. Shields, she thinks all she’ll have to do is answer a few questions, collect her money, and leave. But as the questions grow more and more intense and invasive and the sessions become outings where Jess is told what to wear and how to act, she begins to feel as though Dr. Shields may know what she’s thinking...and what she’s hiding. As Jess’s paranoia grows, it becomes clear that she can no longer trust what in her life is real, and what is one of Dr. Shields’ manipulative experiments. Caught in a web of deceit and jealousy, Jess quickly learns that some obsessions can be deadly. From the authors of the blockbuster bestseller The Wife Between Us comes An Anonymous Girl, an electrifying new novel about doubt, passion, and just how much you can trust someone.
Summary and Analysis of An Anonymous Girl: A Novel by Greer Hendricks and Sarah PekkanenBook Nerd offers an in depth summary of "An Anonymous Girl."Learn about this thriller suspense and psychological suspense novel in these sections: Chapter-by-chapter summary and analysis An overview of the setting and plot A description of the main characters and secondary characters Learn about the symbols and motives of An Anonymous Girl List of the major themes in An Anonymous Girl Discussion questions for thought Download and read now for an enhanced book overview that complements the original book. *Please Note: This is an unofficial summary and analysis book of Hendricks' and Pekkanen's "An Anonymous Girl." This companion is designed to further your understanding and analysis of the book. This is not the original book.
Over a decade after Anonymous first appeared, it has grown from a small band of hacktivists to a Global Collective with organized National Cells in half the countries on Earth and 2.5 million dedicated participants worldwide. Dark Ops explores four years in the history of the global and viral meme of revolution called Anonymous, as it continues to battle the forces of evil bent on world domination. As NATO and the ""Five Eyes"" nations continue to war on Anonymous, the Global Collective strikes some fearful blows in return. Join Commander X and other Anons as they take you on a grand adventure, and lead us all into the mysterious Dark Ops. www.DarkOps.cf
This edition of A Young Girl's Diary by An Anonymous Young Girl and translated by Eden and Cedar Paul is given by Ashed Phoenix - Million Book Edition
The most popular mystery writer of all time concocted a rich recipe of intrigue, character, and setting. All of Agatha Christie’s 66 detective novels are covered here in great detail. Each chapter begins with general comments on a novel’s geographical and historical setting, identifying current events, fashions, fads and popular interests that relate to the story. A concise plot summary and comprehensive character listing follow, and each novel is discussed within Christie’s overall body of work, with an emphasis on the development of themes, narrative technique, and characters over the course of her prolific career. An appendix translates Poirot’s French and defines the British idiomatic words and phrases that give Christie’s novels so much of their flavor.
From the editor-at-large of Breitbart.com comes a galvanizing and alarming look at the strategy and tactics of leftist thuggery. While President Obama and the left like to pretend that they oppose bullying with all their hearts and souls, the truth is far darker: the left is the greatest purveyor of bullying in modern American history. Bullying has morphed into the left’s go-to tactic, as they attempt to quash their opponents through fear, threat of force, violence, and rhetorical intimidation on every major issue facing America today. Ben Shapiro uncovers the simple strategy used by liberals and their friends in the media: bully the living hell out of conservatives. Play the race card, the class card, the sexism card. Use any and every means at your disposal to demonize your opposition—to shut them up. Then pretend that such bullying is justified, because, after all, conservatives are the true bullies, and need to be taught a lesson for their intolerance. Hidden beneath the left’s supposed hatred of bullying lies a passionate love of its vulgar tactics. The left has created a climate of fear wherein ordinary Americans must abandon their principles, back abhorrent causes, and remain silent. They believe America is a force for evil, that our military is composed of war criminals, and that patriotism is the deepest form of treason. They incite riots and threaten violence by playing the race card, then claim they’re advocates for tolerance. Disagree with Obama? You must be a racist. They send out union thugs and Occupy Wall Street anarchists to destroy businesses and redistribute the wealth of earners and job creators. No target is off limits as liberal feminists declare war against stay-at-home moms, and gay activists out their enemies, destroy careers, and desecrate personal privacy. These are the most despicable people in America, bullying their opponents while claiming to be the victims. Shapiro takes on the leftist bullies, exposes their hypocrisy, and offers conservatives a reality check in the face of what has become the gravest threat to American liberty: the left’s single-minded focus on ending political debate through bully tactics.
The number of surviving medieval secular poems attributed to named female authors is small, some of the best known being those of the trobairitz the female troubadours of southern France. However, there is a large body of poetry that constructs a particular textual femininity through the use of the female voice. Some of these poems are by men and a few by women (including the trobairitz); many are anonymous, and often the gender of the poet is unresolvable. A "woman's song" in this sense can be defined as a female-voice poem on the subject of love, typically characterized by simple language, sexual candor, and apparent artlessness. The chapters in Medieval Woman's Song bring together scholars in a range of disciplines to examine how both men and women contributed to this art form. Without eschewing consideration of authorship, the collection deliberately overturns the long-standing scholarly practice of treating as separate and distinct entities female-voice lyrics composed by men and those composed by women. What is at stake here is less the voice of women themselves than its cultural and generic construction.
2013 Book Award Winner from the International Research Society in Children's Literature 2012 Outstanding Book Award Winner from the Association for Theatre in Higher Education 2012 Winner of the Lois P. Rudnick Book Prize presented by the New England American Studies Association 2012 Runner-Up, John Hope Franklin Publication Prize presented by the American Studies Association 2012 Honorable Mention, Distinguished Book Award presented by the Society for the Study of American Women Writers Part of the American Literatures Initiative Series Beginning in the mid nineteenth century in America, childhood became synonymous with innocence—a reversal of the previously-dominant Calvinist belief that children were depraved, sinful creatures. As the idea of childhood innocence took hold, it became racialized: popular culture constructed white children as innocent and vulnerable while excluding black youth from these qualities. Actors, writers, and visual artists then began pairing white children with African American adults and children, thus transferring the quality of innocence to a variety of racial-political projects—a dynamic that Robin Bernstein calls “racial innocence.” This phenomenon informed racial formation from the mid nineteenth century through the early twentieth. Racial Innocence takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which Bernstein analyzes as “scriptive things” that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom’s Cabin to The Wonderful Wizard of Oz; literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how “innocence” gradually became the exclusive province of white children—until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself. Check out the author's blog for the book here.