Losing has never been easy for a Maddox, but death always wins. Eleven years to the day after eloping with Abby in Vegas, Special Agent Travis Maddox delivers his own brand of vigilante justice to mob boss Benny Carlisi. Vegas's oldest and most violent crime family is now preparing for vengeance, and the entire Maddox family is a target. The secret Thomas and Travis have kept for a decade will be revealed to the rest of the family, and for the first time the Maddoxes will be at odds. While none of them are strangers to loss, the family has grown, and the risk is higher than ever. With brothers against brothers and wives taking sides, each member will make a choice—let the fear tear them apart, or make them stronger.
a beautiful funeral
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"Eleven years to the day after eloping with Abby in Vegas, Special Agent Travis Maddox delivers his own brand of vigilante justice to mob boss Benny Carlisi. Vegas's oldest crime family is now preparing for vengeance, and the entire Maddox family is in danger"--Page 4 of cover.
This important new study looks at the intersection of Greek and Egyptian art forms in the funerary sphere of Roman Egypt. A discussion of artistic change, cultural identity, and religious belief foregrounds the detailed analysis of more than 150 objects and tombs, many of which are presented here for the first time. In addition to the information it provides about individual works of art, supported by catalogue entries, the study explores fundamental questions such as how artists combine the iconographies and representational forms of different visual traditions, and why two distinct visual traditions were employed in Roman Egypt.
Written in response to the current trend to deritualize death and funeral ceremonies, this book explores the ways in which caregivers and clergy can create heartfelt ceremonies that help the bereaved begin to heal. Explaining the purposes behind rituals, it reviews the many ways these have changed over the years and argues for a return to authentic, personalized, and meaningful funeral ceremonies. The qualities in caregivers that make them effective funeral planners are examined, and practical ideas for creating authentic, personalized, and meaningful funeral ceremonies are provided. Trends toward the prevalence of cremation are discussed, as are trends away from viewing and spending time with the body of the deceased. This replaces 1879651084.
The Man Who Loved Funerals is the story of Charlie, a homeless man who reads the obituaries each day and chooses a funeral. He makes friends with the dead because he finds them dependable. He visits them at their graves and shares his most intimate thoughts with them. Then one day, at a funeral he meets an attractive, exciting woman, who tells him she is dying of cancer and invites him to her funeral. They fall in love and Charlie teaches her to accept death while she teaches him to live. Lisa dies. And just as a Zen master chops wood and carries water until he reaches enlightenment and then carries water and chops wood, Charlie returns to his daily funeral, now celebrating life.
The first in-depth study of the ceremonial and music performed at British royal and state funerals over the past 400 years.
A hypothetical tour of the private and public features of Athens during its political and cultural apex circa 360 B.C
The translation of Felicja Kruszewska's A Dream introduces a major play by a twentieth-century female playwright to the English-speaking world. On March 7, 1927 A Dream - a large-scale expressionistic drama by an unknown poet - burst on the Polish theatrical scene in a dazzling debut production by the young actor Edmund Wiercinski, who would become one of the outstanding directors of his time. The play's hallucinatory visions of the rise of fascism and the heroine's longing for a providential savior on a white horse spoke directly to Polish audiences about their deepest anxieties. During the next two years A Dream received three additional stagings and became the subject of lively debate and controversy. The play, which has been successfully revived in 1974, is an outstanding example of European expressionism. The volume also contains An Excursion to the Museum, by the contemporary Polish poet, playwright, and short-story writer Tadeusz Rozewicz. A disturbing account of an utterly mundane visit to Auschwitz, the tale is a brilliant example of the playwright's technique of poetic collage.