The average club player doesn’t need to study hundreds of pages of chess opening theory. Understanding structures and finding tactics are much more important than memorizing variations. Renowned German chess trainers Erik Zude and Jörg Hickl have created an ideal club player’s repertoire for Black. This compact manual presents a set of lines that is conveniently limited in scope, yet varied, solid and complete. The core repertoire is based on lines that the authors have successfully played at (grand)master level for decades: the Antoshin Variation of the Philidor Defence against 1.e4 and the Old-Indian Defence against 1.d4. There is only a limited number of plans, ideas and structures that you need to learn, and very few forcing variations. You will develop your position with a sequence of strong standard moves and start your highly effective counterplay. Zude and Hickl provide common sense guidance, explain all typical characteristics and give practical examples. If you have an Elo rating between 1400 and 2200, you don’t need to look further because you can Play 1..d6 Against Everything!
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A brilliant collection of essays by a young writer who is already a star in the intellectual firmament. As William Deresiewicz has written in Harper’s Magazine, “[Mark Greif ] is an intellectual, full stop . . . There is much of [Lionel] Trilling in Greif . . . Much also of Susan Sontag . . . What he shares with both, and with the line they represent, is precisely a sense of intellect—of thought, of mind—as a conscious actor in the world.” Over the past eleven years, Greif has been publishing superb, and in some cases already famous, essays in n+1, the high-profile little magazine that he co-founded. These essays address such key topics in the cultural, political, and intellectual life of our time as the tyranny of exercise, the tyranny of nutrition and food snobbery, the sexualization of childhood (and everything else), the philosophical meaning of Radiohead, the rise and fall of the hipster, the impact of the Occupy Wall Street movement, and the crisis of policing. Four of the selections address, directly and unironically, the meaning of life—what might be the right philosophical stance to adopt toward one’s self and the world. Each essay in Against Everything is learned, original, highly entertaining, and, from start to finish, dead serious. They are the work of a young intellectual who, with his peers, is reinventing and reinvigorating what intellectuals can be and say and do. Mark Greif manages to reincarnate and revivify the thought and spirit of the greatest of American dissenters, Henry David Thoreau, for our time and historical situation. From the Hardcover edition.
Plagued by disinformation, personal politics and poor research, the Titanic story has existed in a miasma of romance and chivalry for a century now. Going back to the official enquiry transcripts and letters and interviews from survivors, a different picture emerges, and controversies about the sinking can be addressed. Were the 3rd class held below decks while the nobility escaped? Did the captain or 1st officer shoot themselves? Why did the ship leave port with room in the boats for only half of those on board, and why were 400 seats in the boats wasted? Was the Titanic trying for a speed record? With the aid of a hundred years of research, an enlightening new account of the liner's final hours emerges.
"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa
AGAINST THIS RAGE --by Robert D'Artagnan Randall and Gloria set off to England on a quest with a lofty if unrealistic goal... To prove the true identity of Shakespeare. They never bargained for the murder they would encounter along the way. Nor dreamed of the web of intrigue they would stumble onto in their search to clear up what should have been purely literary mysteries...
Poland's relationship with its Jewish population has long been a subject of often agonizing debate. In September 1939, there were approximately 3.3 million Jews living in Poland, the largest population in Europe. In May 1945, between 40,000 and 60,000 remained. Most of the Nazi death camps had been located on Polish soil. The intertwined issues of wartime complicity and victimhood haunt Poland to this day, complicated by the unavoidable fact that anti-Semitism in Poland existed well before the outbreak of the Second World War, and has existed long after it. The deadly Kielce Pogrom in July 1946 appalled the world, since its victims were precisely those Jews who had miraculously survived annihilation. And while with the years physical violence against Jews diminished-if only because there were not many at whom to direct it-anti-Semitism has remained no less virulent, emerging as a force in Polish politics, religious life, and in society at large. A study undertaken in 2002 determined that one in nine Poles believed the Jews collectively responsible for the crucifixion of Christ. One in four claimed that Jews were secretly plotting to rule the world. Is anti-Semitism integral to Polish identity? Nowhere has this question been more the cause of soul-searching than in Poland itself. In this volume, Adam Michnik, one of Poland's foremost writers and intellectuals, and Agnieszka Marczyk have brought together the most significant essays of the twentieth century written by prominent Poles on Polish anti-Semitism, including by such writers and intellectuals as Czeslaw Milosz, Leszek Kolakowski, Jerzy Andrzejewski, and Tadeusz Mazowiecki. Taken from a three-volume original Polish edition, 3,000 pages in length and containing 320 entries, the essays, most of which have been translated into English here for the first time by Marczyk, resonate with Michnik's central argument-that anti-Semitism is not a given of Polish culture. It has been consistently challenged and rejected. Taken together, through their collective courage and wisdom, expressed even in moments when reason seemed lost, these essays and their authors remind readers not only of the destructive and self-destructive elements of anti-Semitism, but of the necessity of combatting it in all of its forms. Even some of the darkest parts of Polish history have produced moments of illumination.
When it comes to passion this hot, it’s all or nothing. Olivia Townsend’s wealthy cousin Marissa had everything a girl could ask for—a great job, a privileged life, and all the friends she wanted. Or, at least, all the friends money could buy. But one case of mistaken identity has turned her privileged world upside down. An abduction gone wrong lands her right in the lap of the sexiest, most dangerous man she’s ever met. To Marissa, he’s an enigma, but one to whom she’s irresistibly, inexplicably drawn. With him comes a new world of freedom and passion, of dark shadows and dangerous secrets, a world where nothing is what it seems—except for the blind passion that Marissa can’t escape—or maybe even survive.
On the poisonous, icy surface of Ganymede, a man and a boy are on a deadly hunt. Their prey is the Aleph - an unknowable alien artifact that roamed and ruled Ganymede for countless millennia. Indescribable, infinitely dangerous, the Aleph haunts men's dreams and destroys all efforts to terraform Ganymede into a habitable planet. Now in a modern world ancient struggle is joined, as a boy seeks manhood, a man seeks enlightenment, and a society seeks the power to rule the universe.